Vernacular/No Style

Beth Eden Chapel // 1900

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Almost at the southern, most remote tip of the Blue Hill Peninsula in Brooklin, Maine, I was stunned to come across this enchanting chapel. Completed in 1900, the Beth Eden Chapel is a small wooden frame building that appears to have been the first religious facility erected in the Naskeag area of Brooklin. Although it was erected by the Methodist Episcopal Church of Brooklin, the building was dedicated to the use of all Christian sects who wished to worship in the more remote section of town. Interestingly, the vernacular church employs some late 19th-century detail including the shingled flared siding and triangular motif. The chapel appears to remain open for summer months.

Sheafe Warehouse // c.1740

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The Sheafe Warehouse in Prescott Park in Portsmouth, New Hampshire was constructed in the first half of the 18th century in a spot ideally situated on the Piscataqua River to receive incoming ships. The design of the building is unique with a garrison (second story overhang) which enabled cargo to be unloaded directly from ships arriving in the port. The structure was apparently built (and named after) Jacob Sheafe (1715-1791) a prominent and prosperous merchant who followed in his father’s footsteps engaged in trade with the West Indies. The building was used as storage for centuries until the 1930s when the owner sold the warehouse to two Portsmouth sisters, Mary E. and Josie F. Prescott, the founders of Prescott Park. Interested in preserving the history of their native city, the sisters had the building moved to its current location and restored. The building (and the adjacent Shaw Warehouse) was listed on the State Register of Historic Places.

Shaw Warehouse // 1806

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The Shaw Warehouse located inside Prescott Park in Portsmouth, New Hampshire, was constructed between 1806 and 1813 and is significant as a rare example of a vernacular warehouse building from the early 19th century. It is very vernacular, unadorned with a very functional use, but these types of buildings (like barns and stables) are some of the most charming and provide a link to working-class history from the past. The building is the only of its kind remaining in its original location in Portsmouth, and as a result, was listed in 2011 on the New Hampshire State Register of Historic Places. It now houses offices for the nearby park.

The Dome Home // 2003

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This past weekend, I was lucky enough to stay at one of the most unique Airbnb’s in New England, the Dome Home in idyllic Kennebunkport, Maine! The house itself was hand-built in 2003 by trained architect and sculptor Daphne Pulsifer with her husband Daniel Bates, on 43-acres of forest just miles from the iconic Maine beaches. Inside, the house features numerous custom touches designed and built by the original owners, including light fixtures, floor tiling, hand-built oak doors, wall tiling, woodwork — much of it claimed from the property itself. The Dome Home is completely sustainable with solar panels providing all the power needed, making the property completely off-the-grid. The original owners sold the property in 2022 to the new owners who have lovingly updated the spaces, keeping the charm and unique qualities of the Dome. If you are ever in Kennebunkport and are looking for a unique, off-the-grid stay with all of the amenities of modern living, definitely check out the Dome!

Moretown Public Library // c.1845

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This 1840s Greek Revival home turned library, sits on the main street in the charming rural town of Moretown, Vermont. The quaint village never had a public library, but that changed starting in 1904, when residents and the town established a fund for purchasing books for the town’s citizens. In 1923, the library trustees purchased this residence which would serve as a stand-alone library for the village. Resident Lilla Haylett was instrumental in the accession and conversion of the home for use as a library from the estate of Ellen J. Palmer, who lived there until her death in 1923. The opening and celebration was short-lived however, as in 1927, elevated levels of the Mad River flooded much of the town. Water levels were well over the first floor of the building and nearly all books were lost. The Moretown Memorial Library was nearly lost, but the town rebuilt over years. The library remains today as a testament to the desire for learning and it serves as a landmark for the charming rural village.

