chapel architecture

Highland Cemetery Chapel // 1903

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Tucked away in Highland Cemetery, a typical looking cemetery in Norwood, Massachusetts, you will find a masterpiece chapel designed by one of the great architects of the Arts & Crafts movement. The Highland Cemetery was established in 1880 becoming the town’s second and primary burial ground. The town’s first burial ground was the Old Parish Cemetery which is located in the center of town on a 3/4-acre hill and because of its limited size and the difficult terrain; there was no room for growth. The rapidly developing town required a second cemetery and laid out Highland View on the outskirts of the village. In 1903, the Chapel of St. Gabriel the Archangel, also known as the Day Memorial Chapel, was erected at the center of the cemetery. The Chapel, which also acts as a mausoleum, was donated to the town by Lewis and Anna Smith Day in memory of their parents. Their only stipulation was that the chapel be available for use free of charge for any resident who desired to do so, no matter their religion or race. Esteemed architect Ralph Adams Cram designed the chapel in the Neo Gothic Revival style. Fred Holland Day, a renowned photographer and publisher, was the only child born to Lewis and Anna and he was a close friend of Ralph Adams Cram and Bertram Grosvenor Goodhue, likely leading to their commission here in Norwood. F. Holland Day lived in a Tudor mansion in town, modified from his childhood home. The Cemetery Chapel remains a seminal building for its genre and time.

Wildwood Baptist Chapel // 1910

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Tucked away on a wooded lot, away from the main villages of Kennebunkport, Maine, the Wildwood Baptist Chapel sits on the side of the road looking like a scene from a storybook. The chapel was built in 1910 for Baptists residing in the Wildes District of town, between the busier Kennebunkport Village and Cape Porpoise. The stone used in the construction of the chapel was taken from nearby properties and assembled on site by a skilled mason who built the walls with a Shingle style roof. Services here were limited and eventually ceased in earnest in 1935, as personal automobile allowed residents to travel to the church in the village for services. The poorly insulated chapel and small fireplace made the sanctuary inside difficult to heat in the cold winter months. The chapel is maintained well to this day, and is primarily used for summer services and special events.

Dutch Arms Chapel // 1875

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Tucked away on a side street in Saugerties, New York, this Victorian Gothic chapel has recently been given a new life for the arts. The chapel was constructed in 1875 as part of the Reformed Church of Saugerties (1852), designed by famed architect James Renwick, Jr., the architect of St. Patrick’s Cathedral in Manhattan and the Smithsonian in D.C. The architect of the chapel is not clear, but it retains similar detailing and materials to the main church. The structure was used for smaller religious meetings and a sunday school for decades until it eventually closed. The chapel was recently acquired by Isabel Soffer and Danny Melnick, co-founders of Hudson Valley Live, and has been restored and transformed into The Local: a year-round, multi-arts venue, breathing new life to the building and culture to the artistic town.

Card Memorial Chapel // 1898

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Cemetery chapels are fairly uncommon, but always a must-see when exploring a new place. These small charming buildings help bridge the gap between life and death and are often adorned with a permanence not seen in our lifetimes. This is the Card Memorial Chapel in the Spring Brook Cemetery of Mansfield, Massachusetts. The chapel was erected in 1898 as a memorial to 31-year-old Mary Lewis Card, who died in 1896. Mary’s parents, Simon W. Card and Mary J. Card, founded S.W. Card Manufacturing Company in 1874. The Mansfield-based company did very well and manufactured tap and die tools locally, shipping them all over the country. Before her abrupt death, Mary Lewis Card was set to marry architect Charles Eastman, who is credited with designing the memorial to his late-fiance. The chapel borrows from the Romanesque and Victorian Gothic styles, and is constructed of red brick laid with a tinted mortar atop a foundation of Quincy granite. The various roof sections are sheathed in green slate. The building displays a cross plan with a central tower rising forty-two feet from the ground to the apex, topped by a steeply pitched pyramidal roof. The building was restored years ago and still looks great!

St. John the Evangelist Church // 1885

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One of the most bucolic and beautiful buildings I have ever seen is this church in the Catskills, just outside of Elka Park, NY. Wow I wish New England could claim this one! The St. John the Evangelist Chapel was developed as part of a smaller enclave of summer cottages for rusticators from the Philadelphia-area, which was largely established by Mr. Alexander Hemsley (1834-1904) a chemist from Philadelphia who would later die from anaccidental chemical explosion at his factory. In 1883, Hemsley sold cottage lots to friends and family to erect summer houses in the Catskills and in 1884, decided to develop a lot for an Episcopal summer chapel. In that same year, Hemsley hired his future son-in-law, William Halsey Wood, to design the chapel. The Stick-style Victorian chapel blends the rustic use of natural materials found on the property with an elegant siting and attention to detail, not typically found in rural chapels. The native stone and stylized half-timbering really stood out to me. The church is used still in the summer with regular services on Sundays in July and August.