Kennebunkport Homes

Point O’ View Cottage // 1892

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The Point O’ View Cottage in Kennebunkport sits on a large lawn on the rugged Maine coast, with sweeping views of the Atlantic Ocean. Built in 1892 by Burleigh S. Thompson as a rental property (he rented it for $1,500 for the summer) the nine-bedroom “cottage” was designed in a Tudoresque version of the Queen Anne architectural style and originally named Fort Bradford. The cottage (like others built for Mr. Thompson) was designed by Henry Paston Clark, THE architect for the Cape Arundel Summer Colony in the 1890s, who also designed St. Ann’s Episcopal Church and other cottages nearby. The cottage was renovated more in keeping with the Shingle style and was entirely clad in cedar shingles, but it retains its perfect, rustic stone foundation and rounded porch. It is now known as Point O’ View Cottage. What a view it has!

Kewaydin Cottage // 1900

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Every good summer cottage needs a name, and this charmer in the Cape Arundel Summer Colony of Kennebunkport, Maine, is no exception! This is “Kewaydin” a massive summer home built for Eben Caldwell Stanwood Jr. (1856-1906) a merchant and later banker of Boston, Massachusetts. Stanwood hired the Boston firm of Chapman & Frazer to design the cottage, which blends Shingle style and Queen Anne elements in a rustic composition that has such great curb appeal! The use of cedar shingles and rubblestone chimneys, paired with the vergeboards and complex roofline with dormers, makes this one of the gems of Kennebunkport!

Pine Haven Cottage // 1902

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Pine Haven Cottage sits on a rise overlooking the Atlantic Ocean in the Cape Arundel summer colony in Kennebunkport, Maine. Built in 1902 for Thomas Brodhead Van Buren, Jr., a silk importer in Manhattan as a summer home, the cottage was designed by Henry Paston Clark and his partner, John W. Russell in an eclectic example of the Shingle style with gable roofs, vergeboards, stone foundation, and a prominent porch that has since been enclosed.

Chester Guild Cottage // 1902

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One of the many stunning summer “cottages” built in the Cape Arundel summer colony of Kennebunkport, Maine, is this turn-of-the-century Shingle style dwelling built for Chester Guild of Boston. Chester Guild III was born into the wealthy Guild Family of Roxbury with his father being a successful leather dealer. Chester Guild spent summers with his family in Kennebunkport beginning in the 1890s, eventually had this cottage built in 1902. The Shingle style dwelling remained in the family for five generations and is very well-preserved, showcasing the hallmark elements of the ubiquitous coastal Maine architectural style.

Moses Howard House // c.1794

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This charming Federal style saltbox house was built around the turn of the 19th century for Moses Howard, a “shipmaster” who moved to Kennebunkport from Cohasset, Massachusetts in 1793. The house here is clapboard with a symmetrical facade and central chimney. A saltbox roof extends off the rear of the house. Moses Howard did not stay in Kennebunkport for long as he moved to Portland by 1812. The house was lovingly maintained for the next 200+years.

John Andrews Jr. House // c.1808

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John Andrews Jr. (1747-1844) was born in Essex County, Massachusetts to John Andrews Sr., a church Deacon, merchant, and blacksmith. John Jr., was a fisherman and would later move to Arundel by 1783 (now named Kennebunkport) and built this stately Federal style residence in the village. The house was built sometime between 1783 and 1810, with my best estimate dating the house (at least in its current form) to around 1808 as the high-style entry is similar to what is seen in Asher Benjamin’s plan books of the early 19th century, like the American Builder’s Companion, which provided builders with plans for elevations, cornices, entrances and windows, and any other features of a house built at the time.

The Billows Cottage // 1895

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The Billows Cottage in Kennebunkport, Maine was built in 1895 for a B.S. Thompson, a wealthy coffee and tea merchant. The house was originally designed by Henry Paston Clark, a Boston architect who was very busy furnishing designs of some of the summer colony’s most iconic buildings and cottages. For this cottage, he designed it in a blending of Shingle and Colonial Revival styles with a side-gabled roof punctuated by dormers and sweeping verandas with rubblestone foundation. By 1904, the cottage was purchased by Robert C. Ogden of Philadelphia, who helped establish Wanamaker’s Department Store. Under Ogden’s ownership, the house was remodeled and expanded numerous times, but still retains its charm!

Edwin Packard Cottage // 1899

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Yet another of the large summer “cottages” in the Cape Arundel Summer Colony of Kennebunkport is this stunning eclectic home, built in 1899 for Edwin Packard of New York. As a young man, Edwin married Julia Hutchinson and would soon amass an ample fortune. He became European buyer for A.T. Stewart & Co. In 1889 he came President of the Franklin Trust Company, resigning in 1892 to become President of the New York Guaranty and Indemnity Company. He was a Director of the Franklin Safe Deposit Company, the American Writing Paper Company, the Fajardo Sugar Company and the Brooklyn YMCA, and a member of the New York Chamber of Commerce. Busy man! From his wealth, he sought solitude and relaxation in Kennebunkport, hiring Maine architect John Calvin Stevens to design this cottage for his family to retreat to for summers away from the city. The Shingle style and Colonial Revival style house features a prominent gambrel roof, Palladian windows, and bay windows, all covering a sweeping front porch.

Juniper Ledge Cottage // 1889

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Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.

Grayling Cottage // c.1900

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John Bach McMaster (1852 –1932) was born in Brooklyn, New York to a rich plantation owning father and mother who ran operations in New Orleans until the outbreak of the Civil War. After this, John graduated from the College of the City of New York in 1872, worked as a civil engineer in 1873–1877. Falling in love with the field of American History, he switched careers and in 1883, became professor of American history in the University of Pennsylvania. McMaster is best known for his History of the People of the United States from the Revolution to the Civil War (1883), a valuable supplement to the more purely political writings of earlier years. The book was a huge success and John was able to purchase house lots in the newly established Cape Arundel Summer Colony in Kennebunkport, Maine, a colony populated by many wealthy Philadelphians for summer homes. He first appears to have built “The Kedge”, a chunky, but beautiful cottage on a cliff. McMaster would also have this larger cottage built by the turn of the 20th century, which in design, appears to be a more eclectic Shingle style dwelling. Just a stone’s throw from the Atlantic, the house features continuous cedar shingle siding, sweeping porches to provide views of the ocean, a prominent chimney, and Colonial-inspired fanlight motifs.