Bayard Thayer House – Hampshire House // 1911

This iconic building at 84 Beacon Street in Boston’s Beacon Hill neighborhood, is best-known for its bar, which in 1982, became world-famous as the locale for the bar in the television sitcom Cheers, one of the most-watched programs in television history; but its history begins earlier. This five-story building was constructed in 1911 as a mansion for Bayard Thayer (1862-1916), who split his time between Boston and his country estate in his home-town of Lancaster, Massachusetts. Thayer hired architect, Ogden Codman Jr., a favorite designer of Boston and New York high-society, to design his Boston mansion, which is an expressive and overscaled example of a Colonial Revival style townhouse. Bayard Thayer died in 1916 and his widow, Ruth Simpkins Thayer, lived here with her granddaughter, Ruth, and nine domestic servants. After Ruth Thayer’s death in 1941, the property was conveyed to the Colonial Properties Trust in 1944, operating the building as a small luxury apartment hotel. From this point on, the hotel became known as Hampshire House. In about 1969, the basement space in the Hampshire House opened as the Bull & Finch Pub, which later became the inspiration of the iconic sitcom Cheers. Pictures of the exterior of the building were used in the show’s credits and scene changes, and the interior was faithfully replicated from the set in Hollywood, where the show was actually filmed. The Bull & Finch Pub has permanently been renamed Cheers Pub and visited by many who wish to visit the place where “everybody knows your name”.

Hotel Essex – Plymouth Rock Building // 1900

The construction of a new South Station Terminal in 1899, prompted a development boom for the nearby area, which had for the previous decades been almost entirely mercantile and centered around the leather and woolen industries. Due to increased land values and an influx of travelers to the area, developers saw an opportunity to erect this building to serve as a hotel for visitors to Boston via South Station. Boston architect, Arthur H. Bowditch, furnished plans for this building in the Beaux Arts/Renaissance Revival style, with use of brick and limestone construction, ornate finishes at the façade including the fluted pilasters, arches and cartouches in the spandrels. The building was completed in 1900 and known as Hotel Essex and featured a long, storied history as a hotel until it closed in the second half of the 20th century. After years of deteriorating conditions, the building was adapted as the corporate offices for Plymouth Rock Assurance Corporation in 1982. The building was restored and has been known as the Plymouth Rock Building ever since.

Boston Police Department Headquarters – Loews Boston // 1925

I love historic hotels, so when I decided that I was overdue for a “stay-cation” in Boston, spending time unwinding in an old building was mandatory. When walking around the Back Bay, I always loved the old Boston Police Department Headquarters building and used this as an opportunity to learn more about its history! The Boston Police Department Headquarters building on Berkeley Street was built in 1925, and was designed by the architectural firm of Ritchie, Parsons & Taylor, a firm that specialized in civic and institutional buildings. Prior to this building, the Boston Police Department was based out of an old townhouse in Pemberton Square. By the 1920s, such an out-dated and small building was not a good symbol for one of America’s premier police forces, so the City of Boston purchased a lot in the Back Bay and funded the new modern building. The structure is a late example of Italian Renaissance Revival architecture in the city, and is classically refined. The brick building is clad with limestone, which is rusticated on the ground two floors. The building housed police department offices for over 70 years until 1997, when they built a new, Modern building in Roxbury. This building was boarded up for years until it was sold to an Irish hotel chain, who added two additional floors at the roof. They quickly went out of business and sold the hotel. The hotel today is operated by Loews, and they do a great job of highlighting the history of the building, from the meeting rooms named after significant police department employees of the past, the appropriately named Precinct Bar, to the Police-blue lanterns flanking the main entrance.

Exeter Chambers // 1889

One of the lesser-known historic hotels in Boston can be found at the corner of Exeter and Blagden Streets in the Back Bay neighborhood, tucked behind the Boston Public Library’s Johnson addition. Exeter Chambers (now Courtyard by Marriott Boston Copley Square), was built between 1889 and 1890 from plans by architect Theodore Minot Clark. Clark was a professor at MIT and the understudy of Boston’s famed Trinity Church architect, H. H. Richardson. Clark oversaw much of the construction of Trinity Church and his name is even engraved on the building. Exeter Chambers was constructed by the Guastavino Company, a very prominent contractor during the period noted for style and quality, known for the Guastavino tile. Cutting edge techniques such as compression arches and terracotta accents were featured throughout the structure. The hotel was vacant for many years and a renovation in 2004, which added three stories to the building, restored the ornate exterior to its former glory.

Hotel Boylston // 1870-1894

C.1875 image of Hotel Boylston, BPL image.

Standing just 24 years, the Hotel Boylston at the corner of Boylston and Tremont Streets, evoked the Victorian-era grandeur of Boston. Built in 1870, the Victorian Gothic hotel (what we consider apartment building today) was designed by the architectural team of Cummings and Sears, who were very busy at the time in Boston and beyond. The 5 1/2-story building was constructed of sandstone and featured Gothic arches, dormers of varied sizes and shapes, and a mansard roof with iron cresting. The building (and the three others on Tremont Street) was razed in 1894 and replaced with the Hotel Touraine a few years later.