Historic Library

Babcock Library – Knowlton Memorial Hall // 1924

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In the 1840s, Archibald Babcock (1780-1862) from Ashford, Connecticut, went west to engage in the California Gold Rush to seek his fortune. He did well and upon his return, moved to Charlestown, Massachusetts and began purchasing property for redevelopment. Upon his death in 1862, Mr. Babcock bequeathed $3,000 to the Town of Ashford start a “free” library there. For the next 60 years the library was located in a variety of private homes and country stores in town until the 1920s when this stone structure was built to house the town hall and library. Construction was made possible by a gift from Charles Knowlton, whose family had lived in the area since the 18th century. When built, it featured a number of modern innovations, including electrical service (generated on site), and steam heat. In addition to town offices and the library, the building also has an auditorium which is used for town meetings. Architect Herbert Loud furnished plans for the building which is rustic Arts and Crafts in style with randomly laid fieldstone walls with wide mortared joints. The roof eaves show exposed rafter tails below the shallow hipped roof.

Haskell Free Library and Opera House // 1901

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How many buildings do you know of that straddle two countries?! Well, here is one of the most iconic buildings in Vermont, the Haskell Free Library and Opera House of Derby. The building was gifted to the villages of Derby Line, Vermont and Rock Island, Quebec, by Martha Stewart Haskell and her son, Horace Stewart Haskell, who wanted to leave their mark on the town. The building was designed by James Ball of Rock Island, Quebec and is a high-style structure comprised of both a library and opera house for residents. Designed in a eclectic mix of Romanesque Revival and Classical Revival, there is a lot to look at from both countries! Some of the outstanding features of the building include the structural and ornamental use of granite, stained glass windows imported from Scotland, ornate fireplaces and rich woodworking on the library interior, and one of the most elaborate opera house interiors in a completely preserved condition in Vermont.

Soldier’s Memorial Library of Mansfield // 1901

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Arguably the most beautiful building in Mansfield, Massachusetts is the Soldier’s Memorial Library in the center of town. Constructed in 1901, the Soldiers’ Memorial Library is a well-preserved example of 19th
century High Victorian architecture with Shingle style elements, designed by the prominent Boston architectural firm of Peabody & Stearns. In as early as 1896, the idea of constructing a building as a memorial to the soldiers who died in the Civil War had prominent local members of the community. In 1898, a relatively new resident in town, Mrs. Elizabeth Noble, donated a parcel of land for the building with the stipulation that the first floor was to be used as a library and the second floor as an “audience room”,
banquet room, and kitchen for the use of the G.A.R. The architects created one of their most significant civic buildings with an interesting juxtaposition of Gothic elements with Shingle style details. The Gothic lancet window and door surround blends surprisingly well with the use of rubblestone on the first story with buttresses and shingle siding above which give the building a fortress-like appearance.

Weare Public Library // 1926

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The Colonial Revival style Weare Public Library was built in 1926, being the second purpose-built library building for the town of Weare, New Hampshire. After the Neo-Classical style Stone Memorial Building was taken over as town offices following a fire of the old town hall, local resident Eben Paige saw the need for a new designated library building. Upon his death in 1923, he left his entire estate, over $30,000, to the town to build a new free library. The Boston architectural firm of Kreider and Peterson were selected to design the building, which is still in use today.

Yale University – Dwight Hall // 1842

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One of the most architecturally significant college buildings in the United States, Dwight Hall was designed to house the growing book collection of Yale College as its library. The former Yale College Library, now Dwight Hall, represents a significant shift in Yale’s campus architecture from Georgian and Federal brick buildings to the Gothic mode which the campus is largely known for today. Dwight Hall was designed by local architect Henry Austin with the guidance of esteemed architects Ithiel Town and Alexander Jackson Davis, both experts in early high-style Gothic buildings in America. The design, to me, resembles the 1443 King’s College Chapel in Cambridge, England. The structure is constructed of brownstone from Portland, Connecticut, and it is composed of a central block with two smaller flanking wings on either side connected by smaller linking spaces. At the yard facade, two octagonal towers with domed copper roofs rise, flanking a large, pointed lancet arch window that extends above the doorway. The library was outgrown fairly quickly, necessitating an annex next door and eventually collections were transferred to Sterling Memorial Library in 1930, the Old Library was converted to a chapel and community service building and is known as Dwight Hall.

Blue Hill Public Library //1938

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Some small town libraries really pack an architectural punch! Blue Hill had long had a public library building, which eventually outgrew its limited space in the 1895 Town Hall building. During the mid-late 1930s, in the depths of the Great Depression, plans began for a new library. Adelaide Pearson, who had moved to Blue Hill in 1928, took on the formidable task. She was described as “a small woman who got things done” and had a vision for a library that was an integral part of the community, serving more than as a place to store and retrieve books. To fulfill that dream, she organized a fundraising campaign to buy a vacant lot in town. Local pledges came in ranging from 25 cents to “one dollar or a day’s work.” With the help of librarian Anne Hinckley, Adelaide Pearson petitioned the federal government for funds from the Public Works Administration, part of the New Deal program. At last, in March of 1940, the Colonial Revival style library building designed by Bunker and Savage Architects of Augusta opened its doors. The library has been a centerpiece of life in the coastal town of Blue Hill ever since.

Friend Memorial Library // 1912

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The Friend Memorial Public Library in Brooklin, Maine was built in 1912 on land donated three brothers in the Friend family. The brothers, Leslie, Robert and Victor Friend were born in Brooklin, but were raised in Melrose, Massachusetts. There, they made a fortune producing Friend’s Brick Oven Baked Beans. With their new wealth, the brothers had the bright idea of building a roller-skating rink for the enjoyment of the Brooklin community. As the need for a library overtook that of a roller rink, the brothers sought to cement their name in the town’s history by funding a new library building. The previous library was located in a small space in the IOOF Hall nearby (featured previously) and a new, purpose-built space for a library was a desire for the small community. William Nelson Wilkins, an architect of Magnolia, Massachusetts, and husband of Brooklin native Ella McFarland, was hired to furnish plans on the new building which was built in 1912 in the Colonial Revival style. In 1940, Katerine and E.B. White (author and summer resident), Owen Flye and others were instrumental in revitalizing the library, increasing the collections and hours of operations. About ten years ago, the library was restored and renovated inside by Elliott Architects.

Abbott Memorial Library // 1905

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Gifted to the town of Pomfret by Ira Abbott, the Abbott Memorial Library is one of the most stunning little libraries in the State of Vermont. Given to his hometown as a memorial to his parents by Ira Abbott, who was at that time a State Supreme Court justice in the territory of New Mexico. Its architect, Henry M. Francis, used diverse materials — brick, granite, fieldstone, red birch, and pre-stressed concrete, to design the eclectic building. Capped with a red slate roof with terra cotta ridge tiles, the building stands out as one of the most unique buildings in the state and has been extremely well-maintained through its public-privately funded Commission.