Year: 2023

Peleg Chandler House // 1860

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One of the most ingeniously symmetrical and academic facades on Beacon Street in the Back Bay neighborhood of Boston can be found at the Peleg Chandler House. Built in 1860 for Peleg Whitman Chandler (1816-1889), the two-bay bow-front townhouse appears to have been designed by architect Charles Kirk Kirby, a relatively unknown architect of Boston in this time period. The brownstone home originally had a mansard roof, but it was removed and replaced with a flat roof with parapet during the Great Depression, possibly to reduce the property taxes. Peleg Chandler was an attorney and publisher of the Law Reporter, which he established in 1838. He served as a member of the Massachusetts House of Representatives from 1845 to 1847 and as Boston City Solicitor from 1846 to 1853. He was an early advocate of the Public Garden and led efforts in 1859 to prevent the construction of houses on the eastern side of Arlington Street. The house has been divided up inside and now five fortunate families get to call this stunning building home!

Dorchester Pottery Works // 1896

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Founded in 1895 by George Henderson, the Dorchester Pottery Works successfully produced commercial and industrial stoneware for many years and its building is a significant piece of Dorchester’s industrial heritage. Located in the Harrison Square/Clam Point area of Dorchester, the building began as a two-story wood-frame industrial structure for the young company. It saw immediate success and Henderson oversaw the construction of a large, brick addition which housed an enormous beehive kiln 28-feet in diameter of his own design made of bricks. Here he could fire pottery and other clay goods from his modern facility. Besides clay pots, tableware, and jugs, the company became known for the production of foot warmers, which became known as the ‘Porcelain Pig’ or ‘Piggy’. Foot warmers were widely used in the days before central heating. These clay vessels would be filled with hot water and placed under bedding for overnight warmth. The company made foot warmers until 1939. The company saw dwindling sales after WWII, and eventually closed in 1979. The structures began to decay and the towering smokestack and brick structure was open to the elements. The local neighborhood advocated for its preservation, listing it on the National Register of Historic Places and protecting it as a City of Boston Landmark. After decades of neglect, Bay Cove Human Services acquired the property in 2001 and renovated the building for its own use, keeping the kiln room and the kiln itself intact for community exhibitions. Today, it provides an important historic survivor of Dorchester’s industrial past.

Krogman-McManus Mansion // c.1890

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Built ca. 1890 for Boston salesman Washington Libby Krogman (1858-1894), one of Boston’s finest Queen Anne style homes can be found in the Clam Point neighborhood of Dorchester. The pronounced sculptural qualities of this residence, together with the juxtaposition of clapboards and patterned shingles, variety of window sizes, and ornamentation place this house squarely within the pantheon of important Queen Anne designs within the city of Boston. Painted in a manner that showcases its sheathing and ornament to great advantage, this well-preserved house is particularly noteworthy for its graceful verandah that encircles a distinctive, round, conically-capped tower at its northeast corner. The home was only occupied by Washington Krogman for less than four years when he died unexpectedly in 1894 at just 35 years of age. The property was deeded to his widow Carrie for a few years before she sold the property to Thomas Francis McManus, a noted naval architect (schooner designer). The home remains one of the finest mansions in Dorchester.

Wales House // 1883

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Built in 1883 for a member of the Thomas Wales family, this house in Clam Point, Dorchester, possesses a compact essentially rectangular clapboard and wood shingle-clad form. The architect, John A. Fox, designed the main façade elegantly with an open Stick style porch projecting from the center of the first floor which is enclosed by a steeply-pitched roof. The pitch of the porch roof is echoed in the small and shallow gable-like lintels which are really unique to the area. The treatment makes the facade read somewhat like a face.

Piotti Three-Decker // 1911

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One of the features that sets the Clam Point neighborhood apart from other Dorchester neighborhoods is that the majority of its houses are still surrounded by ample yards. In most Dorchester neighborhoods, the electric streetcar triggered explosive growth in the form of three-deckers, which have arguably become the symbol of the neighborhood’s housing. Three-deckers (also called triple-deckers) are housing types that surged in popularity in the late 19th and early 20th centuries as they provided housing where each floor usually consists of a single apartment. Frequently, extended families lived in two, or all three floors, providing access and generational wealth to immigrant families who otherwise may not be able to afford land and building a single-family home. This example was built in 1911 by Italian-born contractor Ambrogio Piotti, who lived in a large mansion on Melville Avenue nearby. The three flats were rented out to families and the three-decker is clad in wood shingles, has polygonal bays with three-leveled porches with monumental Classical Revival columns.

