Greek Revival

Cobb-Luce House // 1841

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This beautiful side-hall Greek Revival style residence on South Street in Marion, Massachusetts, was built in 1841 as a parsonage for the Marion Congregational Church, built that same year. The first pastor to reside here was Rev. Leander Cobb, who assisted his father, Rev. Oliver Cobb, who had been preaching in Marion since the completion of the first meeting house in 1799. After Leander Cobb’s death in 1873, the church decided to sell this parsonage and it was purchased by Rev. Cobb’s second wife, Selina, who sold it to George Luce (1825-1893) a master mariner. In 1960, the property was sold to local historian and founder of the Sippican Historical Society, Olive Hiller Somers (1890-1967). The residence was renovated and retains much of its original architectural integrity.

Marion Congregational Church // 1841

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Built in 1841, the Congregational Church in Marion, Massachusetts, is a stellar example of a mid-19th century ecclesiastical building designed in the Greek Revival style that represents the town’s evolution and prosperity through today. During the 18th century, area residents had to travel all the way to Rochester Center on Sundays to worship as this village was a part of Rochester until 1852, when it set off as its own town. Instead of keeping the Wampanoag name Sippican, meaning ‘land of many waters’, the people of present-day Marion chose their name in honor of General Francis Marion, a Revolutionary War hero from South Carolina who became a celebrated military leader during the American Revolution. The original 1799 Meeting House was replaced by this handsome structure, when ten Marion sea captains each contributed $1,000 towards its construction. The church’s completion in 1841 marked the beginning of the nine year co-pastorate of Rev. Oliver Cobb and his son, Rev. Leander Cobb at the height of prosperity for the coastal community. The church is characterized by its boxy, rectangular form with its primary facade treated as a portico in antis crowned by a closed pediment and the iconic multi-stage clock tower which remains an important landmark in town.

Old Marion Meeting House – Marion General Store // 1799

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Tucked into the heart of Wharf Village, the main village in the charming coastal community of Marion, Massachusetts, this building which is known today as the Marion General Store, wears its history quietly beneath a deceptively simple Greek Revival facade. The structure was constructed in 1799 as Marion’s first Congregational Meeting House, where religious services of the congregational church were conducted before the separation of church and state. The construction of this wood-frame building did more than give the faithful a place to worship, it anchored Wharf Village as the commercial and civic center of town, setting in motion the currents that would eventually set Marion off from its mother-town, Rochester in 1852. By the 1830s, the old meeting house was in poor condition, and along with the push for a separation of church and state and tax dollars no longer going to the Congregational Church, a grander Greek Revival church was built across the street. The Old Meeting House was also renovated in the Greek Revival style and operated as Delano Hall, a store with dance hall and meeting space on the upper floor. The building lives on today as the Marion General Store, with its old clapboards and pilastes holding the layered history and architecture of the seaside community that grew up around it from working port town to wealthy coastal village.

Whitney-Dearborn House – St. Elizabeth’s Center // 1838

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Located adjacent to the Mary Immaculate of Lourdes Catholic Church and Rectory in Newton Upper Falls village, this stately Greek Revival style residence has sat in a state of intentional deterioration for over a decade by its owners. The handsome and high-quality structure was built in 1838 for Dr. Samuel S. Whitney, who lived in his new home for six years before moving to Dedham in 1844. Dr. Abraham D. Dearborn bought his practice and home and remained here for ten years, until 1854, when Fred Barden, proprietor of a rolling mill and paper mill in the village, purchased the home in 1855 and lived here until his death 1877. The large property, with fine gardens, a fish pond, and stable, were eventually purchased by the Mary Immaculate of Lourdes parish in 1900 and the house moved to its present location to facilitate the construction of the new church in 1909. For nearly a century, the former Whitney-Dearborn House operated as the St. Elizabeth’s Center until it closed and the property was sold to an LLC in 2016, who sadly, appear to be pushing for a demolition by neglect as the building is located within the local Upper Falls Historic District. If anyone knows more, please share.

Pettee Stone Cottage // c.1839

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Located next to the Pettee Stone Barn in Newton’s Upper Falls village, this equally charming stone cottage was built around the same time by Otis Pettee, a wealthy industrialist and founder of the Pettee Machine Works, which manufactured cotton and silk machinery. This cottage served as a shop and later as the residence of the caretaker of the silk mill which also had space and equipment to raise the silk worms in the adjacent barn. Later in the nineteenth century, the cottage was owned by George Pettee (1827-1896), son of Otis Pettee. In the 20th century, the structures were operated by the New England Spun Silk Corporation and it now is a single-family residence. The facade of the Pettee Cottage is three bays wide with twelve-over-twelve windows with wood shutters.

