Romanesque Revival

Sayles Mill // 1882-2023

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Dayville, a mill village in the town of Killingly, Connecticut, is typical of many similar 19th century villages in the region. Dayville was named after John Day (1756-1838) a Revolutionary War veteran who later owned the water privileges on the Five Mile River. With the opening of the Norwich and Worcester Railroad in 1830, Dayville became a stop along the route and also became a hub for freight transport for other manufacturing villages along the river. In 1858, brothers Harris (1817-1893) and Sabin Lorenzo Sayles (1827-1891) from Rhode Island, purchased a mill site in Dayville and established a woolen manufacturing company. Harris retired in 1879 and Sabin continued the business as the Sabin L. Sayles Company. Sabin had a modern brick mill building constructed here in 1882-1883 which employed 250 people in production of woolen broadcloth. After Sabin’s death, the company was sold and modified numerous times, eventually becoming a metal products plant and later was left vacant. In the 2010s, funding and plans were begun to redevelop the old mill, but that was abandoned after a massive fire in 2023 destroyed the building, leaving just the six-story tower intact.

Photo courtesy of Journeysthrumylens

Old Chaplin Public Library // 1911

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In his will, lifelong Chaplin, Connecticut resident William Ross (1833-1908) bequeathed his hometown funds to erect its first purpose-built public library. As planning began, his widow, Emily Jones Ross donated even more to fund a building fitting of her late husband. The Queen Anne/Romanesque Revival style library is built of pressed brick with granite trim and features a prominent rounded corner bay of cedar shingles. The masonry work was done by George E. Snow but I could not locate the architect. The town outgrew the library and moved it into a new building nearby, selling the William Ross Public Library to a private owner, who appears to be renovating it now.

Haskell Free Library and Opera House // 1901

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How many buildings do you know of that straddle two countries?! Well, here is one of the most iconic buildings in Vermont, the Haskell Free Library and Opera House of Derby. The building was gifted to the villages of Derby Line, Vermont and Rock Island, Quebec, by Martha Stewart Haskell and her son, Horace Stewart Haskell, who wanted to leave their mark on the town. The building was designed by James Ball of Rock Island, Quebec and is a high-style structure comprised of both a library and opera house for residents. Designed in a eclectic mix of Romanesque Revival and Classical Revival, there is a lot to look at from both countries! Some of the outstanding features of the building include the structural and ornamental use of granite, stained glass windows imported from Scotland, ornate fireplaces and rich woodworking on the library interior, and one of the most elaborate opera house interiors in a completely preserved condition in Vermont.

Card Memorial Chapel // 1898

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Cemetery chapels are fairly uncommon, but always a must-see when exploring a new place. These small charming buildings help bridge the gap between life and death and are often adorned with a permanence not seen in our lifetimes. This is the Card Memorial Chapel in the Spring Brook Cemetery of Mansfield, Massachusetts. The chapel was erected in 1898 as a memorial to 31-year-old Mary Lewis Card, who died in 1896. Mary’s parents, Simon W. Card and Mary J. Card, founded S.W. Card Manufacturing Company in 1874. The Mansfield-based company did very well and manufactured tap and die tools locally, shipping them all over the country. Before her abrupt death, Mary Lewis Card was set to marry architect Charles Eastman, who is credited with designing the memorial to his late-fiance. The chapel borrows from the Romanesque and Victorian Gothic styles, and is constructed of red brick laid with a tinted mortar atop a foundation of Quincy granite. The various roof sections are sheathed in green slate. The building displays a cross plan with a central tower rising forty-two feet from the ground to the apex, topped by a steeply pitched pyramidal roof. The building was restored years ago and still looks great!

Ridgefield Town Hall // 1896

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Ridgefield, Connecticut was settled in 1708 when 24 families from Long Island purchased land from Chief Catoonah of the Ramapo tribe. The Fundamental Orders adopted by Connecticut in 1639 directed would-be settlers, able to support a minister, to establish a settlement, build a Congregational church and farm the land. This is exactly what was done in Ridgefield, beginning in 1708. The original 24 proprietors received 7½-acre home lots drawn by lottery, with a 25th reserved for the minister. The lots were located up and down Main Street from a Common where a Meeting House was built. The town grew and for much of its three centuries, was primarily comprised of old farms. By the late 19th century, spurred by the connection of the railroad, Ridgefield was “discovered” by wealthy New York residents, who assembled large estates in town, a trend that has only picked up in the 21st century! Population growth and a large fire on the town’s Main Street in 1895 necessitated a new Town Hall building. The present Town Hall building was constructed in 1896 from plans by architect Philip Sunderland. Colonial Revival and Romanesque in style, the two-story brick building features a pedimented central bay also containing the entrance with fan light transom, round arched windows, brownstone trim, and narrow pilasters of brick. The building houses town offices today.

