George Lee House // c.1865

This Italianate mansion was built in the 1860s for George E. Lee, a tanner. Lee lived in this home for a few decades until his death, before which, we had a stable or carriage house built to house his horses and carriage. There is a belvedere at the roof which could have been used by George or his wife to oversee the tannery business just blocks away! The home was willed to his son William after his father’s death, who sold off land across the street for new development. Interestingly, land behind the house was sold off in the early 2000s for townhouse development, possibly to provide funding to restore the home, currently undergoing renovations. The street that the townhomes sit on… Preservation Lane.

Rev. Sampson Spaulding House // 1737

Sampson Spaulding (1711-1796) studied at Harvard University to become a minister. At the age of just 23, he was called to be the first minister at the new First Congregational Church in 1736. To entice the young minister to the rural new town of Tewksbury, this Georgian mansion was constructed, probably with help from his new congregation. He married Mehetable Hunt, a local woman, and they had six children. Rev. Spaulding was
stricken with paralysis in 1791 in the middle of a church service, and he died five years later. He became one of the first burials in the new cemetery in town, now known as the Tewksbury Cemetery. The gambrel-roofed Georgian mansion stands today as one of the oldest homes in Tewksbury.

Watkins-Lexington Farm // c.1835

Lexington Farm was built by Elisha Wright Watkins (1805-1886) in around 1835, and was operated as a dairy farm until the 1980’s. Today, the property consists of a snecked ashlar stone farmhouse, cow barn, horse barn and tractor barn, grouped together at the southern extremity of the village of Felchville (also known as Reading). The farmhouse and barns are situated next to a waterfall on a tributary of the Black River, and are surrounded by pastures, hayfields and extensive woodland. A couple decades after Watkins’ death, the property was purchased by Alonzo Goddard. It stayed in that family and was eventually willed to Errol Locke in 1923. Errol, by trade, wasn’t a farmer. He was a Harvard-educated man who graduated there in 1913. Eventually, he went to work for a company called General Radio, which was founded in Cambridge, Massachusetts, in 1915. He started as a clerk, and 37 years later, he retired as president. The company, by that time, had moved to Concord, Massachusetts, which we know, thanks to the important events of April 19, 1775, is not too far from Lexington, where Locke lived. He renamed the Watkins Farm, Lexington Farm, seemingly as a tribute to his home town in the Bay State. In 2009, the Hall Art Foundation began the process of converting Lexington Farm to museum-quality galleries. The former dairy farm’s location and existing structures were ideally suited for this purpose. After approximately three years of restoration, renovation and refitting, Lexington Farm was transformed to approximately 6,000 sq. feet of exhibition space.

Levi F. Hartshorn House // c.1853

This Greek Revival home in Reading, Vermont was built around 1853 for Levi Fay Hartshorn, and is an excellent example of a vernacular Greek Revival house in Central Vermont. Levi F. Hartshorn moved to Reading, Vermont and opened up a store, also built this home for his family. It appears that Mr. Hartshorn gifted the village one of his shops to be used as a local library, before the present building was constructed.

Turner Art Publishing Company Building // 1908

In 1907, the 86-acre Bigelow Estate (featured yesterday), was purchased by Horace K. Turner, owner of an art publishing company founded in Boston about 1904. Turner moved his workshops to the estate so the artists could work in healthy country surroundings. The firm required the long wings contoured into the hillside to provide ample natural light and views to the distance for the workers. In 1920, the entire property, including the Bigelow House and the bungalow workshops, were acquired by the New England Peabody Home, which had been located in Hyde Park for 25 years. It was set up as a school and hospital for “crippled children” and this brick building was added to the center section. Architects for this addition were Coolidge and Shattuck, successors to the firm of Shepley, Rutan, and Coolidge. The Peabody Home was among the first to use sun treatment as a cure for physical ills and the extensive porches were well suited to this purpose. The Peabody Home became obsolete and the property was sold off in the mid-20th century. In 1979, the Peabody Home was sold to Edward Leventhal, who converted the buildings into 22 condominiums. Architects for the project were Jung/Brannen.

