LaFarge Cottage // c.1845

Even the less ornate and grand summer cottages of Newport can have interesting histories! This c.1845 Greek Revival cottage sits on Sunnyside Place and is best-known as the summer home of nationally significant painter, muralist, and stained-glass master John LaFarge (1835-1910), active in the lively late 19th-early 20th-century Newport art scene. John LaFarge’s wife, Margaret Mason Perry LaFarge (1839-1925), was the granddaughter of Commodore Oliver Hazard Perry, and was a native of Newport, seemingly providing the connection between her husband and lucrative stained glass commissions for many Newport and New York buildings. LaFarge is arguably best known for his innovative, opalescent stained glass windows, which was later stolen and adapted by Louis Comfort Tiffany. The LaFarge Cottage was possibly moved to this site and renovated, adding the glazed entry.

Katherine Prescott Wormeley House // 1876

The Katherine Prescott Wormeley House is an eclectic and eye-catching Queen Anne architectural landmark on Red Cross Avenue in Newport, Rhode Island. Boston-based Katherine P. Wormeley (1830-1908), a native of England, served as a nurse for the Union Army during the Civil War and was one of the best-known translators of French literature into English. She built this double-house at a cost of $7,000 and rented another unit in the home for additional income. The Wormeley House is one of Charles Follen McKim’s early, independent works after working in the office of H. H. Richardson but before forming his own firm with William Rutherford Mead in 1877. Just years after she moved in, Ms. Wormeley in 1882, hired McKim, who was now under the firm, McKim, Mead & White to update and enlarge the home. By 1893, Wormeley had moved to New Hampshire and sold the house to Elizabeth Cabot Hayden and Dr. David Hyslop Hayden. The golden onion dome roof at the tower is a real treat!

Oakwold Cottage // 1883

Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.

Bethshan Cottage // 1884

Bethshan Cottage is one of Newport’s (many) “hidden” gems that gets far too little attention from publications! Located on Gibbs Avenue, down the block from Eveherdee and William Barton Rogers‘ summer cottage, “Morningside”, Bethshan was built in 1884 on land purchased by Major Theodore Kane Gibbs. Theodore was the son of William C. Gibbs, the 10th Governor of Rhode Island, and served in the Union Army during the American Civil War, mustering out as a Major in 1870. Newport-based architect Dudley Newton designed this cottage for Gibbs, which blends nearly every major architectural style of the late 19th century under one, beautiful gambrel roof. The red granite stone walls, red brick trim, red fish-scale slate roof, even the rust-colored mortar, all work together to create a lovely composition, unlike anything else seen in Newport. According to Newport’s Assessor, the house is presently an apartment house.

Eveherdee Cottage // c.1889

This Queen Anne style “cottage” is located on Gibbs Avenue, one of the lesser-visited streets for house-stalking in Newport, Rhode Island, but wow is she something! The summer cottage here was built by 1890 for Ogden Hoffman Burrows, a merchant who went into business with his father and brother in San Francisco, shipping goods from East Asia to America. He purchased two adjacent lots here on Gibbs Avenue in 1884 and 1889, having this house built as a summer residence, where he could mingle with other wealthy neighbors. The Queen Anne style house was reportedly designed by local architect, John Dixon Johnston, who incorporated all the hallmarks of the style: varied siding types and materials, turned post porte-cochere, applied ornament, and complex, asymmetrical form. Burrows would sell this house by the turn of the 20th century. Later owners, Herbert E. Stride and Daisy Thompson Stride, who would reside here with Daisy’s mother, Eve. The Stride’s named the home “Eveherdee” an amalgamation of their individual names: Eve (Eveline), Her (Herbert), and Dee (Daisy). The home was most recently owned by television producer, Vin Di Bona, who restored the house to its grandeur we see today.

