modern architecture

Temple Beth Israel, Danielson // 1955

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Temple Beth Israel is a unique, Mid-Century Modern former synagogue, that can be found in the village of Danielson, in the town of Killingly, Connecticut. Ground was broken on the temple in 1951 and the foundation and basement were completed soon-after. Funding was tight and the building remained unfinished for years. During the first years that the congregation used the unfinished synagogue, while continually striving for additional funds to complete the building. A congregation member Mary Riseman’ s son William Riseman, an architect, designed the building and the Riseman family donated the fieldstone for the building from a quarry on their farm. The building was eventually completed in 1961, ten years after its ground-breaking ceremony, with young, recently graduated architect, Maurice Finegold as designer of the interior of the main floor sanctuary and more, completing the project. The congregation, a blend of Orthodox and Conservative adherents, was generally served by itinerant rabbis, often religious students. Dwindling membership forced the congregation to merge with another in nearby Putnam, and the building was eventually sold. A secular preservation society was organized to keep it, which has transformed it into a cultural and historical center, dedicated to preserving the history of the Jewish experience in the area.

Second Church of Christ, Scientist, Roxbury // 1915

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Breaking ground in 1915, this early Modern church building must have turned heads when it was being built in Roxbury! In October, 1907, a fine lot of land with a house on it, at the corner of Elm Hill Avenue and Howland Street, was purchased for eighteen thousand dollars by a group of Christian Science followers. In October, 1911, a building committee of five was elected by the church, and by the summer of 1914 the building fund had made such satisfactory growth that ground was broken and work for the new structure begun in September. The congregation hired the illustrious architectural firm of Shepley, Rutan, and Coolidge to design the edifice of classic and imposing design. Constructed of gray tapestry brick with limestone trimmings, the auditorium seated upwards of one thousand members, under the dome roof. Today, the building is occupied by Grace Church of All Nations.

Yale University Art Gallery // 1953

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Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.

330 Beacon // 1959

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While this apartment building is completely out of scale with its surroundings in the Back Bay neighborhood, it is one of my favorite Modernist apartment buildings in the neighborhood it its own right. Hear me out! 330 Beacon was built in 1959-1960 as a seventeen story (plus penthouse) apartment building designed by modernist architect Hugh Stubbins & Associates. The tower is largely constructed of red brick similar to early 20th century apartment houses, and exhibits an undulating facade, possibly as a nod to the prevalence of 19th century projecting bays which the neighborhood is so known for. The fenestration (window placement and proportions) is also interesting as it differs on every third floor, the staggering breaks up the monotony of many similar apartment blocks built in this time period. Many of you likely will not love this building, especially after knowing that it replaced five stunning townhouses, but I love to show how New England architecture has modernized and changed based on ever-evolving tastes and housing demands.

Dublin Hill Deck House // 1974

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I don’t share Mid-Century buildings on here enough, mostly due to the fact that so many of the houses of the period are secluded down winding driveways and surrounded by trees! This stunning house is located in Southbury, Connecticut, and is a great example of a Deck House. The Deck House was a housing type developed by architect Carl Koch. According to At Home With Tomorrow, he began his lifelong mission to create “the good, the beautiful, and the inexpensive” in housing while at Harvard under the guidance of Walter Gropius, who is famous for the development of the Modernist Movement in architecture. After the war, he turned his focus on the housing shortage, a symptom of the Great Depression, WWII, and returning Veterans with growing families and VA mortgage loan offers. His solution was for an affordable house of pre-fabricated parts to cut costs and provide streamlined construction. In 1953, his Techbuilt house was launched, after a decade of research. William Berkes and Robert Brownell had worked with Koch at Techbuilt after graduate school, but wanted to create a design of their own. They left Techbuilt in 1959 and founded Deck House, using the same principles. The exposed Douglas fir beams, wood panel ceilings and mahogany trim and window casements are what give the deck house a lot of its signature aesthetic. A wall of glazing, open floor plan with sloping roof rafters extending beyond the walls and a low placement in seemingly untouched nature are further elements that have endeared these houses to the modern homeowner.

Tower Records Building // 1918 & 1986

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New England is home to just three projects by world-renowned (and sometimes maligned) architect Frank Gehry. To me, architecture is best when it makes you stop, look, critique, and comment on it. Architecture is an art, and it should evoke emotion and discussion. Gehry’s work does just that. His only project to date in Boston is located at the corner of Newbury Street and Massachusetts Avenue in the Back Bay, a project I would assume most don’t realize was a Frank Gehry design. The building was originally built as a seven-story office building (originally planned as eight stories) over an MBTA station lobby in 1918. Designed by Arthur Bowditch, the building was completed a year later, built of buff brick and concrete. The Boston Elevated Railway Company (BERy) moved into the top floors of the building and it became known as the Transit Building. The construction of the Massachusetts Turnpike in the 1960s removed neighboring buildings to the south, exposing the southern, unadorned façade of the building. By 1986, owner-developer Richard Cohen began a major renovation of the building with Tower Records as the main tenant. Gehry worked with local architects Schwartz-Silver who added an eighth floor with a cornice support by angled struts. The south and east sides of the building were sheathed in lead-coated copper with the street-facing west and north sides retaining their original brick and stone, but with added glass canopies supported by more angled struts. As housing became more desirable, the top five floors were converted into 54 condominiums. The design is timeless and showcases how new and old can work together in a juxtaposition of styles well! What do you think of the building?

