Susie King Taylor House // c.1874

The rowhouse at 23 Holyoke Street in the South End neighborhood of Boston is an excellent architectural specimen, but is best known for one of its residents, Susie King Taylor. Susie King Taylor (1848-1912) was born into slavery near Savannah, Georgia; and despite Georgia’s harsh laws against the formal education the enslaved, she attended two secret schools taught by black women. She became free at the age of 14 when she escaped onto a Union-owned boat off the coast of the then Confederate occupied Fort Pulaski on the islands off the coast of South Carolina. She soon attached herself to the First South Carolina Volunteers, the first black regiment in the US Army. She served under the Union Army in various capacities: officially as a “laundress” but in reality a nurse, caretaker, educator, and showcased such strength and courage as a young woman. Eventually, Taylor married Sergeant Edward King in 1862, and together they remained with the unit until it was mustered out of service in 1866. It is likely at that time that she met Harriet Tubman, who served as a nurse, scout, and spy for the 1st South Carolina Volunteers. Postwar, the Kings moved to Savannah, Georgia. She hoped to continue her teaching career and opened a private school for the children of freedmen. Unfortunately, her husband died the same year, and a public school opening caused her private school to fail. By 1868, Taylor was forced to find work as a domestic servant. She moved to Boston in 1872 where she married Russell Taylor in 1879. She devoted much of the rest of her life to work with the Woman’s Relief Corps, a national organization for female Civil War veterans. She lived at this home on Holyoke for much of her time in Boston, likely re-connecting with her old friend Harriet Tubman when she lived on the street.

Boston Academy of Musical Arts // c.1874

These paired rowhouses at 1-3 Claremont Park in the South End were built by 1874 as speculative housing. Between 1922 and 1928, 3 Claremont Park was purchased by a twenty-something year old Anna Bobbitt Gardner, and she opened a studio in the home, teaching Bostonians how to play the piano. In 1932, Anna Bobbitt Gardner (1901-97) became the first African American women to be awarded a bachelor’s degree from the New England Conservatory of Music. Her studio, Pianoforte Studio bloomed in popularity among Black and White Bostonians, and she rebranded the school as the Boston Academy of Musical Arts, adding four more studios in the area. She would later acquire the adjacent house at 1 Claremont Park and expanded the school. She went on to manage ‘Colored American Nights’, featuring African American musicians at Boston Symphony Hall, and produced local radio and television programs to boost the African American audience in classical music. After her death in 1997, the New England Conservatory has annually granted a musician the Anna Bobbitt Gardner Lifetime Achievement Award, showing her impact on the arts in Boston.

Wally’s Cafe Jazz Club // 1947

Historically, the South End neighborhood of Boston was populated by middle- to upper-class white residents until the late 19th century, when financial crises paired with new, modern housing (constructed in the Back Bay West and Allston areas) shifted that population elsewhere. West Indian immigrants and Black Bostonians moved to the relatively new neighborhood and many formerly single-family homes were converted to tenements or multi-family uses. From this, a vibrant Black community flourished, bringing black-owned businesses like restaurants, banks and jazz clubs. The area’s famous jazz clubs boomed during the forties and fifties, yet, many have disappeared over the years with the gentrification and development in the neighborhood. Wally’s Cafe Jazz Club on Massachusetts Avenue, was founded by Joseph L. Walcott. Mr. Walcott “Wally” was a Barbadian who immigrated to America in 1910, eventually settling in Boston. He worked many jobs and eventually saved up enough by 1947, purchasing an old rowhome and converting the space into a club. Wally was believed to be the first African American to own a nightclub in New England. He brought famed jazz musicians to Boston, and they played at this iconic venue for decades until 1979, when the venue shifted across the street to this building. With the jazz movement waning in popularity, Wally maintained his commitment to the music by featuring young musicians who were attending prominent academic institutions such as Berklee College of Music and the New England Conservatory of Music. Mr. Walcott cleverly decided to hire these young music students and mixed them with seasoned professionals who were veterans of the Big Band era. This mix of talent was special, and the format enabled Mr. Walcott to continue to serve the jazz loving audiences of New England. After Wally’s death in 1998 at age 101, his three children took over the bar, and today Wally’s Cafe is still owned and managed by his family, though presently closed due to COVID-19 restrictions.

