Sunset Cottage was designed by local architect Milton Stratton and cost $20,000. The cottage was constructed for New Yorker Gertrude Stevens Rice, a decade after the death of her husband William. She and her husband formerly resided at The Tides, a home nearby, but she decided to construct a new home to summer at with her sister. The shingled home originally had half-timbering in the gables, but other than that, looks almost identical to when it was built 110 years ago!
It’s Tudor Tuesday so I have to share one of the great Tudor Revival cottages in Bar Harbor, Maine, “The Poplars” (because any good summer cottage needs a name)! The cottage was built in 1899-1900 for Lewis A. Roberts, a retired book publisher from Boston, who purchased the lot which contained a summer cottage and stable, razing both. He hired the local firm of Goddard & Hunt, an architect/builder duo who worked on many projects in the village. The Tudor Revival cottage was only occupied in the summer months by Roberts and his family as the home was not winterized at the time. The cottage was built of wood and rough stucco work with rough timber trimmings all hallmarks of the Tudor style. The home was later known as the Stratford House, and became an inn until just a couple years ago. It was recently listed for sale and has 13 bedrooms and 13 bathrooms!
One of the most grand Summer estates on the coast in Marion, MA, is “Fair Oaks”, a 1903 Tudor Revival mansion across the Sippican Harbor from the village. Horace B. Shepard was the president of the Shepard and Morse Lumber Company, which was headquartered in Downtown Boston. The company was a wholesale dealer in all kinds of lumber including: white pine, spruce, hemlock, North Carolina pine, yellow pine, poplar, and various oaks. Given Shepard’s line of work he not surprisingly called his summer estate “Fair Oaks”, and his house’s building materials
were undoubtedly supplied by his company. He appears to have hired Charles Allerton Coolidge, who lived nearby in his own summer cottage (featured previously) to design the Tudor mansion. The “cottage” is almost 13,000 sq.ft. and has 11 bedrooms, 9.5 bathrooms. Wow!
The history of the Old Jamaica Plain High School (originally West Roxbury High School) goes back to the year 1842, when the Town of Roxbury (which at the time, included Jamaica Plain, Roslindale, and West Roxbury) established “Eliot High School,”. The school was named after Reverend John Eliot of Roxbury, who in 1689, gave 75 acres of land to the town for the maintenance, support, and encouragement of a school and school master at Jamaica or Pond Plain “in order to prevent the inconveniences of ignorance.” In 1855, the newly independent Town of West Roxbury took control of the high school until the town was annexed to Boston in 1873. During this time, the school became known as “West Roxbury High,” a name that appeared on this building, constructed in 1898. In July of 1923, the school’s name was changed to Jamaica Plain High School, to reflect its neighborhood. The building was designed by the firm Andrews, Jacques & Rantoul and is an exemplary example of the Tudor style in an academic building. The school department sold the building in the 1980s and built a larger, modern school in the area. This building was converted to apartments not long after, a use that remains to this day. Would you live in this old school building?
Another of the handful of original structures extant on the Seaside Sanatorium campus in Waterford, Connecticut, is this gorgeous Tudor Revival style duplex constructed for medical staff housing. Like the Main Building and Nurse’s Residence, this duplex is credited as a design by the great Cass Gilbert. While the building was constructed after Gilbert’s death in 1934, the plans were likely all drawn up at the time the Maher (main) building was in 1933. The duplex residences feature a symmetrical facade with two main entranceways, located in slightly projecting pavilions, and are set within basket-arched openings, detailed with alternating brick and granite voussoirs. There are three-part windows above the doors which project from the wall plane and have cross-braced faux balustrades of wood below. Identical sun porches are recessed at either end of the house. The small associated garage to the
immediate northeast has a simple design, but one that reflects the style of the houses. Like the other buildings on the campus, this structure is vacant and is slowly rotting away. So sad to see.