Knoll International Furniture Showroom // 1980

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An exemplar of late International Style, this stucco-clad concrete building stands apart from its traditional Back Bay neighbors and is located on one of the city’s most busy streets, Newbury Street. Built as the showroom and offices for Knoll International furniture, its crisp design is an elegant statement in form and details of Bauhaus- and Le Corbusier–inspired architecture, including its asymmetrical composition, curvilinear lower facade, horizontal window bands, and stairwell located behind a glass brick wall. The building was designed by Gwathmey, Siegel and Associates who have a great diversity of commissions, all with thoughtful site-specific designs. The building reinforced the positive qualities of modernist architecture at a time when some architects were advocating for historic revivals and Post-Modernism. The building was later occupied by DKNY and is presently rented out by Lenscrafters.

Doris Bunte Apartment Tower // 1967

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In the second half of the 20th century, parts of Boston saw disinvestment by private property owners as well as local and state government. With people leaving Boston for the suburbs, the hemorrhaging of tax revenue led urban planners to go big and institute ‘Urban Renewal‘ policies and planning to demolish what they believed to be substandard housing and invest in Modern apartments and car-oriented developments. The triangular shaped new community was as comprehensive as any urban renewal district in the region; indeed of the ten General Neighborhood Renewal Plans created by the BRA in 1961, Washington Park was the most self contained Urban Renewal District in the city. It included new police and fire stations, a courthouse, two public libraries, a shopping mall, a health center, elementary school and five garden style housing developments totaling almost 2000 apartments or townhouses. At its completion in 1975, $70.4 million had been invested to build the new community of which $31. 3 million came from the federal government. Part of this massive undertaking was the construction of elderly housing, which resulted in this 20-story cylindrical tower at the southernmost edge of the Urban Renewal area. The tower was constructed between 1967 and 1970 and was designed by Boston-based architectural firm Richmond & Goldberg, led by Isidor Richmond and Carney Goldberg. Apartments were “integrated” with with 70% Black and 30% White residents, all with private balconies and an emergency pull-chain system in kitchens and bedrooms for the elderly residents. As far as mid-century apartment towers go, this one is pretty interesting and unique. The building was renovated a few years ago and renamed the Doris Bunte Apartments. In 1969, Buntè was nominated to the Boston Housing Authority board, making her the first female public housing tenant to serve. In 1972, she was elected to the Massachusetts House of Representatives, becoming the first woman of color to serve in the Massachusetts legislature, and the first female to serve in the House leadership in 68 years. While there, Buntè helped found the Black Legislative Caucus and the Caucus of Women Legislators.

Everett City Hall // 1960

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Welcome to Everett, Massachusetts, a diverse, vibrant community of roughly 50,000 residents just north of Boston. Present-day Everett was originally part of Charlestown, which separated and became Malden. In 1870, the Town of Everett separated from Malden and was so-named after former Charlestown resident Edward Everett (1794-1865) who served as U.S. Representative, Senator, the 15th Governor of Massachusetts, U.S. Secretary of State and as President of Harvard University. From 1894, the Town (later City) Hall was located in the Hapgood Building, but was outgrown after WWII. In 1960, ground was broken for a new, Modern City Hall for Everett, with Harold Michael Turiello (1910-2001) of Revere, as architect. Everett City Hall (love it or hate it) is a testament to Mid-Century Modern/International style design with curtain wall construction originally included bright blue panels which were recently replaced with a bland white panel color.

424 Massachusetts Avenue // 2002

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Modern architecture can often compliment and blend into the context of historic neighborhoods, and this example in Boston’s South End neighborhood is one of the best examples locally. In 2002, developers eyed a long-vacant lot on the busy Mass. Ave corridor through the South End and began designs of a contextual addition to the streetscape. Dolezal Architecture was tasked with designing a modern residential building that would comply with local historic district regulations, a balance that can be difficult to accomplish. Employing traditional masonry, solid-to-void ratios, massing, and bays, but in a modern context, the building blends in with its surroundings yet is architecturally interesting. The building contains ten condos in a single building which reads more like two distinct structures.