Belding Homestead // c.1820

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David Belding (1785-1860) was born in Swanzey, NH and at 25 years old, moved to Moretown, Vermont in 1810, marrying an eighteen-year-old Florinda Freeman a year later. The couple built a farmhouse on the outskirts of town near a brook. David worked as a farmer and would later officiate as a justice of the peace, the town lister, selectman, and represented the town in the State Legislature for two terms. From his enhanced wealth, David appears to have expanded his farmhouse in the 1820s or 30s with this vernacular Federal and Greek Revival style residence. The Belding Homestead would remain in the family for decades and eventually became the Belding House Bed & Breakfast.

Moretown Town Hall // 1835

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The township of Moretown, Vermont was chartered on June 7, 1763 by Governor Benning Wentworth of New Hampshire. The original charter contained approximately 23,040 acres of land to be divided into about 65 shares of proprietors. Active settlement did not occur until after the Revolutionary War with early buildings constructed on the Winooski River (the northern boundary of the town) and subsequent development along the Mad River (which cuts through the middle of town). Saw and grist mills were built and the town developed as a rural farming and industrial community on the rivers. The Moretown Town Hall was erected in 1835 in the Greek Revival style. It has a pedimented portico with Doric columns that support a large pedimented gable peak in imitation of a Greek temple. Like most buildings in the Mad River Valley, the building is unapologetically Vernacular which means it relies on local materials, local builders, and not on architect-designed finishes. This is an aspect of Vermont architecture that makes the state so charming.

South Duxbury Church and Hall // 1855

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This is the first church ever built in Duxbury, Vermont. On December 18, 1854, at the South Duxbury schoolhouse, representatives from six denominations in the newly formed town, gathered to form the First Union Society of Duxbury. The participants were: the Congregationalists, Universalists, Free Will Baptists, Protestant Methodists, Episcopalian Methodists, and the Adventists. Twenty-five names appear on the original subscription list, indicating the pledged money or materials that each would contribute to the construction of the church. Samuel Cook Turner was contracted to build the church, with pews inside purchased by individual families to help fund the construction. The building is vernacular and modest due to the rural character of the congregations and town’s location, but it has a more Classically inspired door enframement. In 1890, funds were gathered for a church hall, which sits nextdoor. The meeting hall would serve as the meeting space for a temperance organization known as the “Independent Order of the Good Templar”. The church hall appears to have some deferred maintenance, but both buildings together share an early history of a rural and often overlooked small Vermont town.

The Floats // 1900

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Newton Booth Tarkington (1869–1946) was an American author best known for his novels The Magnificent Ambersons (1918) and Alice Adams (1921). He is one of only four novelists to win the Pulitzer Prize for Fiction and was considered the greatest living American author in much of the 1910s and 1920s. While he was born and grew up in Indiana, “Booth” eventually fell in love with the coast of Maine, and built a home in the charming village of Kennebunkport. In Kennebunkport, he was well known as a sailor, and his schooner, the Regina, survived him. Regina was moored next to Tarkington’s boathouse this building, which was named “The Floats” which he also used as his studio. The building was constructed in 1900 as a shop to build ships. He purchased the building, preserving it for generations to come. After his death, the boathouse and studio were converted into the Kennebunkport Maritime Museum. The building appears to now be a private residence, perched above the harbor. How charming!

Lars Thorsen House // c.1850

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I love that when walking around towns and cities in New England, I find charming old buildings and snap a photo only to learn later on that they were the home of someone amazing later on! New England is full of amazing stories! This charming cottage in Noank, CT, dates to around 1850 and measures just 16 x 22 feet and is set on a full-height raised brick foundation just steps from the harbor. Upon further research, it was uncovered that this cottage was the home of Norweigan artist Lars Thorsen (1876-1952) and his family since 1923, he added the shed dormer for his art studio. Thorsen was born in Stavanger, Norway, and was fascinated by ships as a boy. He first went to sea as a cabin boy at age 14, and crewed on both sailing and steam-powered ships. By 1903 he had made at five trips around Cape Horn, and crewed on the Columbia, an America’s Cup yacht designed by Nathaniel G. Herreshoff. A year later, Thorsen happened to sail into Noank, and chose to settle down there. Thorsen became known for his marine paintings of coastal areas and ships and painted murals for the WPA and other commissions.