One thing I really love about small towns in New England is the prevalence of amazing old homes on the winding back roads. Located in Boxborough, MA, the Jacob Littlefield Farmhouse showcases the agricultural character and charm seen in the town. The farmhouse and outbuildings were built by Jacob Littlefield, who likely hired a housewright from town as the home is a near match to a home built on a nearby street. Mr. Littlefield was a farmer from Wells, Maine with seven children and a wife named Anna. After his death, his wife Anna owned the farm, until her death in 1896. Their son Albert ran the farm from about 1896-1922, after which time Jacob’s grandson Earl was the owner. Earl was taxed in 1928 for ownership of two horses, 17 cows, a bull, the house, barn and shed, tool house, ice house, root house, hen house, garage, and a second house on 101 acres. He resided here until 1929 when it was sold out of the family. Since then, subsequent owners have restored the home and the various outbuildings to maintain the architectural and historic integrity of the property. We need more stewards of old homes like this!
Did you know that Boston once had it’s own Hogwarts? While we didn’t have wizards and witches in the streets, we did have young magicians learning the tricks of the trade! The Boston School of Magic was founded in the 1880s by William Davis LeRoy (1862-1919), a professional magician who also served as President of the Conjuror’s Club of Boston. Upon opening its doors, the Boston School of Magic was one of a handful of such schools in the country. For $75, you could learn how to escape from a pair of handcuffs from a professional instructor at W.D. Leroy’s “School of Magic”, and even buy some magic items for shows from his large catalogue. Mr. LeRoy was also friends with the famous Harry Houdini, who purchased items from his store and consulted with him on new acts. Houdini was extremely popular in Boston and held many acts and feats of strength here. The Boston School of Magic was located in the second floor of the Blanchard Building at 103 Court Street, a brick commercial building with stone facade constructed in the middle of the 19th century. The building was demolished in the 1920s and replaced with a two-story structure, which too was razed for Government Center.
Less than a dozen wood-frame buildings exist on Beacon Hill in Boston, and this curious building is one of them, and also happens to be one of the oldest structures in the neighborhood! Built by 1800, this structure was constructed as an ell/addition to the Glapion-Middleton House at 5 Pinckney Street in Boston. The Glapion-Middleton House (previously featured) was constructed in 1787 after two Black men, George Middleton and Louis Glapion and their wives, built a small double house in the abolitionist center of Boston, Beacon Hill. In recent years, some have speculated that due to this living arrangement and other accounts, that Glapion and Middleton were in-fact gay men, but this is unsubstantiated. After the home was constructed, a two-story, five-bay ell was constructed which connected the home to Joy Street at the corner. The ell served as additional space for the two families and they appear to have had a workshop or store in part of the building. In 1855, owners demolished the center bay of the ell and erected a brick townhouse, similar to others in the neighborhood. The ell in this building was occupied as a store for the majority of its life and became an Italian restaurant and soon after a “Boyer’s Creamery Luncheon”. The property has since been converted to a residence.
Located on Charles Street in Beacon Hill, Boston, you’ll find this charming Tudor style commercial building, which appears as if it was plucked from the England! The Studio Building was built in 1914, and replaced a livery stable on the site (not really necessary with the growing popularity of the automobile). The building was designed by the architectural firm of Loring & Leland for William Coombs Codman of the Brahmin Boston family as an investment. The building was constructed on a prominent corner lot with commercial/retail use at the ground floor and artist studios above. Just six years after the building was complete, Charles Street was widened, and the building was shaved back over 10′ with all new openings seen here.
Boston’s constant churning of development has given us amazing architectural landmarks, and incredibly unfathomable architectural loss. One of such cases of loss is the former Brattle Street Church which was located on Brattle Street, roughly where the main entrance to Boston City Hall is located today. Demolition of significant architecture in Boston began way before the period of Urban Renewal in the mid-20th century, and the loss of the Brattle Street Church in Downtown Boston showcases this. The Brattle Street Church had been founded in the 1690s by a group of merchants seeking an alternative to the authority exercised by Increase and Cotton Mather in Boston’s existing congregations. Despite these beginnings, the church remained Congregational through the 18th century. At the time of the Revolution, Brattle Street counted such figures as John Hancock, Samuel Adams, Joseph Warren, and John and Abigail Adams among its parishioners. The original wooden church was replaced in 1772 by this stunning brick building, designed by Thomas Dawes. Just years after the doors opened, the American Revolution upended life in Boston. This building was a survivor, and was apparently hit by cannon-fire by the American batteries at the siege of Boston. A cannonball can be seen lodged into the building at the second floor, to the right of the Palladian window. After the American Civil War, development of the Back Bay led to a shifting population away from the downtown core, and a new church was erected for the congregation, the Brattle Square Church, designed by Henry Hobson Richardson. This church was demolished in 1872, just 100 years after it opened its doors and took a cannon for America.
