On Nantucket, even the little houses can pack an architectural punch! This is the George C. Gardner House. The house on Main Street was built in 1834 for sea captain George Gardner, a descendant of Richard Gardner, an early white settler on the island (who’s house stands nextdoor). The house exhibits a five bay facade with Ionic columned portico and balustrade at the roof and widow’s walk. By the end of the 20th century, the house was sitting, decaying after years of deferred maintenance caused by a bitter divorce dispute between the owners. From this, locals told stories about the house being haunted, including stories of a Chinese servant of the Gardner family who was hanged after becoming infatuated with one of George Gardner’s daughters. The body is rumored to have been buried on the grounds of the house. There is not much to substantiate these stories of local lore, but they are always interesting to hear. A truth is that the home was purchased in the early 2000s for millions and restored faithfully before being sold for shy of $10 Million. Now that is really scary!
This house in Assonet Village in Massachusetts has SOOOO much potential, I just want to save her! The Cudworth House was built at the end of the 18th century, possibly for John Cudworth a mariner who owned a wharf just across the street. By the mid-late 19th century, the home was renovated, given the steep gable, bracketed details, and projecting entry. The house has seen better days, and needs some serious TLC to bring it back to livable conditions.
Bird Island sits about seven football fields away from the tip of the Butler Point peninsula, which juts out into Buzzards Bay in Marion. A small sitting area at the Kittansett Club provides a bench and amazing views of the open water and historic lighthouse in the distance. Immediately after the War of 1812, Marion became a hub of whaling and shipping with many sea captains building homes in town. As a result, Congress appropriated $11,500 for the purchase of Bird Island and the erection and stationing of a lighthouse. A 25-foot-tall conical rubblestone tower was constructed, surmounted by a 12-foot tall iron lantern. The accompanying stone dwelling was 20 by 34 feet, and a covered walkway connected the house and tower. William S. Moore, a veteran of the War of 1812, was appointed as the first keeper, which went into operation in 1819. There are legends about murder and hauntings on the island.
Moore’s wife, suffering from tuberculosis, would frequently get into liquor and cigarettes, and would become raucous when she did. When the villagers of Sippican would visit the island, many times they would bring her tobacco to the dismay of Keeper Moore. The legend claims that one morning, after returning from a shed on the island, he found his wife drunk and dancing through the snow. Reports are that he returned to the keeper’s dwelling, retrieved his rifle, and shot her. She is reported to be buried on the island, but there is no sign of a grave. Keeper Moore insisted that she had “succumbed from nicotine” when the townsfolk had asked what had happened. Many years later, when the keeper’s dwelling was being torn down in 1889, a rifle and a bag of tobacco were purportedly found in a secret hiding spot. With those items, was an alleged note that said the following:
“This bag contains tobacco, found among the clothes of my wife after her decease. It was furnished by certain individuals in and about Sippican. May the curses of the High Heaven rest upon the heads of those who destroyed the peace of my family and the health and happiness of a wife whom I Dearly Loved.”
The lighthouse is owned today by the Town of Marion. And the only residents are endangered roseate tern.
