In 1750, a new parish church was established as The First Ecclesiastical Society of West Simsbury, with parishioners meeting in members’ homes. Then, Canton Connecticut was still a part of Simsbury. In 1763, the Parish constructed a meetinghouse with the building also used for town meetings and other public gatherings. In 1806, Canton separated from Simsbury and the congregation soon after decided that the nearly 50 year old primitive building needed replacement. A new building was proposed and materials were harvested. Stories report that the first tree felled for lumber for the new church killed a parishioner. The beautiful Federal style church edifice features Palladian windows, a hallmark of the style. The congregation is active to this day.
Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.
As wealthy citizens from cities like Boston, Philadelphia and New York, began building summer cottages on Mount Desert Island in Maine, an influx of carpenters and tradespeople from Ireland followed to construct and work on them. Realizing this, cottager DeGrasse Fox along with Brooks White of Philadelphia, donated land for a new Catholic church building. Maine architect, William Ralph Emerson, donated plans for the church. A masterpiece of Shingle style design, the church, which seated 300 people, was deemed too small for the growing village’s summer congregation. A new, stone church was built closer to town (featured previously). The spire and belfry resemble another church Emerson designed in Beverly, MA, St. Margaret’s Catholic Church. Sadly, St. Sylvia’s burned down in 1909.
The North Rochester Congregational Church is located in a distinctly rural, area in the northwest corner of the largely pastoral town of Rochester, Massachusetts. This church, built 1841, is locally important to the development of religion and community in North Rochester. In Rochester as in other early New England towns, the building of a church symbolized the founding of a community. North Rochester’s first church was built in 1748, about 1 mile west of the present building, and was served by traveling ministers from other communities. The church congregation was formally organized in 1790, and a new church was built at that time, serving a larger area. The current church building was built in 1841 by Solomon K. Eaton, a noted regional builder whose credits include several other area churches. The church is of the Greek Revival style, which was frequented in the designs of hundreds of churches all over New England in the mid-19th century.
Rochester’s First Congregational Church is the oldest extant building still standing on the Town Green in Rochester Center and is the fourth house of worship to occupy the site. Constructed in 1837 to the designs of architect, Solomon K. Eaton, the beautiful Gothic Revival church building is among the most beautiful in the state. Eaton was well-known for his ecclesiastical structures, but also designed other prominent civic buildings in Southeastern Massachusetts. A fun fact about Eaton is that at age 55, he volunteered for the Union Army during the Civil War and his unit saw action in North Carolina, he returned home after the war and lived out his final days. The church stands out to me for the quatrefoil windows on the bell tower, the pointed finials and comer posts, and large lancet windows. Swoon!
Next door to the Inn Victoria, the beautiful St. Luke’s Episcopal Church in Chester, VT, stands out as one of the only Gothic Revival buildings in the town. A small group of residents gathered in the 1860s to found a Episcopal church in the town, which already had a dominant Congregational church. They furnished money which was matched by the diocese, and Merrick Wentworth was named senior warden. Members of his family and that of Frederick Fullerton, his son-in-law, formed a large part of the congregation. Frederick and Philette Wentworth Fullerton donated a building site across the street from their home, and Mr. Wentworth’s nephew, Boston architect, William P. Wentworth, contributed plans for a Gothic-style frame church, which includes a tall corner belltower.
A Roman Catholic parish was established in the South Coast/Cape Cod area by 1830 in Sandwich, where a large glass company employed a number of Irish immigrants. Over the course of the 19th century, several mission churches were established, and eventually a second parish, St. Patrick’s, was established in Wareham in 1911. Soon after, a mission was established in nearby Marion to serve the summertime Catholic community there. A parcel of land was acquired by the Roman Catholic Bishop of Fall River and they hired architect Matthew Sullivan to furnish plans for the small church. Matthew Sullivan (1868–1948) trained in the office of Edmund M. Wheelwright, Boston City Architect (1891-1894). Sullivan succeeded Wheelwright as City Architect and served in that position from 1895 to 1901, when he became a junior partner in the firm of Maginnis, Walsh and Sullivan, which was widely known for its ecclesiastical work, where he too specialized in religious buildings. St. Rita’s Roman Catholic Church is an example of an early 20th century chapel in the Craftsman style, characterized by eaves marked by long projecting rafter tails and a bold entry framed by Tuscan columns.
Grace Church was built in 1835 for a growing congregation in Beacon Hill. The absolutely stunning Gothic style church was designed by William Washburn (1808–1890), an architect and city councilor in Boston. The church was constructed of granite and had massive stained glass windows and soaring towers with decorative embellishments. Inside, a massive central window flooded the interior with natural light, and illuminated paintings from Mario Bragaldi, a Milan artist. In 1865, the building was sold to the Methodist Episcopal Society. 1873, it merged with Hanover Street, and took the name First Methodist. The church was variously referred to as First, Grace, or Temple Street, sometimes all at once! This church was occupied until 1962, when it merged with Copley to form First-Copley, which appears to have then occupied the Old West Church. The building was soon after acquired by Boston University and demolished for the building on the site today, a true loss to one of Boston’s most beautiful buildings.
Founded in 1710, when Waterford was still part of New London, the Baptist Church was one of the dominant institutions in the historical development of the Jordan Village, which became the historic population center of town. The fact that Jordan Village in Waterford sprang up around a Baptist and not a Congregational church gives it an unusual religious significance in the state. The Baptist denomination was introduced to Connecticut from Rhode Island in 1705. The separation from the City of New London, which was organized around the locally supported Congregational church, was due in large part to the differences between the the formal, structured, Congregationalists and the evangelical Baptist farmers. In 1848, when this church in Jordan Village was built, many residents followed the architectural vocabulary and built Greek Revival homes nearby, creating a large development boom in the new town center. The church remains today as an active member of the community.
This old meetinghouse predates the Town of Newington having been erected when the area was known as “Bloody Point,” which was claimed by both Dover and Portsmouth. Surrounded on three sides by the Piscataqua River and the Great Bay estuary, early residents of Bloody Point found it difficult to attend town meeting or church service in either Dover or Portsmouth. Bloody Point residents soon decided to establish a parish, independent from both Portsmouth and Dover. The granting of a separate parish with town privileges in the early 1700s required the construction of a village meetinghouse, and the establishment of a church with a settled minster. There was no requirement for separation of church and state at that time, so a meetinghouse would serve the dual purpose of being both a place for feisty town meetings and solemn worship. Construction of the Bloody Point Meetinghouse began in 1712, and the first meeting was held in it in January, 1713, even though the building was far from completed. There were no seats, and the windows were only holes in the walls. On August 6, 1713, a meeting was held to organize the parish in the new building. The name “Newington” was chosen after an English village that provided a bell for the new meetinghouse. Rev. Joseph Adams was the first settled minister in the new meetinghouse, and he preached there for 68 years. Rev. Adams was the uncle to John Adams, second president of the United States, and great uncle of John Quincy Adams, the sixth president. The building was modernized in 1838-39 to its present church-shape appearance. Windows were reconfigured, the main entrance was moved from the long south side to the east gable end, and the freestanding belfry was relocated onto the roof of the east gable end, effectively rotating the building 90 degrees without moving it. The present-day Greek Revival building remains as a highly significant relic of the founding of Newington.
Buildings of New England 