Yale Architecture

Yale University – Warner House // 1887

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Originally known as Cloister Hall, this ornate building on Hillhouse Avenue in New Haven, Connecticut is one of the most interesting I have seen. The building was constructed in 1887-8 as a residence hall for members of the Book and Snake, a secret society at Yale University. Architect H. Edwards Ficken designed the ornate brownstone Cloister which was completed in 1888. At the time, it was considered “one of the most picturesque buildings on the Yale campus.” The society added a matching rear addition in 1915, which is a heavier mass, but compliments the original structure. Yale University would eventually acquire the building after the society no longer needed a separate lodging house for members. Today, the building is called Warner House, and Yale does a great job at maintaining this beauty.

Yale University – Alpha Delta Phi Hall // 1895

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Completed in 1895 for the Alpha Delta Phi fraternity at Yale, this stunning example of the Richardsonian Romanesque style on Hillhouse Avenue was such a treat to see in person. This building was designed by local architect William H. Allen who designed the building to provide student members dining and socialization space, but no dormitories. The group was active as a Junior Society, but disbanded by 1930, and the building was sold to Yale University. Yale has since occupied the building with the Morris Steinert Collection of Musical Instruments and it recently underwent a restoration. The longer I look at the building, the more amazing details I can find. The proportion of the Syrian arch with squat engaged columns is really remarkable.

Yale University – Mason Laboratory // 1911

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On Hillhouse Avenue, one of the finest streets in New Haven, you will find a great collection of historic homes and large institutional landmarks. Adjacent to St. Mary’s Roman Catholic Church, the Sheffield Scientific School of Yale College built this structure, the Mason Laboratory between 1910-1911 for Mechanical Engineering and related departments. The building was designed by architect Charles C. Haight, who was responsible for a number of other Neo-Gothic buildings at Yale. The limestone building properly holds the streetedge and blends in well with its surroundings.

Yale University – Kirtland Hall // 1902

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Yale has such great architecture. Walking around the campus, you can find examples of buildings of every time period and architectural style, it is like a living museum of architecture in that sense. Located on Hillhouse Avenue, Kirtland Hall is arguably Yale’s best example of Beaux Arts/Neo-Classical architecture, but it stands out for its use of local East Haven and Longmeadow sandstone. The building was the first laboratory to be built at Yale in the 20th century and was named after Jared Potter Kirtland (1793-1877), the first medical student enrolled at Yale. After graduation, Dr. Kirtland practiced medicine throughout Connecticut until 1823, when his wife died and he moved to Ohio. During his life, Dr. Kirtland also developed an interest in natural history and assisted in the first geographical survey of Ohio. In the early 20th century, Lucy Hall Boardman, a philanthropist and niece of Dr. Kirtland, not only donated funds for scholarships at Yale, but also donated a building, Kirtland Hall. As part of her gift, Ms. Boardman stipulated that her nephew, architect Kirtland Cutter, would be commissioned to design the building, and of course, Yale obliged. The building originally housed the Geology Department and became an integral part of the Sheffield Scientific School.

St. Elmo Hall – Rosenfeld Hall // 1912

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St. Elmo Society at Yale was founded in 1889 as a chapter of the national fraternity Delta Phi, and it is today one of the “ancient eight consortium” of secret societies at the university. The society’s original building was erected in 1895 and provided housing, meeting spaces, a library, smoking room, and other recreational spaces for the members. Just over a decade later, the group’s increasing wealth and membership necessitated a larger building. This building, named St. Elmo Hall was designed by architect Kenneth MacKenzie Murchison in an Elizabethan style and built in 1912 for the society, replacing its former residence hall. The society saw dwindling funding and during World War II, St. Elmo Hall became a convalescent hospital for soldiers who were out of the hospital but still need observation. After WWII, the group began leasing some rooms out to Yale University, who eventually purchased the building in 1962, renaming it Rosenfeld Hall after Richard Rosenfeld ’63. The L-shaped building is sited opening up to the corner lot and is Neo-Gothic in style, likely drawing inspiration from Yale’s established Gothic stylistic influence.

The Colony // 1898-1969

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In 1898, before the Berzelius Society at Yale built their present “tomb” in New Haven, the organization funded one of the finest residence halls in town at the time. The building was known as “The Colony” and would house Seniors who were members of the secret society. Located on Hillhouse Avenue, the stately Colonial Revival/Neoclassical building was designed by architects Henry Bacon and James Brite. Bacon is best known for having designed the Lincoln Memorial on the National Mall. Yale purchased the Colony dormitory in 1933 for student housing, later using it for faculty offices before demolishing it in 1969 to facilitate construction of the Yale Health Services Center, one of the least inspiring buildings on the campus.

Berzelius Tomb // 1910

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Yale, like other Ivy League colleges, has a long and complex history of secret societies. The secret societies all are headquartered at their own buildings, called “tombs”. These are massive, very impressive structures without windows or signage and all share an unmistakable message with their architecture: “Private; keep out.” One of the lesser-known tombs at Yale is the Berzelius Tomb, completed by 1910 from plans by architect Donn Barber. The Berzelius was established in 1848 as a secret society and formerly was located in Berzelius Hall, a Romanesque style building. The tomb is sited on an difficult lot at the convergence of three main roads but holds its own architecturally as a highly ornamented box. This austere tomb is built of limestone, with a balustrade and detailed cornice at the roof, but the main attraction is the entrance, which is a double brass door with floral panels, all surrounded by a Classical surround. Above the entrance, a limestone panel showcases the Society’s insignia with fruit and flower swags.

Yale University Art Gallery // 1953

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Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.

Yale University – Trumbull Gallery // 1832-1901

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Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.