George Dodge House – Highland House // c.1790 & c.1850

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Built in the 1790s by a Salem mariner, merchant and tanner, George Dodge (1750-1821), this large Federal-period residence in Tamworth, New Hampshire, is now preserved and lives on as the Highland House, a historic bed & breakfast. The residence was owned by George Dodge, who arrived to town and engaged in local affairs, serving as town clerk and housing the local congregation in his barn until the town house was built in 1794. Dodge assisted with bringing Rev. Samuel Hidden to Tamworth as it’s pastor, and settled in nicely to the community until he was lured back to Salem following the death of his father, whom he inherited a sizable fortune. George Dodge does not appear to have returned back to Tamworth, but willed his property here to the Congregational Church. By the mid-19th century, the house was renovated in the Greek Revival style, with the addition of the Classical door surround and corner pilasters (and likely the addition of the third floor and gable roof). The dwelling stands as a stately country mansion, with rooms for rent as the Highland House, which opened in the 1990s.

Tamworth Congregational Church // 1851

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The Congregational Church in Tamworth was organized on September 12, 1792, with its pastor sworn in at Ordination Rock. The Congregationalists used the town meetinghouse, built in 1794, for over half a century. But, following the passing of the Toleration Act of 1819 in New Hampshire, which effectively brought about the separation of church and state, the old Town House began to suffer from deferred maintenance. As the Act allowed citizens to stop supporting the established Congregational Church in all towns via taxation and instead now support the denomination of their choosing. From this, a new Congregational Church, this structure, was built in the village in 1851 and the old Town House was moved to the village and renovated to its present appearance in 1852 in the Greek Revival style. The Tamworth Congregational Church stands as a typical, yet well-preserved example of a mid-19th century religious building in New England, here largely depicting elements of the Greek Revival style with its pediment, entablature, and corner pilasters, but with Gothic Revival features of the Gothic arched louver in the belfry and finials.

Francis and Maria Burleigh House // c.1845

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Located in the charming town center of Tamworth, New Hampshire, the Francis and Maria Burleigh House stands as a significant and well-preserved residence from the mid-19th century. The house was owned and likely constructed in by Francis N. Burleigh (1823-1893) and his new bride, Maria (Hyde) Burleigh around the time of their marriage in 1845. Francis worked as a shoemaker and his business did quite well to be able to afford a large home in the center of Tamworth’s village. The house was likely modernized slightly at the end of the 19th century with the two-over-two sash windows and Victorian-period front door, but these changes fit well with the mid-19th century Greek Revival style home. What do you think?

Tamworth Town House // 1794

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The historic Town House in Tamworth, New Hampshire, was built in 1794 as the meeting house, serving as both the center of religious worship and local government for the community. The Tamworth Town House was built after the community voted to call its first minister in 1792, thirty-two-year-old Rev. Samuel Hidden, who was ordained on a large boulder (ever since known as Ordination Rock), as there was no public building to house the ceremony. Within a year, members of the community voted that the new meetinghouse should be two stories with a porch (stair-tower) on the front of the building, and it was to be built near Ordination Rock. The structure has an impressive hand-hewn timber frame, spacious interior with original gallery columns, and surviving pulpit window showcase the skilled workmanship of early builders. Following the passing of the Toleration Act of 1819 in New Hampshire effectively brought about the separation of church and state. It severed allowed citizens to stop supporting the established Congregational Church in all towns via taxation and instead now support the denomination of their choosing. From this, a new Congregational Church was built in the village and the old Town House was moved to the village and renovated to its present appearance in 1852 in the Greek Revival style. The renovation added updated Classical frieze and pilasters, a redesigned main entrance, and larger windows that complemented the new use as the Tamworth Town Hall.

Ordination Rock

Chocorua Community Church // 1835

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The First Free Will Baptist Church of Tamworth, New Hampshire, was founded in 1781 and centered around the charming mountain village of Chocorua. Members met for years in private homes, schoolhouses, and even barns until a lot was acquired in 1834 for the congregation and this church built a year later in 1835. The church was remodeled in 1885 to its current form, which likely saw the building raised and the steeple added. The church was renamed in 1921 to the Chocorua Baptist Church and again to the present name, Chocorua Community Church. The Chocorua Community Church is a typical 19th century vernacular New England church with a basic form, gable roofed main block, two-stage belfry tower topped by a spire. The composition of the facades with double doors and blind lancet window above is typical of the vernacular church architecture of the period, and while not architecturally distinctive, the church is significant as a community center of the Chocorua Village of Tamworth.

