Newport

Land’s End // 1864

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One of the more architecturally modest and refined Gilded Age summer cottages of Newport sits on one of the most picturesque pieces of land at the southeastern point of Aquidneck Island and is aptly named Land’s End. The cottage was built in 1864, Land’s End was designed by John Hubbard Sturgis for Boston banker, Samuel Gray Ward, his father’s business associate. The home features a refined Italianate style base with a roof comprised of a variation of the Second Empire mansard style called a “turtleback roof”. Land’s End is probably most famous as the residence of Edith Wharton (1862-1937) after she acquired the property in 1889. She worked with Boston designer Ogden Codman, Jr., to experiment with a style of subdued classical interiors and a remodel of the exterior, which was later featured in their book, “The Decoration of Houses”. Wharton was inspired to show what good taste is after the influx of Vanderbilts and other newly moneyed summer residents of Newport. The book focused on how to build and decorate houses with nobility, grace, and timelessness. It would, they hoped, lead its readers out of what Wharton called (pace the Vanderbilts) a “Thermopylae of bad taste” and into an aesthetic Promised Land. Wharton only lived at Land’s End for a decade, when the “stuffiness” of high-society there led her to move to the Berkshires in Massachusetts, where she worked with architect Ogden Codman to design her new home, The Mount. It the monstrous Lippitt Mansion, Breakwater was built at the time, just next door! did not help that Sadly, many of the interiors have been altered since Wharton’s time there, but with more recent interventions, but the book did help shift some of Newports later homes to a more refined, classical taste.

“Beachmound” Mansion // 1897

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Beachmound, a unique summer residence in Newport, was built in 1897 by architect Henry Ives Cobb for Benjamin Thaw Sr., (1859-1933) a Pittsburgh banker and philanthropist. The mansion is Neo-Classical in style, taking cues from Classical architecture, specifically Greek Revival, with the monumental columns, pediments, and pilasters. Benjamin Thaw was the half-brother of Harry Kendall Thaw (known for the 1906 murder of architect Stanford White). The murder took over the press as one of the more salacious scandals of the gilded era. Harry Thaw’s wife, the actress/model Evelyn Nesbit was said to have been raped by Stanford White while 16 year old (White was 47). She later married Harry K. Thaw. Thaw shot and killed White, the internationally famous architect, in front of hundreds of witnesses in a theater during a performance in New York. Following two trials, he was acquitted based on the insanity defense, a stint in an asylum from which he escaped, and eventual court-ordered freedom, Thaw was a celebrity. A comical piece of the story is that when Thaw later visited “Mar-a-Lago”, the Post Mansion in Palm Beach, Florida (now best known as Donald Trump’s home), he gasped, “My God, I shot the wrong architect!” Beachmound remains as a stunning, refined summer estate in Newport, and is comprised of condo units.

Anglesea Cottage // 1880

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Imagine being a neighbor to The Breakers? This 1880 home at Ochre Point along the iconic Newport Cliff Walk was built for wealthy grocery goods merchant of Philadelphia, Walter H. Lewis. The stunning home was designed by architect Detlef Lienau, who was first trained as a carpenter and cabinetmaker in Berlin before attending architecture schools in Munich and Paris. He eventually settled in New York City and was responsible for some amazing homes and commercial buildings there. His design for Anglesea, a summer cottage for Lewis, was French inspired with Stick style detailing. Stonemasons and woodworkers from Italy, along with American craftsmen, built Anglesea, which was designed to afford views of the sea from every angle. The home was purchased and modified in the Colonial Revival style in 1896 by Frederick Pearson and wife Lesley Ayer Pearson. The couple inherited much of their wealth from Lesley’s father James Cook Ayer, who was the wealthiest patent medicine businessman of his day and inventor of Ayer’s Sasparilla. The home remained in the family and was used for high-society gatherings until it was sold out of the family in 1996. Anglesea was purchased by Alfred Carpionato, a Rhode Island developer, who expanded and renovated Anglesea from 1996-2003, with the assistance of architect Friedrich St. Florian. The building is used for events by the group.

“Seaweed” Cottage // 1860

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“Seaweed” is a spectacular oceanfront estate situated on Newport’s famed Cliff Walk and overlooking Bailey’s Beach. This home is three-stories with an enormous enclosed porch that offers sweeping views of the Atlantic from all windows. The house consists of 16 rooms including an inviting foyer, nine bedrooms, seven bathrooms, dining room, and living room, all with original fireplaces, flooring, and detail throughout. Views of the sea are from nearly every room. “Seaweed” was originally built and owned by Mr. Henry Howard in 1860-61. It was altered in 1867 by renowned architect George Champlin Mason. Within a decade it was sold to Mr. C. Davis who passed it on to George T. M. Davis. In the 1880’s the property became a rental property owned by Alfred Smith, a real estate agent who lived near the center of town. In the early 1900’s it was purchased by Thomas Dolan of Philadelphia who re-baptized the home “Seaweed” after having architect Horace Trumbauer bring it to its present Colonial Revival style. The name is one of my favorites! What do you think of the name Seaweed for a home?

