Tudor Style

Stone Estate and Gate Lodges // 1910

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Jutting into Buzzards Bay in Marion, Massachusetts, Great Hill is significant not only as the highest point in town but it is also home to one of the grandest estates in New England. Before the present mansion and various outbuildings were constructed here in the early 20th century, the property was home to Marion House, a sprawling 1860s resort hotel that drew hundreds of summer guests every year. In the early 1900s, Boston financier and Hayden, Stone & Co. co-founder, Galen L. Stone (1862-1926) bought the entire 312-acre peninsula and had the old hotel torn down. In its place, Stone commissioned this massive Tudor-style stone mansion with a central Great Hall built from stone quarried in Pennsylvania and shaped on-site by dozens of stonecutters. The estate was designed by architect, Horace Frazer of the firm, Chapman & Frazer, and it takes strong design elements from the country estates in the English countryside. Inside, the spaces are finished largely in oak with the grounds dotted with formal gardens, greenhouses, by landscape architects, Shurcliff & Shurcliff. The castle-like Main House, was greatly reduced from its original size in the 1950s to make the residence more manageable for later descendants, but even over one hundred years later, it remains one of the most impressive English Revival country houses in the United States, and the property’s grounds are open on weekdays for walking and cycling on paved roads.

“Fair Oaks” // 1903

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One of the many grand Summer estates on the coast of Sippican Harbor in Marion, Massachusetts, is this mansion known as “Fair Oaks”. The residence was built in 1903 in the Tudor Revival style for Otis A. Shepard a wealthy lumber dealer in Boston. Given Shepard’s line of work he not surprisingly called his summer estate “Fair Oaks”, and his house’s building materials were undoubtedly supplied by his company. For his summer estate, Shepard hired Boston architect, Charles Allerton Coolidge, who spent summers at his own cottage nearby and designed many historic homes in Marion for other summer residents. A number of years later, the property was purchased by Elizabeth F. Clark and her husband Edward A. Clark (1868-1922), a stock broker in Boston. Exterior and interior images of the house during Clark’s ownership appeared in architectural publications in 1919, highlighting the architecture and interior design.

Eben S. Draper Mansion // 1926

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Built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation executive, Eben Sumner Draper, this massive Tudor Revival style mansion in Hopedale, provided a secluded country estate for the wealthy industrialist. The home was designed in 1926 by Boston architects Bigelow & Wadsworth, and replaced Eben’s father’s Shingle style country mansion “The Ledges“. The new Draper mansion was highlighted in numerous architectural magazines shortly after it’s construction, which highlighted the amazing brickwork, layout, and interior finishes, all of which remain to today! This spectacular home is over 14,000 square feet and has 17 bedrooms, several located in the staff wing, 10 full-baths and four half-baths, an in-ground swimming pool, gazebo, tennis court, and landscape design attributed to the notable landscape architect Warren Manning. In the 1960s, the home sold out of the family and was used as a home for adults living with developmental disabilities, mental illnesses, physical disabilities, the facility has since sold the Draper mansion and occupies the former carriage house on the grounds.

Graham Apartments // 1904

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This handsome, and unique example of a three-decker in the English Revival style is located on a corner lot at 128 Davis Avenue in the Emerson/Brookline Village neighborhood of Brookline, Massachusetts. Built in 1904 from plans by architect and genealogist, J. Gardner Bartlett, whose work focused on colonial New England and the English origins of colonial families. Trained as an architect at MIT, he gave up architecture for genealogy, but still occasionally designed buildings in the Boston area. The building here was developed for Richard Graham, an Irish immigrant, who along with his wife, operated a laundry business in the village. The use of a shingle and stone entrance porch and entrance bay with stucco half-timbering and diamond-pane casement windows stand out architecturally as one of the few examples of a three-decker built in this style in New England.

Irving-Strauss Mansion // 1906

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This unique Tudor Revival style house in the Cottage Farm neighborhood of Brookline was built in 1906 for Irving J. Sturgis (1873-1924), a banker and broker originally from Michigan. Architect Joseph Everett Chandler, specialized in the Colonial Revival style and historic restorations, but was clearly adept at other styles as evidenced in this stately manor for Mr. Sturgis. After WWI, the property sold to Mr. Leon Strauss, who worked in dry goods. The Irving-Strauss mansion is constructed of brick with cast stone trim and features classic ornamentation seen in the Tudor Revival style. Steeply pitched gable roofs have stone
coping, metal windows are casement or fixed with small pained lights and are framed in cast stone trim. Framing the entranceway is a brick and stone gateway, of which, a garden wall extends around the property, with a stately garden gate surmounted by stone finials displaying the flair of the style.

