Shingle Style House

William G. Low House // 1887-1962

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One of the many significant losses to American architecture is the demolition of the Low House, a perfect encapsulation of the Shingle style of architecture by one of the most prolific designers in American history. The William G. Low House was constructed at the southern tip of Bristol, Rhode Island by esteemed architect Charles Follen McKim (my personal favorite) of the firm McKim, Mead & White. The Shingle style, which took off in the Northeast United States, primarily in seaside communities in the late 20th century, the homes of the style often had a strong horizontal emphasis. The style contrasts the other Victorian-era styles, de-emphasizing applied decoration and detailing in favor of complex shapes wrapped in cedar shingles. The Low House, formerly located on Low Lane, stood out for its 140-foot long gable which appeared to protrude right from the hilly outlook. The home was demolished in 1962, but was documented by the Historic American Buildings Survey program, which documented the home inside and out before it was a pile of rubble. Architectural historian Leland Roth later wrote, “Although little known in its own time, the Low House has come to represent the high mark of the Shingle Style”.

C. A. Brown Cottage // 1886

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Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.

Hull Public Library // 1879

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“We must not be Irish or African, or black or white. Not in America. We are gathering here … not to build up any petty community but to make the greatest nation and the strongest brotherhood that God ever smiled upon.”-John Boyle O’Reilly. This home (now the Hull Public Library) replaced the old Hunt House, which was the first parsonage of Hull, which was built around 1750. John Boyle O’Reilly, an Irish-American poet, journalist, author and activist bought the Hunt House in the 1870s and soon after demolished it as he felt it could not be salvaged. There are books about O’Reilly’s life story, so I recommend checking out his Wikipedia page. He constructed this house as a summer home by 1879, an excellent example of an early Shingle-style home. I cannot locate the architect, but am dying to learn! In the summer of 1890, O’Reilly took an early boat to his residence in Hull, Massachusetts from Boston. He had been suffering from bouts of insomnia during this time. That evening he took a long walk with his brother-in-law hoping that physical fatigue would induce the needed sleep.Later on that night he took some of his wife’s sleeping medicine and he apparently suffered an overdose of the medicine at this home, passing away at 46. Thousands of Bostonians mourned O’Reilly, and memorials were erected in the city, including the iconic 1896 John Boyle O’Reilly Memorial by Daniel Chester French.

Bayberry Cove Cottage // 1915

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Perched atop a seaside cliff on a neck jutting into the Atlantic ocean, this large summer cottage exhibits the rugged, yet enchanting character of the Maine coast. The house is part of the Cape Arundel Summer Colony and is one of the last built as part of the original period of development. The home was designed by Henry Paston Clark, a Boston architect who previously built a home on Cape Arundel and had summered there for years. His most notable design here is St. Ann’s Church, built for the summer residents of the area. The Bayberry Cove Cottage was built in 1915 for James Harrison and his wife and employed the use of cedar shingles, stone, and slate, to blend in with the rugged plot of land.