Unlike the historically more fashionable South Slope that has always defined Beacon Hill’s character, the steeper, less accessible North Slope began with a 19th-century free black population and an integrated working-class community, but the architecture still stands out! In the 1840s, before massive land-making projects resulting in the Back Bay and South End neighborhoods, Boston-area developers had to think of creative ways to develop housing in the dense blocks of Boston. One solution was to purchase a larger parcel and lay out smaller house lots bordering narrow, dead-end ways, similar to this little enclave in Beacon Hill. Sentry Hill Place (originally named May Street Place) was so named in the 1910s by the residents in honor to the wooden sentry post that stood atop Beacon Hill
prior to the 1780s. Sentry Hill Place is comprised of seven near-identical brick rowhouses, all built in 1844 when the alley was laid out. At the terminus of the alley is a wood-frame structure which encloses the block and provides access to the two end units, an addition from the 1880s, to obscure what was once the rear of a barn which was accessed off the street to the north. Today, the once working-class enclave of homes is one of the more desirable in the neighborhood, for obvious reasons!
Founded in 1835, Paine’s Furniture Company was at one time the largest furniture manufacturer and dealer in New England and had a nationwide business. The company was founded by Leonard Baker Shearer, who was joined in business in 1845 by John S. Paine, his son-in-law. Upon the death of Shearer in 1864, the name of the firm was changed to Paine’s Furniture Company. The company occupied a couple wooden and metal buildings on this site in the Bulfinch Triangle until a fire destroyed the complex. The growing firm took this opportunity to hire one of the most successful architect Gridley J. F. Bryant who worked with a colleague, Louis P. Rogers, to design the fire-proof building. The Second Empire style building with mansard roof was split into three sections with the rear two rented out to other companies, while Paine’s occupied the south-facing (main) facade. When Paine’s moved to their new building in the Back Bay, they sold this building and later alterations severely diminished the original design of the building. The current hodgepodge of alterations creates a mess of what was once an undeniable architectural landmark.
I know some of you hate Brutalist architecture, but give this one a chance, its one of my favorites! In the 1960s, the Harvard Medical School’s cramped research library on the second floor of the Administration Building (1905) was not suitable for the esteemed doctors behind those doors, and a larger, modern library was required. There was one issue… They did not have any room to build a suitable library! Architect Hugh Stubbins, who always thought outside of the box, decided the best option was to close a street and build up. Reportedly the largest university medical library in the country at the time of its completion, the Francis A. Countway Library of Medicine is named after Francis Countway, the bookkeeper for Lever Brothers, a local soap company, who later became president in 1913. He supported his sister, Gussanda “Sanda” Countway, throughout her school years. When Francis died, Sanda Countway created the Countway Charitable Foundation in his memory. The funds collected by this foundation, including Sanda’s own donation, allowed Harvard University to build the Countway Library in his name. The concrete building features a massive atrium inside with a curvilinear staircase which contrasts the bold proportions with a sleek design feature. The library is home to the Warren Anatomical Museum, one of the few surviving anatomy and pathology museum collections in the United States, which includes some medical and anatomical marvels!
Located at the Charles River Esplanade in Boston, the Hatch Memorial Shell has long been an iconic landmark and meeting place for Bostonians and tourists alike. Built in 1940, this outdoor amphitheater structure replaced an earlier 1920s shell, envisioned by Arthur Fiedler, the first permanent conductor of the Boston Symphony Orchestra. Construction began on the first shell in 1928 and Arthur Fiedler conducted the first Boston Pops concert there on July 4, 1929, followed by a month of concerts during that first summer, a tradition that has continued to this day. A second temporary shell was constructed of metal in 1934, which was unsatisfactory for the famous orchestra. In 1940, the construction of the new music shell took place, donated by benefactor Maria Hatch, to build a memorial for her late brother, Edward, who it is named after to this day. The permanent shell was designed by Richard J. Shaw, a Boston architect known for designing churches. The Art Deco design, with intricate woodwork adorning the interior and a terrazzo tile roof, was dedicated on July 2, 1940, just in time for Independence Day celebrations.
Replacing a vacant lot bordering I-93 at Kneeland Street, the One Greenway development provides much needed housing and design as one of the gateways into the Chinatown neighborhood of Boston. A result of community engagement, One Greenway is one of the largest new affordable housing projects in recent memory. The project restores the urban fabric that was lost half a century ago to the construction of major highways, which cut through the community and provides much-needed affordable housing in one of the nation’s oldest and largest immigrant communities. When the elevated highway was moved underground and the Rose Kennedy Greenway was laid out, parcels adjacent were available for reuse, and this was one of the last to be redeveloped. The building mixes 217 market-rate apartments and 95 affordable apartments, to create a mixed-income development, hopefully the future, as to not segregate affordable housing to less-desirable parts of cities. Designed by the firm Stantec, the building creates a solid street wall at the corner, and provides amazing open space at the rear in the form of a well-designed park designed by Crosby, Schlessinger, and Smallridge. The use of beige terracotta panels makes the large building more inviting, compared to the cold and sterile new apartment buildings going up all over the city and region.