The Thayer Block and its twin, the Claflin Block, on Main Street in Milford, Massachusetts, stand as prototypical early 20th century commercial blocks commonly found in nearly any city in New England. The two-story commercial block was built in 1912 and was long the location of the Home National Bank of Milford. The bank added the iconic clock on the facade, which is one of the remaining clocks made by the McClintock-Loomis Clock Company or successive company, O.B. McClintock Co., which specialized in sidewalk clocks for banking and financial institutions. The green marble storefront was likely added in the 1950s or 1960s and is an eye-catching change to the building. Today, the bank space is occupied by the Rail Trail Flatbread Co., a local restaurant and bar.
As the St. Mary of the Assumption Catholic Church of Milford expanded, the diocese determined that an academy building was warranted to educate the pupils affiliated with the growing congregation. In 1924, Massachusetts ecclesiastical architect, John W. Donohue was hired to furnish plans for a new parochial school building. The two-story Colonial/Classical Revival style edifice was constructed of brick with limestone trim and follows the form of many school buildings constructed in New England in the early decades of the 20th century. In 1954, the building became the St. Mary’s Catholic High School and it was expanded in 1962 with a Modern addition. When the two local Catholic churches merged schools in the 1970s, this building was sold to the Town of Milford, who converted it to use as a public middle school, a use that remained until a new middle school was built elsewhere in town. With its future uncertain, in 2018, the Town of Milford sold the school building to developers, who demolished the 1960s additions and constructed a new addition to the rear, converting the entire building into elderly housing named, Landmark Place Apartments. Adaptive reuse is a great way to build additional housing while retaining local history and meet sustainability goals!
The present Police Station in Milford, Massachusetts, faces the town’s Draper Memorial Park and was built in 1911-12 from locally quarried Milford “pink” granite. While currently a police station, the building was actually constructed as the town’s first purpose-built post office, and constructed after a years’ long planning process to find a suitable site, funding, and design review. When the site and funding was set, James Knox Taylor, supervising architect of the United States Department of the Treasury and supervising architect of hundreds of federal buildings built throughout the United States during the period from 1897-1912, was hired to furnish designs. When his plans were unveiled, the community protested against the use of any granite other than the locally quarried “pink” Milford granite in the construction of the local post office. Mr. Taylor conceded and after two years of delays, the Post Office officially opened in 1914. Rectangular in plan, the granite structure is Classical Revival in style with its projecting cornice, symmetrical facade, and pilasters dividing the bays on the facade. The building also included a New Deal-era mural inside. The USPS moved into a contemporary building across the park in the 1960s and the Town of Milford purchased the old Post Office, converting it to the community’s Police Department Headquarters.
Now functioning as the Park Street School, the handsome brick building at 63-69 Brimmer Street stands on the site of a former three-story brick livery stable and is an excellent example of the early 20th century revival of the Flat of Beacon Hill from the “horsey end of town”, to an upper-class enclave. The school building, which was completed in 1914, was designed by R. Clipston Sturgis, one of the premier architects of Boston, as one of the first “fireproof” schools in Boston. The school building originally had an open-air rooftop playground, and was designed with special attention to light and air ventilation, with a library, gymnasium, and recitation rooms inside. In 1939, the Brimmer School merged with the May School, which had been founded about 1900, creating the Brimmer & May School. The new institution then hired architect, Walter H. Kilham of the firm, Kilham & Hopkins, to enclose the rooftop playground, allowing for more usable space for the school. After the Brimmer & May School moved to Chestnut Hill in 1954, the building was bought by C.F. Burdett, as a new location for a private business school that had been operating since 1879. Burdett College remained in possession of the building until 1970 when Emerson College took over the building for its performing arts department. In 2003, Emerson College sold the building to Park Street Kids, a children’s organization begun by mothers at Park Street Church, located on the east end of the Boston Common and it has since been known as the Park Street School. The school was recently restored by Mills Whitaker Architects.