Elisha T. Loring House // c.1840

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Elisha T. Loring (1804-1889) was born on Cape Cod and began his career in the Chilean tin and copper trades, moving to Boston in 1839. His house at 21 Mill Street in Dorchester’s Harrison Square neighborhood was built in the early 1840s, showcasing his wealth and stature in the community. Based out of this house, Loring made a large fortune in the Lake Superior mines, also known as the Calumet and Hecla mines. By 1862 he was the treasurer to the Pewabic and Franklin Mining Companies, and a decade later is listed as “President, National Dock Company.” Loring’s Dorchester mansion is Greek Revival in style and consists of a three bay by three bay main block and a substantial rear ell. The house’s original clapboards were replaced by wood shingles sometime in the 20th century. The main elevation’s pedimented center pavilion exhibits a small front porch whose Ionic columns support a heavy, cornice-headed entablature. The porch’s roof is set off by an ornate cast iron railing. The side elevation is unusually wide and culminates in broad pedimented attics containing elliptical lunette windows.

Preston Double-House // c.1830

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Until recently, the Clam Point neighborhood of Dorchester was called Harrison Square. The name commemorated President William Henry Harrison’s visit to Dorchester during the presidential campaign of 1840 and honored his memory, as he died of pneumonia shortly after taking office. Development in the neighborhood was initiated following the arrival of the Old Colony Railroad depot (1844). When rail service to Harrison Square was discontinued in 1957, the Harrison name began to fade from the memories of area inhabitants. The name “Clam Point” is said to have been coined during the 1970s by realtors intent on touting the area as a desirable coastal community of antique homes, it stuck. Likely the oldest extant house in the neighborhood (built before the railroad depot) is this house on Mill Street, constructed as a double-house around 1830 for brothers Elisha and John Preston. The vernacular, late-Federal style house has later shed dormers and lancet windows in the side gables. The Preston’s land holdings and sale before the Civil War led to much of the later development in the neighborhood.

Hersey-Noyes Double House // 1879

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Nothing beats a good Victorian-era house! This example in the Clam Point neighborhood of Dorchester does not disappoint. The Stick-style double-house was built for miss Mary E. Noyes and Ms. Hersey replacing an older house on the lot. The women hired architect John A. Fox to design the house which possesses one of the most complex forms and roof configurations in the neighborhood. Clad with clapboards at the first and second stories, its six intersecting gables are sheathed with scalloped shingles. At the main entrance on the façade is an open porch with square posts and railings with turned balusters. The side façade is even more complex with two side gables and a two-tier porch enlivened by Chinese Chippendale and spool work railings. The Herseys, along with Mary E. Noyes, co-owned the house until 1884; thereafter it was owned by Mary E. Noyes until around World War I. The stick style home really pops with that blue color, what do you think?

Shaw-Shepard House // c.1860

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Originally built for Charles E. Jenkins, a partner in Bailey & Jenkins, suppliers of doors and blinds, this house in Dorchester’s Clam Point neighborhood stands out as one of the earliest and high-style mansions in the area. It appears to have been designed by local architect Luther Briggs, Jr. Shortly after its completion, the property was purchased by Theron and Rebecca Shaw. Theron was a partner at Lindsley, Shaw & Co., boot dealers in Downtown Boston. He died in 1870 and the house was sold to Dr. Luther Dimmick Shepard, a dentist. While the house (like many in Boston) is covered in later siding and has a plain white color scheme, the building retains its architectural integrity and would really shine when restored! What color would you love to see this Italianate/Second Empire style mansion be painted?

Dorchester Mutual Fire Insurance Building // 1860

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This is your sign to take a different route! When exploring a new town or neighborhood, I love to explore the obscure streets just as much as the iconic Main Streets as hidden treasures can always be found! This building in Dorchester’s Port Norfolk neighborhood was constructed in 1860 as the new home of the Dorchester Mutual Fire Insurance Company, which was incorporated in 1855. The company seemingly hired Dorchester-based architect Luther Briggs, who also laid out the streets for Port Norfolk and the Clam Point neighborhoods and designed many buildings in the area at the time. The high-style Italianate building features bold proportions, quoins, and cornice. While the former round-arched windows have since been enclosed and are traditional double-hung windows, they building still stands out! At the rear, Second Empire style rowhouses were built for private ownership. The building is now all condominiums following a renovation.