The Reefs Mansion – The Bells // 1885-1963

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‘The Reef’ a fabulous Gilded Age estate in Newport was built in 1885 for Theodore M. Davis by the Boston architectural firm of Sturgis and Brigham. The elegant shingle and stone Queen Anne villa was erected as both a summer house and to house some of Davis’s vast collection of paintings and Egyptian artifacts, collected during his excavations in Egypt’s Valley of the Kings between 1902 and 1913. Besides the architecture of the home, the Reef Estate was also famous for its walled gardens, greenhouses, and outbuildings, sitting upon eighteen acres. overlooking the Atlantic Ocean. Following Mr. Davis’ death in 1915, Milton J. Budlong of Providence purchased the estate. Milton divorced from his wife Jessie in 1928, and it was MESSY. Their Newport summer estate was placed in contention. The house, never again lived in by the family. During World War II, anti-aircraft gun emplacements were set up around the grounds, with the mansion housing gunnery personnel. After the War, the estate was given back to the Budlong heirs, who did not reside there. Vandalized throughout the 1950’s, the villa was set on fire in 1961 and demolished two years later in 1963. In 1969, the waterfront property came under the control of the State of Rhode Island and in 1976, became a state park. The old carriage house/stable and a later observation tower (possibly converted from a former water tower) stand today.

The Old Breakers Mansion // 1878-1892

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For my last post on this series on The Breakers in Newport, I wanted to highlight the original Breakers mansion. Built in 1878, the original Breakers was equally as significant, but a completely different style architecturally. The Breakers was constructed for Pierre Lorillard IV (1833-1901), a tobacco manufacturer and thoroughbred race horse owner from New York. In 1760, his great-grandfather, and namesake of the family company, founded P. Lorillard and Company in New York City to process tobacco, cigars, and snuff. The ‘cottage’ would serve as a summer retreat for Lorillard and his family for the summer months. The home was designed by one of the premier architectural firms in the country at the time, Peabody & Stearns, who specialized in high-style country estates. In 1885, Lorrilard used his family land in Orange County, New York, to lay out a new residential colony as a playground for New York’s wealthiest residents during the summer months. The colony is known as Tuxedo Park. He sold The Breakers to Cornelius Vanderbilt II in 1885 and the family would summer in the massive Queen Anne style estate for just seven years until a fire destroyed the home. The detached children’s cottage (also designed in 1878 by Peabody & Stearns) survived the fire and remains on the site. The Vanderbilt’s decided to erect a fireproof house immediately, and the result is the massive limestone mansion we can tour today.

The Breakers – Children’s Cottage // 1878

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While the Breakers Mansion in Newport is one of the most opulent buildings in the United States, a tiny cottage on the grounds always gives me feelings of whimsy. Predating the larger mansion by two decades, this cottage was constructed on the grounds of the original Breakers House, owned by Cornelius Vanderbilt, which was destroyed by fire in 1893. The cottage was built as a children’s playhouse around the time the original Breakers mansion was built in 1878. The Boston architectural firm of Peabody and Stearns built the mansion and adjacent cottage for Pierre Lorillard IV, a New York cigar manufacturer and millionaire. The Queen Anne Revival style elements, including the half-timbering and shingles and asymmetry, were in keeping with the style of the original Breakers, and complimented it well. My favorite part of the cottage is the open porch facing the ocean, which has four wooden posts, carved in the shape of figures from Dutch folklore, a sort of caryatid, supporting the roof. The house contains a living room and kitchen separated by a huge red brick chimney, which would be maintained by servants for the children while they play.

The Breakers – Library // 1895

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Tied as my favorite room with the Morning Room at the iconic Breakers Mansion in Newport, the jaw-dropping library is almost too good to be true. The library was designed to be the centerpiece of life for Cornelius Vanderbilt, who was always well-read. The walls are paneled with Circassian walnut cut in Europe and stamped with gold. The ceiling is coffered with more gold leaf. The fireplace in the library is probably my favorite in the mansion, which was acquired from a 16th-century French chateau, Chateau d’Arnay Ie Duc. The walls in the library and its smaller alcove are covered with wainscoting of Circassian walnut decorated with low relief carving and gold leaf; the walls above the woodwork are covered with panels of gold-embossed Spanish leather. Yes, leather walls! What is your favorite part of the Breakers Library??

The Breakers – Music Room // 1895

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You know you’ve “made it” if you have a music room, especially if you have one in your summer mansion in Newport! The Music Room in The Breakers evokes the opulent Parisian interiors of the Second Period and when inside the room, you just feel sensory overload (in the best way possible. The room is located off the Great Room and Morning Room, at the southern end of the house. The Music Room was used for recitals and dances for the Vanderbilt Family and guests. The room displays ornate woodwork and furnishings designed by Richard Van der Boyen and built by J. Allard of Paris. The room looks like it was plucked out of a French building and dropped into the mansion, and that is because it was! The room’s interior was constructed completely in France and then sent to America where it was installed at The Breakers by French craftsmen. My favorite parts of the interior are the bay window at the end and the gilt gold coffered ceiling.

The Breakers – Morning Room // 1895

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Possibly my favorite room in The Breakers mansion is the Morning Room, found on the first floor, just off the Great Hall and lower loggia. The Morning Room is executed in a late Renaissance style and faces east to catch the morning sun and provides sweeping views of the Atlantic. It served as a family sitting room at all times of the day. The interior design, including the fixtures, woodworking, and furniture, were designed by French architect Richard Bouwens van der Boijen and designer Jules Allard. The predominant grey, and gold colors of the Morning Room are echoed in its fireplace which is made of Campan marble. On the walls, you will find the most stunning shimmering silver wall panels, depicting ancient Greek goddesses. It was originally believed that these features were silver leaf, but the Newport County Preservation Society investigated further, determining it is actually platinum! The Vanderbilts clearly wanted this room to shimmer with the sunrise, so the use of platinum, which never tarnishes, was a great solution!