Greek Revival

Middlebury Congregational Church // 1935

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Located next door to the Middlebury Town Hall, the Middlebury Congregational Church has a very similar history to its Classically inspired counterpart. The congregational church here was established in 1791, less than a year after a separate Middlebury ecclesiastical society was granted and the first church here was erected in 1794. Decades later, a more traditional and larger church was desired by the congregation, so they had a Greek Revival style church built in 1839. Nearly 100 years later, the church (and adjacent original town hall building) burned in a large fire in April 1935. Undeterred, the congregation hired architect Elbert G. Richmond, AIA (1886-1965), who as a young man worked in the New Haven office of J. Frederick Kelly, Connecticut’s first and most famous restoration architect. The present building is a near-replica of the mid-19th century church building, and even has a bell that was recast from pieces of the old bell that crashed through the building during the earlier fire. Talk about rebirth!

Henry Perry House // 1832

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The Henry Perry house was erected in 1832, and is one of the two Greek Revival style structures in Southport which was designed with a five-columned front portico. The other, the Francis D. Perry House, was his brother’s and was built that same year. The house is a temple-front with a fan-light in the pediment and large sidelights and transom at the entry.

William W. Wakeman Mansion // c.1833

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William Webb Wakeman was born in Southport, Connecticut on June 19, 1799, the son of Jesup Wakeman, an eminent citizen of the community. As a young man, William worked with his father in his commercial and trade enterprises. He acquired his own vessel early in his career, and gradually accumulated a line of trade vessels, sailing to New York, Savannah, Georgia and Galveston, Texas. By mid-century he was involved in the East Indian and China trade under the firm name of Wakeman, Dimon & Co. He built and owned a line of steamships during the late 50s, and was commissioned by the Federal government during the Civil War to transport troops and equipment. His massive Greek Revival mansion was built around 1833 on one of the largest house lots in the village, perched high on a hill overlooking the harbor. The three-bayed facade is framed by a two-story portico. Supported by four fluted columns, the capitals and entablature are similar to the “composed” order of Minard Lafever and the “composite” order of Asher Benjamin, popularized in the 1830s and 40s in their pattern books for architects and builders. After William died in 1869, it was likely his widow, Mary Catherine (who lived to be 99 years old, outliving all of her six children) who enlarged the home with massive two-story ells.

Oliver Perry House // 1843

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This imposing Greek Revival house is located in Southport and is one of a handful of the stunning Classically designed mansions near the waterfront. The house was built in 1843 for Oliver Perry a Yale Law School graduate who did not work in law, but became a successful merchant and businessman instead. Oliver H. Perry established his fortune as a shipowner and a merchant and was Treasurer and Director of the Southport National Bank. He was active in civic affairs and served as speaker of the house of the Connecticut General Assembly and commissioner to survey and settle the border dispute between Connecticut and New York. His Southport house is a stunning example of the Greek Revival style in the temple form with a two-story projecting pedimented portico supported by four Doric columns.

John Reed House // c.1840

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The John Reed House at 37 Orange Street in Nashua, New Hampshire is a testament that houses can be updated over time with thoughtful renovations, and still be pretty darn amazing! The house was originally constructed in 1840 in the then-popular Greek Revival architecture style. Within a decade, to ‘keep up with the Jones”, the house was “modernized” with Italianate style detailing, including the brackets at the eaves and the large, square cupola with round arched windows and shutters. Decades, later, Queen Anne/Colonial Revival changes were made, with the full-length front porch with turned, fluted posts, enlarged windows, and an oversized front door. The house today blends these very different styles very well and adds to the house’s significance.