South Tamworth United Methodist Church // 1832

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The modern history of Tamworth, New Hampshire began in 1766 with the granting of a charter from King George III of England to the town in the name of Benning Wentworth, Colonial Governor of New Hampshire. Settlers ventured slowly north into the towering forests with Native paths bisecting giant swaths of otherwise untouched rugged terrain. Colonial settlers burned and chopped the great trees, built the first homesteads, and planted the first crops to establish a town. The hardy people of Tamworth, persevered through the smallpox epidemic of 1813; the “cold years” and famines of 1815, ’16, and ’17; the “siege of the wolves” on Great Hill in Tamworth in 1820. As soon as the first farms were established, saw, shingle, and turning mills proliferated in every part of town, along with new houses, churches, and schools were built close to them. By the early 20th century, the town became a sort of summer colony where wealthy city-dwellers traveled here for the cool summer breezes and to get away from the stress and pollution of urban centers. The Methodist Church in Tamworth was originally organized in 1824 and less than a decade later, in 1832, its first house of worship was constructed. This building, a vernacular meeting house, was largely rebuilt by 1862, where the structure is said to have been raised and enlarged with the belfry and stained glass windows added at that time.

Ashland Town Hall // 1871

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The Ashland Town Hall in Ashland, New Hampshire, was built in 1871, three years after the town separated from Holderness, due to its growing economy as an industrial village compared to its mother-town’s more agricultural character. Constructed of brick, the facade is dominated by its gable roof which reads as a pediment and bays divided by brick pilasters which harkens back to the Greek Revival style; while the use of arched brick mouldings which is a common element in the Italianate style. The handsome, well-proportioned structure was used for town meetings and elections until 1950, and in 1952, the building was used by the school district as the village school. The building returned to municipal functions in 1972 and has since housed the Ashland Town Offices. The Old Ashland Town Hall was listed in the National Register of Historic Places in 1983.

Old Howe School // 1852

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The Howe School, originally Howe Academy, in Billerica, Massachusetts, is a stellar example of a Greek Revival style school building that shows the emergence of the Italianate style in the 1850s. The school was founded following a generous bequest in the will of Dr. Zadok Howe, as a young men’s college-preparatory academy. When it was built in 1852, most Massachusetts towns divided themselves into smaller school districts, with each district erecting its own school building for pupils to get to the schools easier, improving attendance. The building committee hired Lowell architect, Daniel G. Bean, and it featured an innovative ventilation system for heating and bringing fresh air into the classrooms. The Howe School continued privately until 1897, when it became a public school. By the early 20th century, the small school building was deemed too small and ancient to remain the town’s high school, and a new building was constructed nearby. For years it operated as a grade school, and later as the school department offices. Following an extensive renovation that saw a rear addition, the Howe School building reopened as Billerica Access Television (the town’s public-access television station) as well as space for community events and meetings.

Holmes W. Smith House // c.1835

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The architecturally distinguished Holmes Smith House on South Summer Street in Edgartown, Martha’s Vineyard, showcases the range in which the Greek Revival style could showcase whimsy and unique architectural details from the typical side-hall gable-end form seen all over New England. The house appears to date from the mid 1830s with its strong, symmetrical facade of flushboard siding, its three bays divided with paneled pilasters, and elaborate parapet containing a central dormer and arched fan motifs. The house was originally owned by Capt. Holmes Wass Smith (1798-1849) and his wife, Sophia (Coffin) Smith and later in the 19th and early 20th centuries by members of the Pease family. The residence is now a summer home and has been thoughtfully preserved as one of the most excellent and unique examples of its style on Martha’s Vineyard. 

Nunnepog House // c.1840

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Located on South Water Street in Edgartown, Massachusetts, the Nunnepog House stands as one of the finest mid-19th century homes on Martha’s Vineyard. The residence was built by Joseph Allen Athearn (1807-1867), who is listed in the Census as a carpenter. The first known owner is Edmund Bradley (1786-1869), then a retired sea captain, who lived here until his death. In the 1930s, the house became well known as The Seagull and the Whale, a shop in which Louise Meikleham sold homemade jams, jellies, and breads and later became her residence, known as the Nunnepog House, derived from the original Wampanoag name for the area encompassing Edgartown and Oak Bluffs on Martha’s Vineyard. The residence was moved to its present site in the 1950s or 60s and was more recently renovated and expanded from plans by Patrick Ahearn Architects. The residence is unusual for its four-bay facade with offset entrance and features many hallmarks of the Greek Revival style, including cornice returns, paneled corner pilasters, a wide frieze, and classical entry. The half-fan windows and corresponding shutters are a great design element of the facade which makes it stand out from other period homes.