Murdock-Wiswall House // c.1718

Another of Oak Hill Village’s pre-Revolution homes is this stunner! This home was built some years before 1718 and was eventually occupied by Robert Murdock (1663-1754) and wife Hannah Stedman. Murdock emigrated from Scotland to Plymouth, MA in 1688 with his brother, later settling in Roxbury. In 1703, Robert bought a house and 120-acres of land here, and worked as a housewright. Like the King House (last post), the house was likely rebuilt or modified substantially at this time. Robert also served as a selectman, Constable, Surveyor of Highways, and Assessor in town until his death; and his son, Robert Murdock Jr., took over the property. By the mid-18th century, the estate was purchased by Jeremiah Wiswall (1725-1807). Wiswall served as Captain of the militia at the battle at Concord and Dorchester Heights during the Revolution and held a number of positions in the community including Overseer of the Poor, Constable, Selectman and as a hogreeve (person charted with the prevention or appraising of damages by stray swine). He was very involved in the events leading up to the Revolution including the committee on the tea embargo and drilled with the militia. He also lent money to the town to hire soldiers and owned a house designated as a place to receive smallpox inoculations in 1777, though it is unclear if it was this house he used. The house was eventually slated for demolition in the 1960s, but was saved by Dr. Roy Carlson, President of nearby Mount Ida College (now owned by UMass. For $1, he purchased the home from a developer and paid for it to be moved from its original location at the corner of Brookline and Dedham streets a ¼ mile southwest to its current location, on Carlson Ave, and it served as the President’s House.

DeWolf-Guiteras House // c.1835

This incredibly unique and flawless home in Bristol was apparently built by the infamous James DeWolf. Historic records state that the slave trader built the home for his son William Henry, but that is unlikely as he was the owner of the family mansion, Linden Place at that time. Therefore it is likely that another of James’ sons William Bradford DeWolf was gifted the home, roughly at the time of his marriage in 1835. The home was a 2 1/2-story Greek Revival home. By the 1880s, the property was sold to Dr. Ramon Guiteras, a urologist, who had the house stuccoed, fashionable Stick style trim applied across the facade, a full-width bracketed porch, and two-story octagonal tower on the side. The home is now owned by the neighboring church who restored it in the 1970s and maintain it beautifully to this day.

Luther-Babbitt House // 1809

In 1809, Giles Luther built this two-story, 5-bay, hip-roof Federal house, which has been substantially enlarged and altered over the years in succeeding styles. Original detailing on the facade includes the Palladian window, modillion cornice, quoins, and wide-beaded window casings with splayed lintels. Giles Luther (1775-1841), a shipmaster, merchant, and farmer, was more importantly the first Grand Marshall of the Bristol Fourth ofJuly Parade, which is believed to be part of the oldest Fourth of July celebration in the country. In 1825 Luther’s business failed; the Commercial Bank took this house and sold it in 1828 to Jacob Babbitt. Babbitt owned part of a wharf in town and in his will of 1849, he left the “use and improvement” of this house to
his son Jacob, Jr. (1809-1862). The younger Babbitt was wealthy and likely made the mid-19th century modifications to the home, including the Italianate triple-arched door and full-width porch with delicate cut-out posts and railings. The home was occupied for much of the 20th century by the Bristol Nursing Association, and sold in the 1970s to a private owner. The home was for a period ran as a bed & breakfast but appears to be back to a private residence today.

Russell Warren House // 1807

Architect Russell Warren (1783-1860), who I have featured on here numerous times, built this 2-story, 5-bay, hip-roof Federal house in Bristol, Rhode Island. This residence as interpreted by Warren as an example of the Federal style with stylistic features most notably being the angulated quoins (at the corners of the house). The house was designed for William Van Doom, a Bristol tailor of modest means. In 1814, Warren, a young and aspiring architect, saw the significant wealth in Bristol and decided to buy this home he designed. Siting himself in the vicinity of the extremely wealthy DeWolf family, he gained recognition and success by designing three expensive and elaborately crafted houses for them at this time, only Linden Place remaining. Warren lived in this house from 1814 until 1823.

“Seven Oaks” // 1873

When strolling around Bristol, Rhode Island, you are overloaded with gorgeous early 19th century house styles, primarily in the Federal and Greek Revival styles. Among these, one house (or should I say mansion) stands out as a flamboyant Victorian Gothic showpiece at the southern end of the downtown area. Built in 1873 for Augustus O. Bourn (1834-1925), the founder of the National Rubber Company (and from 1883 to 1885 governor of Rhode Island), “Seven Oaks” could go toe-to-toe with any house in the state. Bourn’s architect was James Renwick of New York, one of the most celebrated architects of his time. Before designing Seven Oaks, Renwick’s resume included: Smithsonian Institution Building, Washington, D.C.; St. Patrick’s Cathedral, New York City; and the Renwick Gallery, Washington, D.C.. Seven Oaks is a large, hip-and-cross-gable-roof Victorian Gothic mansion constructed of stone, with multiple towers and a slate roof capped with iron cresting.