Another of Hurley, New York’s beautiful old stone houses is this Georgian-era home, right on Main Street. The house is known as the Petrus Crispell House and dates to about 1725. Petrus Crispell must have purchased or inherited the house and occupied it for some years until it was acquired by the Dutch Reformed Church in the village to be used as a parsonage. It is 1 1/2 stories and is built of coursed and squared stone which continues into the gables. The facade, now 5 bays, was formerly 6, perhaps with two entrances. Nineteenth century alterations by the church include a large cross-gabled dormer and 2/2 sash.
As the Elmendorf family put its roots down in Hurley, Ulster County, New York, the descendants built stone houses as a nod to their ancestors of Dutch heritage, following those building traditions. This five-bay stone house was built around 1789 and is a vernacular Federal home with Dutch and English building influence. The property exhibits shed dormers and a Colonial Revival portico, but exudes 18th century charm.
When Pieter Ostrander settled in Hurley, NY with his family in the late 1600s. Being of Dutch descent, he (and other settlers) built their homes and barns in Dutch traditions. This lot along the village’s main street was acquired by Pieter and inherited by his son, Arent in about 1710, about the time the home is estimated to have been built. It was acquired by the Elmendorf Family by the early 19th century. At that time, the property operated as the Half Moon Tavern, after Petrus Elmendorf purchased it in 1804. The addition to the east (right) was built as a weaving room. The property remained in the Elmendorf family until 2008 (that’s almost 300 years in two families!) It was acquired by the new owner who has been restoring and researching the home ever since. He runs a blog documenting the property’s rich history.
As Woodstock New York surged in popularity as a retreat for American and European artists, savvy businessmen from Manhattan could not help themselves but to envision ways to make a little extra money. Morris Newgold and his son, Gabriel of New York City who purchased the Overlook Mountain House in 1917, sought to expand their upstate lodging empire and built a secondary establishment in the village of Woodstock, the Colony Hotel. The Colony Hotel serve as a more modest establishment to the grand Overlook Mountain House atop Overlook Mountain and would be a staging area and a stopover point for guests coming up the Hudson River by boat or train. Guests would spend the night at the Colony and eat at its fine restaurant before making the arduous trip up the mountain to the Overlook Mountain House the next day. The Colony Hotel appears to have been Gabriel’s idea who prided himself on the new building being “pretentious” as it was much more substantial than the more modest, vernacular buildings around the village. Gerald Betz of nearby Kingston was the architect for the Colony Hotel. Construction began for the Colony Hotel in 1927, and it opened to guests the summer of 1929. Morris died in 1940 and Gabriel continued to manage the Colony until his son took over from 1945 until the 1960 but as event space for arts and antiques fairs. It became known as the Colony Arts Center. The Colony’s website goes on to state that the building sat empty almost entirely through the next forty years. It was recently restored by artists Alexia and Neil Howard who converted it to a music venue and beer garden, it is pretty amazing and a must-see for history buffs visiting Woodstock.
One of the most intriguing and historical hikes around is at Overlook Mountain in Woodstock, there is just something so mesmerising and enchanting about abandoned places. Overlook Mountain has long been a significant location in New York. In the boom years of New York City after the Civil War, more than 90 quarries in the Town of Woodstock (many around Mount Overlook) produced bluestone for sidewalks in Manhattan. By the end of the 19th century, the mountain and surrounding area became a tourist location for New Yorkers escaping the woes of city living, looking to breathe in the fresh mountain air up the Hudson. The current ruins Overlook Mountain House was actually the third hotel on the site. The first Overlook Mountain House was built in 1871 and accommodated 300 guests, before it was destroyed by fire in 1875. It was rebuilt in 1878 by the Kiersted Brothers of Saugerties. Overlook was used irregularly between 1887 and 1917, when Morris Newgold of Manhattan purchased the hotel. In 1921, it was the site of a secret organizational meeting of what was to become the Communist Labor Party of America. The second incarnation of the Overlook Mountain House was destroyed by fire in 1923. And Morris Newgold sought to rebuild with fireproof construction.
His architect used concrete to rebuild the hotel, which likely would have been covered with stucco. They also broke ground for a chapel, stables, and a standalone lodge for private housing for his family. Newgold’s shaky finances paired with the Great Depression made for slow progress, and portions of the resort were still “under construction” as late as 1939 (and the main hotel never being finished from what I could find). Morris Newgold died in 1940 and the property was either sold by his son or acquired via eminent domain by the New York State Conservation Department and made part of the Catskill Forest Preserve. You can now explore the old ruins of the Overlook Mountain House between views of the Catskill Mountains.