This granite-faced townhouse at 76 Beacon Street in Beacon Hill was built in 1906, and was designed as an early 20th century continuation of the Asher Benjamin-designed row of granite-faced townhomes to its east, built in 1829. The handsome residence was built in 1906, when Amy Gore Iasigi, the widow of merchant and statesman, Oscar Iasigi (1846-1884), purchased the site a year prior and hired architect, A. W. Longfellow, to design a new townhouse for the site. Ms. Iasigi resided here with her daughter, Nora Iasigi Bullitt, who with her mother, helped establish of a manual training school for girls in Lenox and Stockbridge, Massachusetts. Nora was also a prize-winning sculptor, having studied under Daniel Chester French. As a woman of exceptional means, Amy G. Iasigi had seven domestic servants maintain her city mansion and carriage house on Byron Street. After her death in 1927, the proeprty was owned and occupied by wool merchant Robert Hooper Stevenson. The relatively modest Iasigi Townhouse’s granite facade is of a slightly different color than the 1820s granite townhouses nextdoor, importantly distinguishing it from its neighbors, and it also features flared granite lintels with pronounced keystones.
The three-story, masonry Union Boat Club facing Storrow Drive and the Charles River, was constructed in 1910 to replace a wood-frame boathouse the club had built in 1870. The western edge of Beacon Hill changed drastically when in 1910, the Charles River Dam regulated the water along the Charles River, removing its tidal nature. In the years before this, the Charles River Embankment was laid out as parkland along the riverfront, which in turn, made it so the original Union Boat Club site was no longer on the water’s edge. The original boathouse was moved to the Esplanade and this new clubhouse, with its high-fired brick exterior and cast stone trim, was designed in the Classical Revival style by the firm of Parker, Thomas & Rice on the original boat house site. The organization expanded its offerings, adding handball and squash to its members in the new, 1910 building. In 1928, a boxy rooftop addition was constructed adding two more squash courts which was later raised in height and covered in metal in 1996.
In the early 20th century Brookline, Massachusetts, saw an immense increase to its population, spurred by the streetcar system and a suburbanization of greater Boston. As land is finite, developers eyed the large estates near commuter lines and built apartment buildings to supply housing to middle-income residents. Not all residents welcomed the change as density and the destruction of old estates caused concerns for many wealthy and older residents in Brookline who enjoyed the bucolic suburbs to dense city life. As a result, many Brookline developers hired known architects to design apartment buildings with high-quality materials and finishes to contribute to the rich architectural streetscapes and established neighborhoods. This apartment building, one of two at the corner of Longwood Avenue and St. Paul Street, was built in 1913 from plans by Gay & Proctor, an established local architectural firm. The developer, Bernard Steuer (1859-1921), was an Austrian-Jew that emigrated to the United States and worked in real estate and building in Brookline and Boston. The building features a heavy cornice with modillons, three-story polygonal bays that break up the massing, and cast stone detailing with Beaux Arts style entries.
The most whimsical and unique building in Warren, Rhode Island, is this architectural landmark, the former Lyric Theater on Miller Street. Built in 1914, the building historically had a large projecting marquee, and today retains the large blind arch with applied ornament in the form of Ionic pilasters, panels, frets, and swags to decorate the facade. The Lyric remained active as a motion-picture theatre until 1967 and was converted to retail use in the 1980s, becoming an antique store in 1992.
This unique four-story brick townhouse on Otis Place in Beacon Hill, Boston, was built in 1885 by the architectural firm of Rotch & Tilden for Mrs. Octavia L. Apthorp and her husband, William F. Apthorp. Elevated on a tall brick basement, the exterior of the house is richly detailed with masonry decoration in what has become known as the “panel brick” style; with an elaborate brick entrance archway, paneled pilasters at the third floor, and vertical brick lintels above the windows. Over the ground floor windows near the entrance, iron grates with spear-like finials give the design a Medieval/English Queen Anne presence. William F. Apthorp was the only son of Robert Apthorp, a prominent Boston attorney and abolitionist who lived across the street at 2 Otis Place. William was a pianist and teacher at the New England Conservatory of Music and writer who married Octavia (sometimes spelled Octavie) Loir Iasigi in 1876, she was also from a well-connected Beacon Hill family.
