Summer Cottage

Highways Cottage // 1902

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One of the more unique and enchanting historic summer “cottages” I have seen in my travels is this early 20th century rustic example in the Onteora Park colony. Built in 1902 for John S. Stanton Sr. (1837-1933), this residence was later the summer home of Dr. Edward Ahrens and his wife, Gertrude, who founded the Mountaintop Arboretum nearby. The house stands 3 1/2-stories tall and features horizontal log siding on the ground floor and cedar shingle siding above. The facade is dominated by the broad gable end roof that extends downwards to the first floor at flared eaves on the sides and over the windows.

Beauford Lodge Cottage // 1902

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This handsome cottage on Thurber Road in the Onteora Park colony in the Catskills of New York, was built by 1902 for Col. James P. Kimball (1840-1902), and his wife, Maria (Brace) Kimball, as their summer home. James Peleg Kimball was one of the most renowned U.S. Army surgeons of the late nineteenth century. The home was meant to be the couple’s place of respite, but Col. Kimball died here in 1902, not long after the family moved into the home to enjoy the fresh air of the Catskills. Maria Kimball retained the cottage for years until it was sold in 1919, and owned later by Clayton McMichael of Pennsylvania, and a director of the Onteora Summer Theatre. The rustic Shingle/Arts and Crafts style cottage was originally named Beauford Lodge, and was later named Stone Acres by McMichael.

Former Bear and Fox Inn // 1888

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Once the heart of the Onteora Park colony in the Catskills Mountains, this large building was known as the Bear and Fox Inn. The inn was built in 1888 from plans by young architect Dunham Wheeler (1861–1938), the son of the founder of the colony, Ms. Candace Wheeler, along with three cottages, while Ms. Wheeler’s Associated Artists interior design company provided the upholstered furnishings. Candace’s daughter, Dora (Wheeler) Keith, painted an inn sign depicting a bear and fox dancing by the light of the moon. In the early development of Onteora Park, there was no sewer or water system, and the original cottages had no kitchens built within the homes. As a result, the Bear and Fox Inn provided a space where cottagers would meet daily for meals. By the 20th century, cottagers would add kitchens inside their homes, and some dinners and events were moved to the Field House. The Bear and Fox Inn was altered with the removal of the large dining room, and converted to a private residence, which remains to this day. The structure is an excellent example of the Arts and Crafts style in a rustic finishes, typical for Upstate New York summer cottages.

Sans Souci Cottage // 1894

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Sans Souci Cottage, was built in 1894 in Twilight Park, during the “rustic” period, where Queen Anne Victorian styles made way for a more rustic, Arts and Crafts mode. The cottage was built for owner John McClure and it is notable for its varied siding, diamond-pane windows and large porch overlooking the Catskills.

Four Winds Cottage // 1889

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as “Four Winds”, was built in 1889 during the first phase of development in Twilight Park, and it is notable for its varied siding, wrap-around porch, bay window, and elevated siting to provide better views of the landscape.

Braeside Cottage // 1888

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Brae Side Cottage, was built in 1888 during the first phase of development in Twilight Park, and it is notable for its varied siding, diamond-pane windows, complex roof form with dormers, and the laticed entry.

Cosy Cabin // 1887

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first six cottages were log cabins, with this example, likely in the first batch. From maps and a report on the area, this early cottage appears to have been named “Cosy Cabin” and was first occupied by Mr. Wingate, the founder of the Twilight Club and Twilight Park. The cottage is unique for its vertically laid logs still containing their bark, and the rustic porch balustrade and detailing.

LaFarge Cottage // c.1845

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Even the less ornate and grand summer cottages of Newport can have interesting histories! This c.1845 Greek Revival cottage sits on Sunnyside Place and is best-known as the summer home of nationally significant painter, muralist, and stained-glass master John LaFarge (1835-1910), active in the lively late 19th-early 20th-century Newport art scene. John LaFarge’s wife, Margaret Mason Perry LaFarge (1839-1925), was the granddaughter of Commodore Oliver Hazard Perry, and was a native of Newport, seemingly providing the connection between her husband and lucrative stained glass commissions for many Newport and New York buildings. LaFarge is arguably best known for his innovative, opalescent stained glass windows, which was later stolen and adapted by Louis Comfort Tiffany. The LaFarge Cottage was possibly moved to this site and renovated, adding the glazed entry.

Katherine Prescott Wormeley House // 1876

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The Katherine Prescott Wormeley House is an eclectic and eye-catching Queen Anne architectural landmark on Red Cross Avenue in Newport, Rhode Island. Boston-based Katherine P. Wormeley (1830-1908), a native of England, served as a nurse for the Union Army during the Civil War and was one of the best-known translators of French literature into English. She built this double-house at a cost of $7,000 and rented another unit in the home for additional income. The Wormeley House is one of Charles Follen McKim’s early, independent works after working in the office of H. H. Richardson but before forming his own firm with William Rutherford Mead in 1877. Just years after she moved in, Ms. Wormeley in 1882, hired McKim, who was now under the firm, McKim, Mead & White to update and enlarge the home. By 1893, Wormeley had moved to New Hampshire and sold the house to Elizabeth Cabot Hayden and Dr. David Hyslop Hayden. The golden onion dome roof at the tower is a real treat!

Oakwold Cottage // 1883

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Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.