By 1919, artists from all over the United States and Europe were living and creating art in Woodstock, NY. As a thriving and expanding group of diverse individuals, the need for a welcoming and open-minded gallery space was quickly recognized. To facilitate this, a group of five painters established two complimentary organizations: The Woodstock Art Association (later changed to Woodstock Artists Association in 1933) who would maintain the exhibition space and set its artistic principles, and the Artists Realty Company who would finance the construction and maintenance of the physical space. The five painters being: Carl Eric Lindin (1869-1942), John F. Carlson (1874-1945), Frank Swift Chase (1886-1942), Henry Lee McFee (1886-1953) and Andrew Dasburg (1887-1979). New York City architect William A. Boring was commissioned to design the new museum and art space for the group. Boring (whos career was anything but boring) briefly worked for McKim, Mead and White for a year before starting his own practice with Edward Tilton in 1891. His most noted work is his 1897 Immigration Station on Ellis Island for which he and Tilton won the design competition as relative unknowns. The refined Colonial Revival building for the Woodstock Artists Association sits right in the middle of the village and its symmetrical façade is defined by a central double door entrance with transom and pedimented enframement. Of particular interest is the row of four elliptical windows above the double-hung windows.
One of the most unique buildings I have ever stumbled across is located in the mountain town of Woodstock, NY. Often referred to as the Trippy Tower House, the house was built over the course of 15 years by artist John Kahn, who designed sets for the Muppets and “Fraggle Rock”. The Tower House is crafted from repurposed materials such as slate, copper, aircraft grade aluminum and redwood with the property being considered his largest “sculpture” and his life’s work. The 3,518 square foot home has three bedrooms and four bathrooms across its five floors The cylindrical house was completed in 2002 and sold five years later when Kahn moved to Easter Island. Kahn sold the house to Rhoney Gissen Stanley, who was former secretary to the Grateful Dead and wife of Owsley Stanley, the Dead’s sound man and the alleged first mass producer of LSD. It was listed for sale again in 2017 for $1.2 Million.
When Dutch and German colonists began to settle along the Hudson River Valley, they brought with them their own religious beliefs and desire for community in a new home. In the Village of Woodstock in Ulster County in 1799, the Dutch settlers began meeting in homes to worship establishing a church. By 1805, they petitioned the denomination for an organized church and purchased land, which is now known as the Village Green. In the heart of Woodstock, they built the first church structure. In 1844, that building was torn down for a new, Greek Revival place of worship on the outskirts of the Green. Architecturally, the church exhibits a prominent temple front with pedimented gable and Doric portico capped by an octagonal steeple. Inside, the sanctuary is lined on the walls and ceiling with decorative, pressed tin, which is apparently from the mid-19th century. The church remains very active in local and current events.
One of the oldest extant buildings in Woodstock Village is the old Tannery Brook House. The building (or a part of it) was originally an old grist mill developed by Isaac Davis and it was later turned into a saw mill. Around the end of the Civil War, the structure was home to the village blacksmith operated by John Wigram Davis, then it was enlarged as a barn for wagons and carriages. Later, owner Peter Longendyke operated a boarding house from the building. Around 1904, the New York Art Students League is believed to have had their first summer art class in the upstairs rooms of the building. In 1935, owner Lamonte Simpkins remodeled it as “The Art Shop”. Upstairs Mr. Simpkins sold clothes, shoes and drygoods, while downstairs The Art Shop and Tannery Brook Garden Flourished. The building was rebranded as the Old Forge House, as a nod to its historic use. It remains a vernacular, and important piece of Woodstock’s rich history from sleepy industrial village to vibrant artist community.
The James Nelson Lasher House in Woodstock, NY was built by James Nelson Lasher (1829-1906) in about 1884. “Nelson” Lasher, a farmer from Bearsville, acquired 45 acres on the outskirts of the village of Woodstock and established an undertaking business on the property, in 1879. Over the next two decades, he farmed the property with his son Franklin “Frank”, who by 1890, also began to manage the undertaking business. Frank Lasher (1864-1912) may have added the Queen Anne porches and tower to the house around this time. In the early 1900s, the Lasher household consisted of Nelson and wife Elizabeth, and Frank and his wife and three children. Nelson died in 1906 and Frank died six years later, leaving the property to his son, Victor, who continued the family undertaking/funeral home business. The property was sold out of the Lasher family in 1960, but operated as a funeral home until 2019. The property has recently been eyed as a hotel and for town offices, I wonder what its future holds!
Buildings of New England 