John Calvin Stevens

Sabbathday Lake Shaker Dwelling House // 1883

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Located across the street from the Sabbathday Lake Shaker Meeting House in New Gloucester, Maine, this large, three and one-half story brick building has historically housed many of the active Shakers in the community. Built in 1883-4, the central dwelling house contains a self-contained town of rooms, including sleeping rooms, a chapel, music room, kitchen, and dining facilities. The building features granite lintels and sills and a square cupola at the roof. The building was designed by the Portland architects Francis H. Fassett and John Calvin Stevens.

Southport United Methodist Church // 1904

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The Southport United Methodist Church of Southport sits cross the street from the Town Hall of Southport, Maine, and is one of the best examples of a Shingle style church in the state. The modestly sized church was built in 1904, shortly after a fire destroyed the local Methodist congregation’s former church building. Members hired the great Maine architect, John Calvin Stevens, who had just joined in a professional partnership with his son, John Howard Stevens, to design the new church. It remains as one of the more notable architectural landmarks in the town of roughly 600 year-round residents.

Edwin Packard Cottage // 1899

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Yet another of the large summer “cottages” in the Cape Arundel Summer Colony of Kennebunkport is this stunning eclectic home, built in 1899 for Edwin Packard of New York. As a young man, Edwin married Julia Hutchinson and would soon amass an ample fortune. He became European buyer for A.T. Stewart & Co. In 1889 he came President of the Franklin Trust Company, resigning in 1892 to become President of the New York Guaranty and Indemnity Company. He was a Director of the Franklin Safe Deposit Company, the American Writing Paper Company, the Fajardo Sugar Company and the Brooklyn YMCA, and a member of the New York Chamber of Commerce. Busy man! From his wealth, he sought solitude and relaxation in Kennebunkport, hiring Maine architect John Calvin Stevens to design this cottage for his family to retreat to for summers away from the city. The Shingle style and Colonial Revival style house features a prominent gambrel roof, Palladian windows, and bay windows, all covering a sweeping front porch.

Portland City Hall // 1909

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The City Hall in Portland, Maine is among my favorite civic buildings in New England and is the third that was built on this site. The previous city hall on the site of the present City Hall, completed in 1862, burned in Portland’s Great Fire of 1866. It was reconstructed in 1867 by designs of Francis H. Fassett, a Portland-based architect. In 1908, it burned again. So much damage was done that the building had to be removed. The present Portland City Hall was designed by the New York architectural firm of Carrere and Hastings, assisted by local Portland architects John Calvin Stevens and his son, John Howard Stevens who together, oversaw day-to-day changes and work to the building. Interestingly, John Carrere is quoted as saying he would rather have his reputation rest on the Portland City Hall than upon any other building he designed (and he designed MANY great buildings). The impressive structure was inspired by the New York City Hall, which was built about 100 years prior in 1803-1812. The Portland City Hall remains today as a great visual anchor for the revitalizing downtown area of Portland.

Waterford Congregational Church // 1928

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Upon first glance, this transitional Federal and Greek Revival style church building in Waterford, Maine, appears to date to the early-mid 19th century, but things are not always as they appear! The Waterford Congregational Church we see today was actually built in 1928, after a fire that year destroyed the previous building, constructed in 1837. The congregation hired Maine architect John Calvin Stevens, who designed over 1,000 buildings in his career. The church was “masterfully recreated in almost every detail” from the 1837 building, down to the 1,200-pound bell cast from the historic Revere foundry bell.

C. A. Brown Cottage // 1886

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Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.

Cape Cottage Casino and Theater // 1899

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The Cape Cottage Casino and Theater was one of several amusement parks developed in the late 1890s by Portland’s electric railways in order to increase business on their trolley lines. Residents of Portland would be able to take a surface trolley to the outskirts of the city in record time, and soak up the sun at luxurious summer communities. The Cape Cottage Casino and Theater was designed by iconic Maine architect John Calvin Stevens, completed in 1899. The casino represents the best in Neo-Classical design, with a full-height, projecting classical pediment supported by bold ionic columns. A wide entablature is accentuated with dentils and modillions; and at the entry, the main front door has a fanlight and is flanked by two small windows, creating a Palladian motif. In 1922, due to the demise in the trolley ridership, partly caused by the rise in personal automobile, the casino was sold off and the Cape Cottage Park Company then hired E.C. Jordan & Company, civil engineers, to subdivide the land and retained John Calvin Stevens and his son as consulting architects. Roughly 50 house lots were platted, resulted that were arranged around the former casino, which was extensively downsized and remodeled as a private residence. While the side wings were removed, the building does retain much of its architectural integrity, while its sheer size has been severely diminished.

Colony Hotel // 1914

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One of the larger hotels in Kennebunkport, the Colonial Revival Colony Hotel, built in 1914, provides historic charm with views of the Kennebunk River and Atlantic Ocean. Owner Ruel W. Norton had the new hotel built on the site of the Ocean Bluff Hotel (1873, burned 1898), to attract summer people, many of which stayed for months at a time. The Colony was originally called Breakwater Court until 1947, when George Boughton purchased Breakwater Court and changed the name to The Colony Hotel to complement their Florida property, The Colony Hotel in Delray Beach Florida. The hotel was designed by John Calvin Stevens, who lived in Maine and designed an estimated 1000+ buildings in the state, many of which in the Shingle or Colonial Revival styles.

Gideon Walker Farmhouse // 1745

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One of the older extant homes in Kennebunkport is the Gideon Walker Farmhouse, built in 1745. The home once sat on a larger parcel of land, on the outside of the village, which at the time, only had a handful of other homes nearby. At the time, the town was named Arundel, and was later renamed Kennebunkport, in reflection to its economy becoming one of shipbuilding and trade along the Kennebunk River. As the village population grew, the Walker land was sold off and developed for other large estates. The Georgian house featured a small, one-story projecting entry, typical of the period. In 1910, owner Anson McKim of Montreal, hired Portland architect John Calvin Stevens to update the home, which included the addition of the front entry’s second story and a large side addition approximating the size and location of the former barn which once stood there. The home has since been renovated a few more times on the interior and exterior, yet it still retains its historic integrity.