The Chester Public Library in Chester, Connecticut, was formed from a private library when in 1875, a Library Association was formed with members paying fees to take out books. The library grew throughout the 19th century and was housed in rented spaces, including in the Old Stone Store, until the early 20th century, when the collection grew to a point a purpose-built library was needed. A generous donor stepped forward, Mr. Samuel Mills Ely (1837-1909), who grew up in Chester, but made his fortunes in Binghamton, New York. Samuel Ely donated funds to his hometown as a memorial to his parents, Richard and Mary Caroline Ely. The library opened in 1907 and is built of native granite and trimmed with Indiana limestone and resembles many of the Carnegie libraries built at the time with a central, pedimented entry pavilion and recessed side wings, but no Carnegie funds were allocated for this project. The architect is also not known at this time.
The former Derby Savings Bank stands at the corner of Main and Caroline streets and is one of the many handsome commercial buildings in Derby, Connecticut, which have been preserved. Designed in the Romanesque and Classical Revival styles, the building is adorned by terracotta, brick, and brownstone, with medallions depicting the date of incorporation (1843) and the date of this building (1893) which flank the Palladian window at the second floor. The bank occupied this structure from the date of its completion in 1893 until it built a new banking facility farther down Main Street in 1923. The bank again built a new building during the period of urban renewal in Derby’s downtown in 1976 when the modern structure at Main and Elizabeth streets was completed. The Modern bank is presently used as the City Hall.
The Derby Neck Library in Derby, Connecticut, is a beautiful example of an early 20th century library and one of a few Carnegie libraries in the state. The beginnings of the library began in 1897, when Wilbur F. Osborne and his wife, Ellen Davis Osborne, who lived at the nearby Osborne Farm, donated $50 to the nearby school to begin a small library in the building. After years of growth, Wilbur Fisk Osborne, requested funds from Andrew Carnegie, who was donating money to communities all across the country for such purposes, to build a new library for Derby Neck. In 1906, Carnegie donated $3,400 to the community, and planning began on the building. Sadly, Osborne died around the time the library opened in 1907. The building was designed in the Classical Revival style by architect, Henry Killam Murphy of Connecticut. Osborne’s daughter, Frances Osborne Kellogg, who inherited her father’s farmhouse nearby, directed the library until her death in 1956. The building was expanded in 1972 and again in 1999.
In 1912, Congressman Henry M. Baker, cousin of Mary Baker Eddy, the founder of the Church of Christ, Scientist, left in his will, $10,000 and the land next to his family home to the Town of Bow for the creation of a public library for his hometown. Architect, William McLean formerly of the firm, McLean and Wright, who specialized in library designs of the early 20th century, was selected to furnish plans for Bow’s new library, which employs a sort of Classical Revival/Beaux Arts design, similar to many Carnegie libraries of the time. As the town grew, the library has been expanded.
One of the four stately brick buildings framing the Lancaster Town Common in Lancaster, Massachusetts, is this brick and brownstone building, the historic town library. The story of the town’s first purpose-built library building began in 1866, when wealthy resident, Nathaniel Thayer offered $5,000 to the town for the erection of a new library in his hometown. Quickly, a committee of residents, led by Mr. Thayer, worked to acquire land from the First Church of Christ in Lancaster and hire architects Ryder & Harris of Boston to furnish plans for the new building, which was set to be a library and Memorial Hall dedicated to the 39 Lancaster men who died fighting in the Civil War. Nathaniel Thayer ultimately donated two-thirds of the final cost of the building, believed to be nearly $30,000, in addition to his already established $5,000 for books. The building was updated later with the addition of a children’s room in 1929, a gift of Mrs. Bayard Thayer in memory of her son, another Nathaniel Thayer. The Classical/Renaissance Revival style building stands out for its unique central brownstone pedimented bay with engaged columns and balcony over the main entrance.
Buildings of New England 