New Haven County

New Haven Museum // 1929

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New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University Art Gallery // 1953

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Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.

Yale University – Trumbull Gallery // 1832-1901

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Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Lanman-Wright Hall // 1912

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Located at the northwest corner of the the Old Yard at Yale, Lanman-Wright Hall is one of the more recent buildings constructed that enclose the space. Long an advocate for adding new dormitory facilities at Yale, Henry Parks Wright, a Latin professor and later Dean of Yale College (1884-1909), was able in retirement, to see Wright Hall erected in his honor. From 1884 to 1894, the college enrollment had doubled to 1,150, forcing the freshmen to room off campus. This had led to the opening of privately owned residence halls around the campus, some of which were very luxurious. Over time, the students became widely separated by income and social standing and Wright felt that if the spirit of true democracy at Yale were to be perpetuated, it was essential that freshmen should be better integrated. Wright Hall was designed by architect William Adams Delano of Delano and Aldrich, Class of 1895, and was built in the place of Alumni Hall (last post). Accommodating 150, it was the largest dormitory on the Old Campus and designed in a Neo-Gothic style, blending it in with some of the Victorian-era Gothic residence halls nearby. The building went through a renovation in 1993, funded by benefactor William Kelsey Lanman, and renamed Lanman-Wright Hall upon completion.

Yale University – Alumni Hall // 1851-1911

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Detroit Publishing Company image

Alumni Hall at Yale was designed and built between 1851-1853, at the northwest corner of Yale’s Old Campus. Its was designed by Gothic specialist architect Alexander Jackson Davis, who completed Dwight Hall (the Old Library) a some years prior. The building had a large, open floorplan on the first floor for large gatherings as well as the entrance examinations, along with the biennial examinations that every student had to take at the end of his sophomore and senior years. As the building turned 50 years old, the campus around it was already looking very different. Shifting priorities for dormitory space in the yard necessitated its demolition for Wright Hall (next post). Alumni Hall was razed in 1911, but its two crenelated towers were salvaged when the building was demolished. They were incorporated into Weir Hall which has been incorporated into Jonathan Edwards College, one of Yale’s residential colleges.

Yale University – Welch Hall // 1891

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As Yale University continued to enclose its Old Yard with elongated dormitories in the second half of the 19th century, the proprietors began to experiment with slight deviations to the prototypical Victorian Gothic piles built in the previous decades. Following a financial gift from Pierce N. Welch, an 1862 graduate of Yale College, and his sisters in memory of their late father, Harmanus M. Welch, the college hired architect Bruce Price to furnish plans for the new dormitory. Welch Hall is built of Longmeadow Freestone, the building is more Romanesque in style with arched masonry openings, the rough hewn stone walls, and pointed dormers projecting through the eave lines.

Yale University – Battell Chapel // 1874

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As the Old Campus of Yale was being enclosed at its north and east by Farnam and Durfee halls, architect Russell Sturgis was again tasked to design a new building, but for a corner site; though this time, he would design a college chapel. Built between 1874–76, it was funded primarily with gifts from Joseph Battell. Succeeding two previous chapel buildings on Yale’s Old Campus, it provided space for daily chapel services, which were mandatory for Yale students until 1926, which were all-male and mostly Protestant. The large stone chapel is constructed of New Jersey brownstone with decorative elements in sandstone. The design of the Victorian Gothic chapel is great, but how it sits with the entrance unceremoniously dumping out to the end wall of Durfee Hall leaves much to be desired.

Yale University – Durfee Hall // 1871

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Following his success of designing Farnam Hall at Yale, architect Russell Sturgis was again commissioned to design Durfee Hall, the residence hall built to enclose the northern edge of the Old Campus Yard. The elongated dormitory was the largest and most imposing building on the Old Campus when it was completed and was named for its benefactor, Bradford M. C. Durfee of Fall River, Massachusetts. The exterior of Durfee is covered in a combination of sandstone and bluestone, and is accentuated with gables, ornate turrets, and large brick chimneys. Upon its completion, it was considered a “high point in Victorian Gothic Style architecture,” and critics from American Architect and Building News commented that “It will be a long time before the quiet dignity of its roof and chimneys will be surpassed anywhere.” The exterior was renovated by Wiss, Janney, Elstner Associates Inc.

Yale University – Farnam Hall // 1870

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Farnam Hall is Yale University’s oldest dormitory still in use. Designed by New York architect Russell Sturgis in a Ruskinian High Victorian Gothic style, Farnam Hall is considered Sturgis’s most important work and was completed in 1871, marking a new direction toward an enclosed campus, shielded off from the surrounding downtown district of New Haven. Named for Henry Farnam, its construction required the removal of the Second President’s House and a section of the Yale Fence, which was met with some trepidation. The red brick, four-story building originally consisted of twenty suites and ten common rooms on each floor. Sturgis, who was influenced by John Ruskin’s ideals put forward in his Seven Lamps of Architecture, used a variety of brick and stone on the facade all with hand carved detailing. Farnam Hall was renovated in 1977 by architect Edward Larrabee Barnes and today serves as a dormitory for first-year students belonging to Yale’s Jonathan Edwards College.

Yale University – Bingham Hall // 1928

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One of my (many) favorite buildings at Yale University is Bingham Hall, a monumental and landmark example of the Collegiate Gothic architecture style. Built in 1928, replacing the 1888 Osborn Hall (last post), Bingham Hall was constructed as an inward-facing freshman dormitory by architect, Walter B. Chambers, who had just overseen the completion of his first building at Yale, the Colonial Revival style McClellan Hall. Built of Longmeadow brownstone, Bingham Hall largely constructed from funds donated by the children of Charles W. Bingham (Yale, 1868), a Cleveland based businessman. The building stands five stories with a massive nine-story corner tower and helped solidify Yale’s iconic Collegiate Gothic architecture for the future buildings and growth as well.