The Thomas and Esther Smith House in the Feeding Hills area of Agawam, Massachusetts is a 1½ story, vernacular Georgian style house with a gambrel roof. Feeding Hills, so named for its bountiful soils, is an agricultural plain approximately five miles west of the Connecticut River at the eastern foot of Provin Mountain. The land was highly sought after by farmers, with many agricultural uses still taking place here to this day. This parcel of land was purchased by Thomas Smith, a carpenter, in 1757, who likely built the home soon after for his new family. The family occupied the home into the mid-19th century, harvesting crops and raising cattle for sustenance and sale. The agricultural property was subdivided numerous times and now sits on just an acre. The home and remaining land was purchased by the Agawam Historical Society in 2002, who maintain the property and educate on Agawam’s agricultural heritage.
One of the most visited buildings in New England is the stunning Old North Church in the North End of Boston. Old North Church (originally Christ Church in the City of Boston) was established when the cramped original King’s Chapel, then a small wooden structure near Boston Common, proved inadequate for the growing number of Anglicans in the former Puritan stronghold. Subscriptions for a new church were invited in 1722. The sea captains, merchants, and artisans who had settled in Boston’s North End contributed generously to the building fund, and construction began in April, 1723. The church was designed by William Price, though heavily influenced by Christopher Wren’s English churches.
Before the American Revolution, both Patriots and Tories were members of the church, and often sat near each-other in pews, clearly adding to bubbling tensions. The enduring fame of the Old North began on the evening of April 18, 1775, when the church sexton, Robert Newman, and Vestryman Capt. John Pulling, Jr. climbed the steeple and held high two lanterns as a signal from Paul Revere that the British were marching to Lexington and Concord by sea across the Charles River and not by land. This fateful event ignited the American Revolution.
A full scale restoration of Old North was carried out in 1912-14 under the direction of architect R. Clipson Sturgis and a number of 19th century alterations were then eliminated. In this work, floor timbers and gallery stairs were replaced, the original arched window in the apse at the east end was replaced, and the old square box pews and raised pulpit were reconstructed. Additionally, the interior woodwork was incorrectly repainted white rather than the rich variety of original colors described in the early documents of the church, clearly submitting to Colonial Revival sensibilities. The iconic white steeple is also not original. The original steeple of the Old North Church was destroyed by the 1804 Snow hurricane. A replacement steeple, designed by Charles Bulfinch, was toppled by a hurricane in 1954. The current steeple uses design elements from the original and the Bulfinch version. Even with all these differences, Old North lives up to her name and stands proudly as a symbol of freedom and revolution.
Formerly located on Tremont Street in Downtown Boston, this ca.1670 Georgian gambrel home went from residence to candy shop to billboard in its lifetime. The home was constructed by John Crane (1744-1805), who was a housewright by trade but a patriot and soldier most importantly. At the tender age of 12, he had an early military experience when he substituted for his father in the French and Indian War when his father received the draft. Records state that Crane was an active member the Sons of Liberty, a secret revolutionary organization that was founded by Samuel Adams to fight taxation from the British government. Hours before the Boston Tea Party, Crane and the other participants met at his shop at his home to disguise themselves as American Indians as disguises for the events that would take place that night. He was in the hold of one ship when he was knocked unconscious by a falling crate of tea. His fellow patriots thought him dead and hid him under a pile of wood shavings in a carpenter’s shop off the harbor, only for Crane to recover later. Less than a year later, Crane and his family moved to Providence, Rhode Island where he would later serve under a militia there in the Revolutionary War. After serving, and seeing battle, he was awarded land in Whiting, Maine (Maine was part of Massachusetts at the time) where he built a home and spent his last days.
Crane House, c.1880s, courtesy of BPL.
His former house on Tremont Street in Boston was occupied as a home until the late 19th century until it was occupied by a confectionary shop, with a storefront added on the street. Due to the shifting demand for theater-oriented development and lodging, the candy shop began struggling. The owner, James Grace, then allowed for the home to be covered with signage and notices advertising various theaters nearby. Ironically, the home was demolished by 1908 for the Shubert Theater, which remains today.
One of the older extant homes in Kennebunkport is the Daniel Walker House on Maine Street. After the American Revolution, shipbuilding and other maritime industries grew along the Maine coast, especially in Kennebunkport (then still named Arundel). Sea captain Daniel Walker built the home on ample land on the outskirts of the village at the time. By the early 19th century, he sold off much of his land closer to the river to family and friends. The Georgian home is minimal, yet commanding with its massive facade, rusticated lintels and corners, an elaborate entry and a large central fireplace.
One of the older extant homes in Kennebunkport is the Gideon Walker Farmhouse, built in 1745. The home once sat on a larger parcel of land, on the outside of the village, which at the time, only had a handful of other homes nearby. At the time, the town was named Arundel, and was later renamed Kennebunkport, in reflection to its economy becoming one of shipbuilding and trade along the Kennebunk River. As the village population grew, the Walker land was sold off and developed for other large estates. The Georgian house featured a small, one-story projecting entry, typical of the period. In 1910, owner Anson McKim of Montreal, hired Portland architect John Calvin Stevens to update the home, which included the addition of the front entry’s second story and a large side addition approximating the size and location of the former barn which once stood there. The home has since been renovated a few more times on the interior and exterior, yet it still retains its historic integrity.
Nestled among the towering skyscrapers of Downtown Boston, the Old State House stands proudly, giving us a glimpse into pre-Revolutionary life and events. Happy Fourth of July!
Built in 1713, the “Town House” as it was originally known, served as a merchants’ exchange on the first floor and the seat of colonial and later state government on the second floor throughout the 1700s. The royal governor, appointed by the King of Great Britain, held his office in the building until 1775, and from the balcony gave voice via decrees and speeches to the King 3000 miles removed from London. Above the balcony, a lion and unicorn—royal symbols of the King of Great Britain—graced the main façade facing the public square.
“A cobblestone circle beneath the Old State House balcony marks the site of the 1770 Boston Massacre. Tensions ran high in Boston in early 1770. More than 2,000 British soldiers occupied the city of 16,000 colonists and tried to enforce Britain’s tax laws, like the Stamp Act and Townshend Acts. American colonists rebelled against the taxes they found repressive, rallying around the cry, “no taxation without representation.” On the frigid, snowy evening of March 5, 1770, Private Hugh White was the only soldier guarding the King’s money stored inside the Custom House on King Street. It wasn’t long before angry colonists joined him and insulted him and threatened violence. Calling reinforcements, a group of British soldiers stood near the Town House and were pelted with snowballs and rocks, with one soldier firing out of panic. Once the first shot rang out, other soldiers opened fire, killing five colonists–including Crispus Attucks, a local dockworker of mixed racial heritage–and wounding six. The event was one of the flashpoints which began the American Revolution.
Six years later, on July 18, 1776, Colonel Thomas Crafts read the Declaration of Independence from the balcony of the Old State House as a statement of strength from where the King’s declarations were given just years prior.
The gorgeous half-cape Knowles Doane House in Eastham is an early example of a traditional Cape home that are synonymous with the peninsula. The modest house features an off-center entry with a solid wood door with a transom above. Clad with wood shingle siding and roofing, the home screams “Cape Cod”. The large central chimney would have provided warmth inside the home during the harsh winter months. The home was likely built for a member of the Doane Family, whos patriarch, John Doane, arrived to Plymouth Colony by 1632. The family eventually settled in Eastham and participated in fishing, whaling and agriculture. By the early 1800s, the home was occupied by Knowles Doane.
Buildings of New England 