The Beebe-Phillips house in Waterford, CT, was built in the 1830s by Orrin Beebe (though some accounts say it was built for his wife Lydia after his death), and is an excellent example of a traditional full-cape house in Connecticut. The home is a vernacular example of the Federal style with no frills or expensive details. The house was originally located elsewhere in town but was moved to its current site on Jordan Green in 1974 by the Waterford Historical Society, next to the Jordan Schoolhouse.
The last stop we will see at the stunning Seaside Sanatorium campus in Waterford, Connecticut is the former Superintendent’s Residence. Built in 1936, the home is elegantly sited at the waterfront, which would have provided amazing views for the man in charge of running Seaside, the Tuberculosis hospital for children here. Like the Maher Building, Nurse’s Residence, and Duplex Residence previously featured, this building was designed in the Tudor Revival style and is also credited as a work of architect Cass Gilbert. The Superintendent’s Residence is interesting as it has two completely different facades. The campus-facing facade features an L-shape with a garage wing and projecting entry pavilion in stone. Above, a diamond-pane window would allow natural light into what may be the stairhall. At the waterfront, a large open porch (since boarded up) and large windows at the first floor, would provide natural light and air into the building, along with amazing views of Long Island Sound. Additionally, a catslide roof extends from the rightmost bay and covers a recessed porch with basketweave brickwork above. I would for sure live here, could you?
One of the most entrancing and clearly haunted places in Connecticut is the Seaside Sanatorium on the coast of Waterford, CT. It’s founding dates back to the early 1900s, when tuberculosis killed 252 of every 100,000 people living in the state, making it the leading killer in the state early in the century. When Connecticut Tuberculosis Commission members, including Chairman Dr. Stephen J. Maher, a New Haven physician, began hearing of success in Europe with exposure not only to ocean air, but to strong sunlight, they began pushing for a new location in Connecticut to treat children with tuberculosis. The first Seaside was established in Niantic in 1918, which was outgrown, and a newer, modern facility on the coast was needed. The State found a site on the coast of Waterford and hired world-renowned architect Cass Gilbert to design the complex in the Tudor Revival style, a departure from the Colonial or Classic Revival styles favored at the time for such projects. When the facility opened, children would spend as much time as possible exposed to the sun’s rays as part of their treatment here. They played sports, took lessons, ate, read, and played music outside year-round, either on the beach, the lawns, or the three levels of south-facing porches. By the early to mid-1950s, tuberculosis became curable with antibiotics that required limited bed rest and could be given in a regular hospital setting. After its use as a TB facility ceased, the state re-opened Seaside as a hospital for people with mental illness, which too closed in the 1990s. The massive campus has sat vacant since, rotting away as a State Park. Apparently the State has been looking for a developer to revitalize the campus as a hotel or other use, but sadly, nothing has materialized.
This gorgeous stone house was built circa 1877 by Phillip M. Powers (1814-1889), who served as President of the Millstone granite quarry in Waterford, Connecticut. The home is said to have been built off an earlier 1700s home, but all was constructed in ashlar granite to showcase Mr. Powers’ quality stone. It is said that Phillip went bankrupt not long after the construction of this home. In 1930, the house was purchased by Beatrice H. Rosenthal and her husband. Ms. Rosenthal served as both a delegate and as a committeewoman of the Democratic National party, and a staunch advocate for women’s rights. She was also active in women’s educational institutions around New England. The old home and barn are now available for rentals for events or overnight stays.
Waterford was once part of New London, but it separated in 1801 as the area desired its own town government which took agricultural interests more seriously. In the 19th century, much of the town’s economy was centered around agriculture, with many residents running sheep farms. During the 20th century, sheep farms were replaced by dairy farms. Between 1920 and 1960, there were about 100 dairy farms in Waterford. After WWII, suburbanization occurred and many wealthy residents of nearby New London moved to Waterford for more space. The oldest surviving public building in Waterford, Connecticut is this Colonial-era schoolhouse which was likely built in the 1730s. The Jordan Schoolhouse was built as a rural schoolhouse as farmers wanted their children to be taught writing, reading, arithmetic, and religion, even if they followed their parent’s footsteps in farming. The gambrel-roofed Georgian building was used as a school until the mid-19th century and it was converted to a private home for Asa and Eliza Gallup and their family. The schoolhouse was eventually moved to its current site on Jordan Green in 1972 and is operated as a museum space for the Waterford Historical Society.