St. Denis Catholic Church // 1838

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Believe it or not, this church in rural Whitefield, Maine is the second oldest Catholic Church in New England! As Irish and French Canadian families settled in this part of Maine in the early 19th century, Catholic churches were needed to provide worship space for those families. The church community of St. Denis began in 1818 when Father Dennis Patrick Ryan, an Irish immigrant serving at St. Patrick Church in Newcastle (the oldest Catholic Church in New England), moved to Whitefield to serve the influx of Irish Catholics and soon founded the church. Fr. Ryan oversaw the construction on a wood-frame structure built on this site. As more Catholic families settled here, a more permanent building was needed, and between 1833 and 1838, the main portion of the present brick church building was constructed around that original church. The tower was added in 1861, and the stained glass windows also date from later in the 19th century following the growth and prosperity of the church and its members. The St. Denis Parish House was constructed across the street in 1871 and is a lovely Romanesque style building.

Kinsley Building // 1892

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Established in May of 1854, the Aquidneck Bank begun with a capital of $100,000 with Rufus B. Kinsley as its president. The bank became the Aquidneck National Bank in 1865 and continued growing after the Civil War. The directors of the bank eventually left their former building (across Green Street) and moved into this building at Thames and Green Streets, which was built from 1892 to 1893 by local architect Dudley Newton. They named it after the banks founder, Rufus KinsThe Romanesque Revival style block is oriented to the corner and is built of brick and brownstone trim. Arched entrances are a nice Romanesque touch.

Newport Congregational Church // 1857

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The Newport Congregational Church on Spring Street was built between 1855-1857 and serves the United First and Second Congregational parishes of Newport whose history began in the late 17th century. The building, designed by Joseph C. Wells a New York City architect, and redecorated on the interior in 1880 by John LaFarge, is an interesting and well-preserved example of the Romanesque Revival, brownstone churches of the mid 19th century. LaFarge had recently completed work on H. H. Richardson’s landmark Trinity Church, Boston, and sought to provide a more elaborate interior than he was able to in Boston. He produced twenty stained glass windows and a series of murals, which today, represent the only fully integrated ecclesiastical interior he produced. The congregation has shrunk in recent years and moved to nearby Middletown, but it’s vestry was committed to the preservation of La Farge’s work. The LaFarge Restoration Fund was established and since the 1990s, the nonprofit has spent $3 million on glass and mural restoration, architectural stabilization and systems upgrades for their former building. The building is used occasionally as an arts center.

Yale University – Warner House // 1887

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Originally known as Cloister Hall, this ornate building on Hillhouse Avenue in New Haven, Connecticut is one of the most interesting I have seen. The building was constructed in 1887-8 as a residence hall for members of the Book and Snake, a secret society at Yale University. Architect H. Edwards Ficken designed the ornate brownstone Cloister which was completed in 1888. At the time, it was considered “one of the most picturesque buildings on the Yale campus.” The society added a matching rear addition in 1915, which is a heavier mass, but compliments the original structure. Yale University would eventually acquire the building after the society no longer needed a separate lodging house for members. Today, the building is called Warner House, and Yale does a great job at maintaining this beauty.

Yale University – Welch Hall // 1891

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As Yale University continued to enclose its Old Yard with elongated dormitories in the second half of the 19th century, the proprietors began to experiment with slight deviations to the prototypical Victorian Gothic piles built in the previous decades. Following a financial gift from Pierce N. Welch, an 1862 graduate of Yale College, and his sisters in memory of their late father, Harmanus M. Welch, the college hired architect Bruce Price to furnish plans for the new dormitory. Welch Hall is built of Longmeadow Freestone, the building is more Romanesque in style with arched masonry openings, the rough hewn stone walls, and pointed dormers projecting through the eave lines.