“Snug Harbor” – Charles H. Baldwin Cottage // 1877

One of the finest Queen Anne style residences New England is this 1877 summer cottage, named “Snug Harbor”. The mansion was designed by architects William Appleton Potter and Robert Henderson Robertson for Charles H. Baldwin, a prominent admiral in the United States Navy. The design utilizes a brick first floor with shingle siding above, a high cross-gabled roof, panels and half-timbering, asymmetrical form, and a porte cochere at the entry. Later owner Arakel Bozyan, painted the entire exterior a deep red color and renamed the house “Gamir Doon”, Armenian for “Red House”. The house was restored back to a traditional color scheme and sold in 2020. The interiors are STUNNING!

The Breakers // 1895

The most opulent of all summer ‘cottages’ in Newport is the iconic Gilded Age mansion, The Breakers. This mansion was completed in 1895 as a summer residence for Cornelius Vanderbilt II. Cornelius’ grandfather, Commodore Cornelius Vanderbilt (1794-1877) established the family fortune in steamships and later in the New York Central Railroad. Cornelius Vanderbilt II became President of the New York Central Railroad system in 1885, and bought a wooden summer house called The Breakers in Newport during that same year. The original Breakers Mansion burned in a fire in 1892 and was rebuilt, but more substantially. Vanderbilt commissioned famed architect Richard Morris Hunt to rebuild it. Vanderbilt insisted that the building be made as fireproof as possible, so the structure of the building used steel trusses and no wooden parts. He even required that the boiler housed in an underground space below the front lawn. The Italian Renaissance-Beaux Arts style mansion was likely the most expensive home constructed in New England at the time at a cost of over $7 Million USD (equivalent to over $150 million today).

Cornelius Vanderbilt died from a cerebral hemorrhage in 1899 at age 55, leaving The Breakers to his wife Alice Gwynne Vanderbilt. She outlived him by 35 years and died at the age of 89 in 1934. She left The Breakers to her youngest daughter Countess Gladys Széchenyi (1886–1965). In 1948, Gladys leased the near-impossible to maintain property to The Preservation Society of Newport County for $1 per year. The Preservation Society bought The Breakers and approximately 90% of its furnishings in 1972 for $365,000 ($2.3 million today) from Countess Sylvia Szapary, Gladys’ daughter, although the agreement granted her life tenancy. Upon her death in 1998, The Society agreed to allow the family to continue to live on the third floor, which is not open to the public. The last-remaining family members residing there were evicted from the third floor due to safety concerns, but others state it is retaliation for the Szápárys’ opposition of the controversial Breakers Welcome Center, the plan for which other members of their family, including Gloria Vanderbilt, also opposed.

Calvert-Marin House // c.1845

In 1843, George Henry Calvert (1803-1889) and his wife Elizabeth Steuart moved to Newport, Rhode Island from Maryland, not long after built or purchased this home. George was the son of George Sr. a plantation and slave-owner in late eighteenth- and early nineteenth-century Maryland. His plantation house, Riversdale plantation, also known as the Calvert Mansion, built between 1801 and 1807, was designated a National Historic Landmark in 1997. From his wealthy upbringing by unsavory means, George was able to attend Harvard and spent time travelling to Europe. There, he met poets Goethe and William Wordsworth. He lived in Baltimore and served as editor for the Baltimore American, the largest local paper in the city. He worked on poetry and eventually moved to Newport, RI, possibly seasonally. This home was built in the Gothic Revival style for Calvert and his family. Years later, he was elected Mayor of Newport. Calvert hired Fannie Jackson Coppin as a servant for the household. Coppin was born a enslaved in Washington D.C., but gained her freedom when her aunt was able to purchase her at the age of twelve. She went on to become an advocate and leader in Black education. Historic maps show two properties owned by the Calvert’s. A nearby building, presently 38 Kay Street was possibly built as a barn or stable for the Calverts. This home was purchased in the 1880s by Captain Mathias Candelaris Marin, a sea captain who fought in the Mexican and American Civil wars. Marin likely modernized the Gothic House, adding the shingle siding and large Queen Anne additions to the rear. The Marin Street at the side of the house is named after him.