Perched atop the rocky coast of New London, CT, and seemingly at the base of the iconic New London Harbor Light, the “Castle House” stands as one of the most significant examples of 1960s residential design in a state known for such homes. The Castle House was completed in 1964 from plans by German-born American architect Ulrich Franzen (1921-2012), who attended Harvard’s Graduate School of Design after his service in WWII. After graduating, Franzen worked under I.M. Pei, until he formed his own firm, Ulrich Franzen & Associates, in 1955. The home’s signature element is its dramatic free-floating glass living room pavilion with cantilevered paraboloid vaults and flanking service wings, with a jaw-dropping cypress butterfly ceiling. Additionally, the oval pool sits over the harbor water and provides the best possible views of the 1801 lighthouse towering above. The house was recently updated by SchappacherWhite, a design firm who are known for their thoughtful Mid-Century Modern house preservation projects.
In 1760, the colonial legislature of Connecticut passed an act creating a committee to pursue the funding, construction, and staffing of a new lighthouse for the harbor entrance at New London. The following year, thousands of lottery tickets were sold to raise £500 for the lighthouse (a popular method of raising funds for construction projects in those days). The lighthouse, a sixty-four-foot-tall stone tower with a wooden lantern at the top, was finished that same year at the west side of the harbor entrance. By 1799, issues began to pile-up, including a crack in the structure compromised the integrity of the tower, compounded by the fact the light was so dim as to often be indistinguishable from the lights of the surrounding homes. These challenges led the charge for a new lighthouse. Congress allocated $15,700 for a replacement lighthouse on May 7, 1800, and New Londoner, Abisha Woodward began construction on the current octagonal, tapered, eighty-foot-tall tower. The present light was completed the next year and is constructed of smooth-hammered freestone which are lined with brick inside. The current gable-roofed, two-and-a-half-story keeper’s residence was built in 1863, and in 1900 it was expanded to provide quarters for the assistant keeper and their families. Today, the keeper’s house is privately owned and the light tower is owned by the New London Maritime Society, who offer tours of the light on occasion.
Set way off the coast of Connecticut at the eastern end of Long Island Sound, sits this stunning lighthouse which appears more as a Second Empire style home than a lighthouse! By the early 1900s, New London, with its protected harbor at the mouth of the Thames River, had made the transition from whaling center to industrial city. New London Ledge Light was built because New London Harbor Light wasn’t sufficient to direct vessels around the dangerous ledges at the entrance to the harbor. The New London Ledge Lighthouse was completed in 1909, built by the Hamilton R. Douglas Company of New London and is an architectural antique as its Second Empire style is about 50 years past the time the style was popular in American architecture. The lighthouse reportedly owes its distinctive French Second Empire style to the influence of the wealthy home owners on the local coast, who wanted a structure in keeping with the elegance of their own homes. Sadly, many of the large homes near the shore in the area were destroyed in the Great Hurricane of September 21, 1938. Coast Guard crews lived at the light until it was fully automated in 1987. The lighthouse today is owned and operated as a museum by the New London Maritime Society.
This shingled beach cottage on the southern tip of New London, Connecticut sits in the Neptune Park community, which was laid out by real estate speculators as summer homes, primarily for local families. The Post Hill Improvement Company made up of professionals, purchased the beach and the surrounding land for $25,000 and began selling off the land adjacent to the beach. Then, once developable lots were sold and many cottages were built, they sold the beach alone back to the City for the same sum of $25,000. Like many such developments, deed restrictions were placed on properties, and ensured that only a dwelling house, with a minimum value of $2,500 if not waterfront and $3,000 if waterfront, could be constructed on the lots. This formerly Colonial Revival cottage was built in 1911 for Mary R. English, and would have cost at least $3,000. The shingled home was later given the tower and other details, but retains much of its charm.
Constructed in 1861, this Victorian Gothic mansion in Southport, Connecticut, stands out amongst the many Classically inspired homes nearby. Designed by Bridgeport architects Lambert & Bunnell for Moses Bulkley (1796-1868), the house is designed on a cruciform plan, synonymous with the Gothic style. Expansive pointed gables trimmed with a gingerbread bargeboards, pointed arched windows, ogee arches trimmed with jigsaw tracery on the verandah, and a tall square tower topped with a steeply-pitched pyramidal roof are all seen in this beauty. If only it had a historically appropriate paint scheme to really make those details pop!
Buildings of New England 