Lewis and Harriet Hayden House // 1833

Lewis Hayden was born into slavery in Lexington, Kentucky, in 1811, as one of a family of 25. Hayden was first owned by a Presbyterian minister, Rev. Adam Rankin. He sold off Lewis’ brothers and sisters in preparation for moving to Pennsylvania, and he traded 10-year-old Hayden for two carriage horses to a man who traveled the state selling clocks. In the mid-1830s, Hayden married Esther Harvey, also a slave. She and their son were sold to U.S. Senator Henry Clay, who sold them both to the Deep South, and Hayden never saw them again. By 1842, Hayden married a second time, to Harriet Bell, who was also enslaved, and he cared for her son Joseph as his stepson. After this marriage, Hayden began making plans to escape to the North, as he feared his second family might be split up like the first. In 1844, he and his family escaped with assistance of abolitionists all the way to Canada. From Canada, the Haydens moved in 1845 to Detroit in the free state of Michigan, and the next year, they moved to Boston, at the center of anti-slavery activity with the city’s strong abolitionist base. In Boston, Hayden became a lecturer and ran a clothing shop, acquiring enough money to live in this large home in Beacon Hill. The Haydens routinely cared for fugitive slaves at their home, which served as a boarding house. Guests included Ellen and William Craft, who escaped from slavery in 1848. Hayden prevented slave catchers from taking the Crafts by threatening to blow up his home with gunpowder if they tried to reclaim the pair. Hayden died in 1889, outliving the abolishment of slavery. Harriet died in 1894 and left $5,000, the entirety of their estate, to the Harvard University for scholarships for African American medical students. It was believed to have been the first, and perhaps only, endowment to a university by a former slave. Their former home remains a stop on Boston’s Black Heritage Trail.

Glapion-Middleton House // 1787

George Middleton and Louis Glapion built this two-family residence in Boston’s Beacon Hill neighborhood in 1787, which is now the oldest extant home on Beacon Hill. This wood structure is a typical example of late 18th century Boston homes built by African Americans. Louis Glapion worked as a hairdresser and may have been from the French West Indies. Glapion lived and ran his business out of 5 Pinckney Street until his death in 1813. His wife Lucy continued to live there until 1832. George Middleton was a “horse breaker” (horse trainer) by trade and was adored in the diverse community of Beacon Hill. Middleton was one of 5,000 African Americans to serve in the military on the Patriot side of the Revolutionary War, leading an all-Black militia called the Bucks of America. The group is believed to have guarded the property of Boston merchants during the Revolution. After the war, he became the third Grand Master of the African Lodge, later known as the Prince Hall Masons. In 1796, Middleton founded the African Benevolent Society, which helped orphans and widows through job placement and financial relief. He died in 1815, outliving his wife and apparently left no children when he died in 1815.

Williams-Sears House // 1905

Why cant we all have siblings this generous??

Located in Boston’s Back Bay neighborhood, this home was actually constructed as two attached homes for Ralph Blake Williams and his sister, Ruth (Williams) Sears, the wife of Dr. George Gray Sears. In 1905, Ralph B. Williams hired architect Julius A. Schweinfurth, who trained in the architectural firm of Peabody and Stearns, to design a double-townhouse, for him and his sister. After completion, Williams lived in the larger side (right three bays) with his widowed mother, and Ruth lived in the smaller home (left two bays) with her husband. After successive ownership, the buildings were and turned into a lodging house, soon after purchased together in 1955 and turned into a school, the Chandler School for Women. The homes remained separate until 1959, when the school demolished the interior party wall, effectively combining the two properties into one, this is likely when the Sears’ front door was filled in, leaving one front door in the center bay. In 1971, the New England College of Optometry purchased the building and occupies it to this day for classrooms and offices.