Curtis House – Boston University Children’s Center // 1904

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Built in 1904 as one of the finest Tudor Revival style residences in the Boston area, this residence in the Cottage Farm neighborhood of Brookline showcases all of the important elements of the iconic architectural style. The residence was built for Harry and Carrie Curtis, with Mr. Curtis being a partner with Curtis & Sederquist, bankers and brokers, with offices on Congress Street in Boston and in New York City. The couple hired architects Howard B. Prescott and William Sidebottom of the firm, Prescott & Sidebottom, to design the house. Rectangular in plan with massing enlivened by numerous cross gables and dormers, the house is decorated with exterior walls covered with wood shiplap at first story and half-timbered stucco at second story. The property was sold to Helen and Edward Mills by 1913. Mr. Mills was president and treasurer of the Edward C. Mills Leather Company. By 1931, the residence was owned by Erland F. Fish (1883-1942), a prominent lawyer and politician as well as the son of Frederick Fish, who owned the house across the street. Boston University purchased the property in 1964 as part of their institutional expansion into this neighborhood. Originally used as an alumni house, it later became the location for the Department of African American Studies. After an extensive expansion and restoration by Studio MLA (now Ashley McGraw Architects) and Kaplan Construction, the Tudor mansion is now a children’s daycare for Boston University faculty, staff, and graduate students.

William and Kathleen Fuller House // 1905

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This handsome Tudor residence was built around 1905 for William Oliver Fuller (1856-1941) and his wife, Kathleen Stephens Fuller (1869-1948), and can be found at the corner of Beech and Lincoln streets in the finest neighborhood in Rockland, Maine. Although an architect could not be established at this time, the high-style residence features half-timbered gables, an inset front porch framed by stone pillars, and an absolutely perfect color palette. William Fuller was a newspaper publisher, who created his first newspaper, the Rockland Enterprise when he was 18 years old and in high school. He would go on to become the editor and publisher of the Courier-Gazette, the region’s main newspaper. Kathleen Fuller frequented the newspaper herself through her published poetry and columns and would later become an associate editor and co-owner of the paper.

Longwood Towers // 1925

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No trip to Longwood in Brookline would be complete without checking in on one of the finest multi-family housing developments of New England… This is Longwood Towers. The development was originally built in 1925 from plans by architectural/engineering firm Kenneth DeVos and Co. who built three near-identical developments in the early 1920s: Detroit (1922), Brookline (1925), and finally Philadelphia (1928). The complexes were all originally called Alden Park Manor. Kenneth DeVos worked with local architects for each project to oversee construction details and furnish interior detailing as needed. For Brookline, he hired Harold Field Kellogg, who earlier served as the first director of the Boston Housing Authority. The design is Tudor Revival in style with towers connected by social spaces and a lobby linking the towers with a dining room for residents, a ballroom, lounge, day care facilities, barber and beauty shops, and a garage. The idea of a parking garage incorporated into an apartment complex was a very new idea when these were built, so much so it was written about as a new amenity for future developments to emulate. Another interesting tidbit about the complex is that it was featured in architectural journals in 1926 as it solved the “garbage problem” with trash chutes on each floor which terminated down in a brick incinerator (no longer in use). The Longwood Towers in Brookline were eyed as innovative and set trends for later developments, here’s to hoping future developers take cues to what makes good design and finishes rather than just profit with so many new boxy, uninspiring 5-over-1 apartment buildings going up all over the region.

Harriswood Crescent // 1889

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Harriswood Crescent was built in 1889-90 at the height of Roxbury’s development as a streetcar suburb which coincided with the electrification of the streetcar lines in Boston. The area of Roxbury in which the Crescent is located, known at the time as Boston Highlands due to its rocky terrain and steep grades, was an extremely desirable residential location. As land values raised, middle and upper-class families looked for varied housing types that fit their demands. Seen as a great investment of the family estate, the heirs of wealthy businessman Horatio Harris (1821-1876) redeveloped lots on one side of a rocky park for fine townhouses, which were named Harriswood Crescent. The name was probably chosen for its historical associations with Boston’s Tontine Crescent and the great Georgian crescents of London and Bath in England. Architect J. Williams Beal designed the row, which was one of his first commissions upon returning to Boston in 1888 after employment as a draftsman at McKim, Mead & White and a long study in England to view architecture. Built at 15 separate units, the row of Tudor style houses is among the only of such developments in Boston, and New England at large.