Next to the Maher Building at Seaside Sanatorium, the Nurse’s Residence building (1935) sits in the same sad state but retains a lot of its architectural character and charm. The Nurse’s Residence was built for… you guessed it, housing for the nurses who worked at the Seaside Sanatorium and treated the young children with Tuberculosis. Like the main building, this structure was designed by famed architect Cass Gilbert in the Tudor Revival style. In designing the buildings, Gilbert met the requirements of the sanatorium to have a self-contained hospital for the children and a large separate dormitory for the nursing staff, but adapted an essentially domestic architectural
style to de-institutionalize their appearance through the use of applied, decorative detail and an extraordinary wealth of materials. The Nurse’s Residence is constructed of brick and is capped with a polychrome slate roof which is lined by 15 dormers on each slope, alternating in size. The end gables, which are similar to those of the main building and in surprisingly decent condition given the circumstances, are covered with decorative tile and add a punch of architectural intrigue. Oh too see these buildings restored one day…
Anyone that has followed me for long knows I am obsessed with two architecture styles, Dutch Renaissance and Colonial, and Tudors! Set back way off the street in Hopedale, Mass., sits this rambling Tudor Revival country estate. Built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation owner Eben Sumner Draper, the home provided a secluded escape for the rich millionaire. The home was designed by Boston architects Bigelow & Wadsworth, and replaced his father’s Shingle style country mansion “The Ledges”. The new Draper mansion was highlighted in numerous architectural magazines shortly after it’s construction, which highlighted the amazing brickwork, layout, and interior finishes, all of which remain to today! This spectacular home is over 14,000 square feet and has 17 bedrooms, several located in the staff wing, 10 full baths and 4 half baths, an in-ground swimming pool, gazebo, tennis court, and landscape design attributed to the notable landscape architect Warren Manning. In the 1960s, the home sold out of the family and was used as a home for adults living with developmental disabilities, mental illnesses, physical disabilities, the facility has since sold the Draper mansion and occupies the former carriage house.
Residential architecture of the early decades of the 20th century is among my favorites as the Tudor Revival movement took off and was sometimes mixed with other revival styles at the time, creating really unique homes. The Glacy House in South Brookline, MA was built in 1930 as one of the earlier homes in the Walnut Hill development. It was likely designed and built by Walter L. Fernandez, a contractor who appears to have design-built a handful of spec homes to help get the neighborhood’s development going in the early stages. This home was originally occupied by George and Mary Glacy. George later worked as Vice President of the Boston & Maine Railroad, though he later got into legal trouble for hiring companies for railroad projects where he had financial interests, becoming indicted in an antitrust case by a Federal grand jury. The home features a first floor constructed of stone and brick with half-timbering on the floor above. The building is topped by a terracotta red tile roof, which is fairly uncommon for the region.
Herbert Almon Chaffee and Irma Chaffee had this Tudor home built by 1931 for their family in Fairfield, Connecticut. Mr. Chaffee was the Vice President and Assistant Treasurer of the City Savings Bank of nearby Bridgeport. Chaffee also at that time worked as Vice President of the A.W. Burritt Company, a lumber mill that produced building supplies and also operated as a real estate company that bought land and constructed on it. The home he had built clearly showcased the company’s work and features hallmarks of the English Tudor Revival style, with half-timbering, slate roof, and jettying (upper floor slightly overhanging the first).
Located in Agawam Center this interesting architectural example of a late-Tudor Revival school building really caught my eye. The building replaced a 1870s town hall and two-room schoolhouse which were both outgrown as Agawam’s population increased due to the proximity of nearby Springfield. The architect was Paul B. Johnson, who was based out of West Springfield and ran a small architectural office there. He attended Cornell and MIT for architectural training and worked primarily around Springfield. The school building is constructed of a deep red brick, laid in varied relief for a rough faced surface and a cast stone Tudor arch around the main entrance for contrast. The school was later renamed after Benjamin Phelps, the first superintendent of schools in Agawam.