The Charlesgate // 1891

One of the most grand apartment hotels in Boston, The Charlesgate, serves as one of many architectural anchors for the Back Bay neighborhood from Kenmore Square. The apartment hotel was constructed in 1891 and so named after the Charlesgate Park which was created by landscape architect Frederick Law Olmsted as part of the glorious Emerald Necklace park system. The Back Bay Fens was the first park designed by Olmsted for the City of Boston. Creating the Back Bay Fens was as much a sanitary as an aesthetic project, because the water was heavily polluted and often stagnant; Olmsted envisioned Charlesgate as the meeting point of the Back Bay Fens with the Charles River. The apartment hotel was actually designed and was financed by the architect, John Pickering Putnam, and members of his family. The basement and first story are constructed of Indiana limestone with the remainder of brick, with limestone trimmings. A picturesque effect is obtained by grouping the bays in pairs, and surmounting each pair with gables in the Queen Anne style, and by relieving these features against a high roof of green slate. The building originally featured 30 apartments and has since been reconfigured into over 50. The architectural landmark is one of the best statement-pieces in the neighborhood, and shows that apartment design can be done very very well!

Mount Vernon Congregational Church // 1892 & 1984

The Mount Vernon Congregation Church was founded in 1842 and originally was located in Ashburton Place on Beacon Hill (which I featured previously). As its members moved to the Back Bay, the congregation decided to build a new church in the western portion of the neighborhood. They hired architect C. Howard Walker to design the new church building, with stained glass windows by John LaFarge and Louis Comfort Tiffany added as memorials to several members of the congregation over subsequent years. As originally designed, the church had a 45-foot high steeple on top of its 85-foot square tower, but over the years it became structurally unsound, and it was removed just before the Hurricane of 1938, which toppled many steeples all over the region. In 1970, the church merged with the Old South Church in the Back Bay. In 1977, developers proposed to remodel the church building into retail and office space. The proposal was approved by the Boston Redevelopment Authority in January of 1978. Before work could commence, a fire destroyed much of the church building leaving a shell of Roxbury Puddingstone walls and the tower, the developer pulled its funding and the building’s future was uncertain. One year later, architect Graham Gund purchased the building. Gund was familiar with adaptive reuse projects, like his restoration of the Middlesex County Courthouse in Cambridge for his own office in Cambridge in the 1970s. Gund redesigned the building into 43 condominium units called Church Court. What are your thoughts on the architecture?

Hotel Royal // 1886

This large apartment house at the corner of Beacon and Exeter Streets in the Back Bay neighborhood of Boston commands its site with a six-story rounded corner oriel. Built in 1885-6 for George H. Brooks, a developer, the apartment house exhibits a Romanesque Revival design with the use of a monumental arch at the entrance, decorative brownstone and terra cotta, and the large full-height rounded bays. The apartment hotel was designed by architect Samuel D. Kelley, who designed many apartment houses and tenements in the Boston area. Sadly, the conical roof atop the corner oriel was removed sometime in the 20th century, somewhat minimizing its architectural integrity. The apartment hotel is now home to 30 condominium units.

Isabella Stewart Gardner Townhouse // 1860

152 Beacon (center) and 150 Beacon (right) demolished. Courtesy of Boston Athenaeum.

In 1860, David Stewart, a merchant from New York, built a townhouse on Beacon Street in Boston’s Back Bay neighborhood as a wedding present for his twenty year old daughter, Isabella Stewart, and her new husband, John (Jack) Lowell Gardner. The house was originally numbered 126 Beacon, but re-numbered as 152 Beacon ca. 1862 when homes were built on the south side of the street. The home was the city dwelling of the young couple, who also owned “Green Hill” in Brookline, and an estate on the North Shore. Isabella Stewart Gardner began amassing a large collection of art and their Back Bay home was insufficient to display it all. In 1880, John purchased the neighboring home at 150 Beacon from Andrew Robeson, a wealthy merchant from Fall River, whose main home is now the headquarters of the Fall River Historical Society. Soon thereafter they combined the two houses, with the address of 152 Beacon, to provide greater space for the display of the growing art collection being assembled by Isabella. After her husband’s death in late 1898, Isabella Gardner pursued plans for a new home that would provide a suitable setting for her art collection. She purchased land in the Fenway and began construction on her mansion, Fenway Court, now the Isabella Stewart Gardner Museum. One year after completion of Fenway Court, the two townhomes were purchased by Eben Draper, who razed them for his mansion in 1904 (see last post).