LeClear House // c.1915

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Waban in the late 19th and early 20th centuries was a hotbed for architect-designed houses as their own residences. This Colonial Revival/Tudor Revival style estate was designed by Gifford LeClear (1874–1931), a prominent architect in the Boston area. Gifford LeClear was born in Rutherford, New Jersey to Thomas and Cornelia (King) LeClear. He was educated in the private schools in Boston before entering Harvard University. He graduated with a Bachelor of Arts degree in 1895 and Master of Arts in 1896. He then worked for a year in the engineering department of the West End Street Railway before forming his partnership with Densmore in 1897. The partnership of Densmore & LeClear was formed in April 1897, practicing as mechanical and electrical engineers. One of the firm’s major projects in this role was the design of the building systems for the new campus of the Harvard Medical School in Boston.

Emmett House // 1917

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This refined brick Tudor Revival house in the Waban Village of Newton was built in 1917 for Lila and James Emmett. The couple hired Boston architect Edward B. Stratton to furnish plans for the home, which fits in to the early 20th century neighborhood. The symmetrical home has two gables at the facade which frame the central bay with a segmental pediment at the entrance.

Windle House // c.1912

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William “Willie” Winfred Windle (yes that is a real name) was born in Millbury at the height of the town’s industrial growth and prosperity. He ran the W.W. Windle Mill just west of downtown and with his wealth, was able to buy a house lot on one of the most fashionable residential streets in town. His home was built in the early 20th century and is a stunning example of Tudor Revival architecture. In 1911, Windle traveled to England to inspect mills there and was likely inspired by some of the residential architecture he viewed on the trip. The house elegantly blends stone walls with half-timbered wood, with a prominent entry. The timber and stone entrance porch which has decorative bargeboard and corbels, has been enclosed. The home remained in the Windle family at least into the 1940s, when it was occupied by William Winfred Windle’s son, Winfred Woodward Windle. By the 1970s, the home was occupied as the Millbury Society of District Nursing.

Fairholme // 1875

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One of a handful of massive summer cottages in Newport that have always remained a single-family house is this beauty, known as Fairholme. Originally built in 1875, the summer cottage was built in the popular Stick style for Philadelphia arts patron and engineer Fairman Rogers by architect Frank Furness, also of Philadelphia. The estate was purchased, expanded and modernized at the turn of the 20th century by Philadelphia banker John R. Drexel (1863-1935) and his wife, Alice Troth (1865-1947). It is likely that Philadelphia architect Horace Trumbauer was hired by the Drexel’s to modernize the home, as he was hired in 1903 to design their Manhattan townhome. The enlarged home in the Tudor Revival style saw a couple successive owners, all uber wealthy bankers and industrialists. The waterfront mansion which neighbors The Breakers and Anglesea (both featured on here previously), sold in 2016 for $16.1 Million!

Sunset Cottage // 1910

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Sunset Cottage was designed by local architect Milton Stratton and cost $20,000. The cottage was constructed for New Yorker Gertrude Stevens Rice, a decade after the death of her husband William. She and her husband formerly resided at The Tides, a home nearby, but she decided to construct a new home to summer at with her sister. The shingled home originally had half-timbering in the gables, but other than that, looks almost identical to when it was built 110 years ago!

“The Poplars” // 1899

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It’s Tudor Tuesday so I have to share one of the great Tudor Revival cottages in Bar Harbor, Maine, “The Poplars” (because any good summer cottage needs a name)! The cottage was built in 1899-1900 for Lewis A. Roberts, a retired book publisher from Boston, who purchased the lot which contained a summer cottage and stable, razing both. He hired the local firm of Goddard & Hunt, an architect/builder duo who worked on many projects in the village. The Tudor Revival cottage was only occupied in the summer months by Roberts and his family as the home was not winterized at the time. The cottage was built of wood and rough stucco work with rough timber trimmings all hallmarks of the Tudor style. The home was later known as the Stratford House, and became an inn until just a couple years ago. It was recently listed for sale and has 13 bedrooms and 13 bathrooms!