West Acton Citizens Library // c.1845

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Old houses adapted for other uses always deserves a highlight! The West Acton Citizens Library was originally constructed in 1840 as a small, one-story Greek Revival style cape house either for or purchased by Phineas Wetherbee, a farmer and early landowner in the village. The modest house features little detailing besides the recessed entrance composed of wide, flat pilasters and a lintel decorated with square corner blocks and a central keystone. In 1883, Phineas Wetherbee met with thirty-nine others to form the Citizens Library in West Acton. The organization accessioned the collection of the former Farmers Club Library. When Mr. Wetherbee died in 1895, he bequeathed his house to the library, who later moved into the house by 1900. Today, the house remains a library space for the West Acton village.

Green Mountain Hall // c.1860

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This simple Greek Revival style country church in Whitingham, Vermont is similar in form to the Methodist Church (last post) with a gable front double entry, large full pediment, corner pilasters, and centered two-tiered steeple. Also like the Community Church nextdoor, this was built circa 1860 as a church, but for the Universalist Unitarians in town. In 1892, the church was transferred to the Green Mountain Club, giving it the informal name “Green Mountain Hall,” and in 1905 the Town of Whitingham took it over. The building was used for dances, meetings, social gatherings, and other events until the Whitingham Historical Society took it over in a lease in 1971 to develop into a museum. The well-preserved vernacular building with its c.1920 front porch is a great representation of Vermont architecture, reuse for new uses and update. No waste, and a whole lot of charm!

Whitingham Community Church // 1862

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This simple, Greek Revival, frame church has a prominent pediment, corner pilasters, and two part steeple. It is built into a steep bank at the side of the road as it curves and descends into Whitingham Village, making it one of the most visible buildings in town. This church was originally built in 1862 by the Methodists who moved their congregation from their old and deteriorated church in the original Whitingham settlement on Town Hill. By the 1870s, the Methodist congregation was in decline. The Baptist congregation started holding meeting at this church regularly in Sadawga Village in 1879 and then purchased it. They made repairs and alterations in 1881. In historic photographs c. 1890- 1920s, the church’s steeple had third and fourth sections consisting of a narrow octagonal section topped by a small bell shaped dome. By the 1940s photographs show these had been removed. The building now serves as the Whitingham Community Church. My friends who tag along with me on visits throughout New England always say that every town has at least one old, white church. They aren’t wrong!

Reuben Winn House // 1840

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The main part of this stunning Greek Revival house in Whitingham, Vermont was built by Reuben Winn around 1840 and was originally located on the town common, southeast of the present village of Whitingham. The building was the only one to be moved from the hill to the valley as development shifted westward to the current town center and its access to water power for industry. This house was moved in 1889 and was run as the Sadawga Lake House hotel by Charles E. Putnam who also was listed in local directories as a slate dealer. The present slate roof was likely added by Putnam! The architectural element which stood out to me was the three part Palladian window directly above the front door that uses the motifs of the Greek Revival pilasters and entablature common to the other façade elements. The home is very well-preserved and even maintains a detached barn on the property!

Thomas Lord House // 1847

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This 1847 Greek Revival home sits in Blue Hill Village, Maine and it was built by and for local architect and builder Thomas Lord (1805–1880), who is credited with bringing the classical motifs seen in Greek architecture to Blue Hill. Mr. Lord had little formal education, spending much of his youth grinding bark at Ellsworth, sailing and working on his uncle’s farm. When he was 22, he apprenticed himself to a carpenter and began working for George Stevens in the shipbuilding yards of Blue Hill. From 1828 to 1880, Thomas Lord worked on 83 vessels, 84 dwellings, 12 school buildings, 14 meeting houses, 10 stern moldings and figureheads, 250 coffins and many barns and sheds. Lord is especially known in the area for his churches, including remodeling the First Baptist Church of Blue Hill in 1856. Just before building the house, Thomas married Matilda Carlton (1811-1898) and the couple had three children while living in the home. When Thomas died in 1880, Thomas Lord’s elder son, Roscoe Granville Lord took up residence here, where the 1900 census lists him as a painter. The home remains extremely well preserved and is one of the finer homes in the village of Blue Hill.