Next to the Maher Building at Seaside Sanatorium, the Nurse’s Residence building (1935) sits in the same sad state but retains a lot of its architectural character and charm. The Nurse’s Residence was built for… you guessed it, housing for the nurses who worked at the Seaside Sanatorium and treated the young children with Tuberculosis. Like the main building, this structure was designed by famed architect Cass Gilbert in the Tudor Revival style. In designing the buildings, Gilbert met the requirements of the sanatorium to have a self-contained hospital for the children and a large separate dormitory for the nursing staff, but adapted an essentially domestic architectural style to de-institutionalize their appearance through the use of applied, decorative detail and an extraordinary wealth of materials. The Nurse’s Residence is constructed of brick and is capped with a polychrome slate roof which is lined by 15 dormers on each slope, alternating in size. The end gables, which are similar to those of the main building and in surprisingly decent condition given the circumstances, are covered with decorative tile and add a punch of architectural intrigue. Oh too see these buildings restored one day…
One of the most entrancing and clearly haunted places in Connecticut is the Seaside Sanatorium on the coast of Waterford, CT. It’s founding dates back to the early 1900s, when tuberculosis killed 252 of every 100,000 people living in the state, making it the leading killer in the state early in the century. When Connecticut Tuberculosis Commission members, including Chairman Dr. Stephen J. Maher, a New Haven physician, began hearing of success in Europe with exposure not only to ocean air, but to strong sunlight, they began pushing for a new location in Connecticut to treat children with tuberculosis. The first Seaside was established in Niantic in 1918, which was outgrown, and a newer, modern facility on the coast was needed. The State found a site on the coast of Waterford and hired world-renowned architect Cass Gilbert to design the complex in the Tudor Revival style, a departure from the Colonial or Classic Revival styles favored at the time for such projects. When the facility opened, children would spend as much time as possible exposed to the sun’s rays as part of their treatment here. They played sports, took lessons, ate, read, and played music outside year-round, either on the beach, the lawns, or the three levels of south-facing porches. By the early to mid-1950s, tuberculosis became curable with antibiotics that required limited bed rest and could be given in a regular hospital setting. After its use as a TB facility ceased, the state re-opened Seaside as a hospital for people with mental illness, which too closed in the 1990s. The massive campus has sat vacant since, rotting away as a State Park. Apparently the State has been looking for a developer to revitalize the campus as a hotel or other use, but sadly, nothing has materialized.
One of my favorite buildings in Massachusetts has to be the Kirkbride Building at the former Danvers Lunatic Asylum. After the American Civil War, the need for an additional psychiatric hospital for the Boston area was critical, as others in the state and region were already at capacity. A site called Hawthorne Hill in Danvers was chosen for the new hospital; the scenic vistas, fresh air, and acres of farm land to work were part of the therapeutic treatments thought to have cured insanity. Stakeholders of the new hospital hired Nathaniel Bradlee, a Boston architect to design the Victorian Gothic main building and some later outbuildings. Bradlee employed the Kirkbride Plan, a system of mental asylum design advocated by Philadelphia psychiatrist Thomas Story Kirkbride (1809–1883) in the mid-19th century, which advocated for air circulation and natural light, through the use of elongated buildings.
Opened in 1878, the extravagant asylum drew some criticism from the working class residents of Danvers living in its shadow during the first years of operation, wondering why the “insane” were given such grand treatment. Patients were given ample space and could even farm on the grounds. As the asylum grew, the importance for new buildings were paramount. A series of underground tunnels connected many structures to allow the facility to fully function during the cold winter months.
Asylum formal garden, maintained by patients ca. 1880. Courtesy of Frank Cousins Collection.
The downfall of the Hospital began in the 20th century when the crowded hospital paired with lack of funding. By the 1930s, the number of patients grew to over 2,000 while the size of the staff remained relatively the same.As a result, the quality of care began to deteriorate as the overwhelmed staff struggled to control the massive number of patients. Patients were soon subjected to “special garments,” presumably straitjackets, as a means of control. In 1948, the first lobotomy was performed at the hospital and in the 1950s electric shock therapy was introduced. By the 1960s, state hospitals had become outdated and unnecessary due to better psychiatric medications, a more enlightened approach to treating mental illness and the establishment of a statewide system of community health centers.
The main tower was removed from the Kirkbride Building in the 1970s due to lack of funding. The hospital eventually closed in 1989 after a series of security concerns and the Commonwealth of Massachusetts decided to entirely cut funding to the “outdated” facility. The former asylum sat shuttered high on the hill for decades until it was converted to apartments, with most outbuildings being demolished as part of the redevelopment. Now you can (willingly) live at a former insane asylum. Any takers?
2006 Image of Kirkbride Building during controlled demolition. Photo courtesy of Maurice Ribble (Flickr).