Built in 1935 (the same year as the Webber House in the last post), the Melnick House in South Brookline shows how the historically oriented designs of colonial New England converged with the Modern principles brought over from the Bauhaus movement from Germany. The 1930s were an interesting time for residential design around Boston as the two diverging styles were often located in the same neighborhoods. The Melnick House was designed by architect Samuel Glaser for Edward S. T. Melnick and his wife, Ethyle Melnick. Edward worked in Downtown Boston as the assistant division manager at Filene’s department store. Architect Samuel Glaser (1902-1983) was born in Riga, Latvia and at the age of four came to the United States with his family, settling in Brookline. He studied architecture at MIT and started his own practice in Boston a niche as a designer of moderately priced homes, particularly in the expanding suburbs where young Jewish families had begun living. The Melnick home combines the austere stucco walls and lack of applied ornament typical of late 1930s Modern architecture in the Boston area with a hipped-roof main block and flanking wings more commonly associated with traditional style houses of the same period. The home features a vertical glass block window which illuminates the interior stair hall.
Built into the side of Fisher Hill, this Mid-Century Modern home in Brookline depicts the sleek lines and materiality synonymous with the style. The home was designed by the architectural firm of Arthur H. Cohen and Abraham J. Goldberg, which lasted only a few years and was completed by 1961. Abraham Pollen, an eye doctor, and namesake of the Arthur Pollen Archives at Mass. Eye and Ear, resided in the Modern home for most of his professional life. Vertical glass panels and tongue and groove boards with batten strips characterize the home along with the prominent garage entries facing the street.