Norwood Town Hall // 1928

Norwood Town Hall represents the achievement of landscape architect Arthur A. Shurtleff and local financier, George Willet, to transform the village center of Norwood, Massachusetts from a sleepy rural village to a thriving commercial and cultural center of town. Plans for the municipal building began as early as 1919, with this building serving as both a town hall and memorial to the Norwood men who died in all previous wars. The building would not be completed until 1928. Designed by Norwood architect, William Upham, the building is a landmark example of the Neo-Gothic Revival style and its main feature, the 110-foot bell-tower which houses a 50-bell carillon, towers over the town common.

Yale University – Mason Laboratory // 1911

On Hillhouse Avenue, one of the finest streets in New Haven, you will find a great collection of historic homes and large institutional landmarks. Adjacent to St. Mary’s Roman Catholic Church, the Sheffield Scientific School of Yale College built this structure, the Mason Laboratory between 1910-1911 for Mechanical Engineering and related departments. The building was designed by architect Charles C. Haight, who was responsible for a number of other Neo-Gothic buildings at Yale. The limestone building properly holds the streetedge and blends in well with its surroundings.

St. Mary’s Roman Catholic Church Priory // 1907

Located next to the St. Mary’s Roman Catholic Church on Hillhouse Avenue in New Haven, Connecticut, you will find one of the finest Neo-Gothic style buildings in the city that was not built by Yale University. This structure was constructed in 1907 as the Priory for the Catholic Church next door. Historically, the church had been under the care of the Dominican friars of the Province of St. Joseph, based in New York City, and the church needed a residence for the friars (a Priory). Due to dwindling attendance at churches all over the country, area churches were consolidated under the Hartford Archdiocese, who replaced the friar residents of this building with Dioscesan priests in late 2021.

St. Elmo Hall – Rosenfeld Hall // 1912

St. Elmo Society at Yale was founded in 1889 as a chapter of the national fraternity Delta Phi, and it is today one of the “ancient eight consortium” of secret societies at the university. The society’s original building was erected in 1895 and provided housing, meeting spaces, a library, smoking room, and other recreational spaces for the members. Just over a decade later, the group’s increasing wealth and membership necessitated a larger building. This building, named St. Elmo Hall was designed by architect Kenneth MacKenzie Murchison in an Elizabethan style and built in 1912 for the society, replacing its former residence hall. The society saw dwindling funding and during World War II, St. Elmo Hall became a convalescent hospital for soldiers who were out of the hospital but still need observation. After WWII, the group began leasing some rooms out to Yale University, who eventually purchased the building in 1962, renaming it Rosenfeld Hall after Richard Rosenfeld ’63. The L-shaped building is sited opening up to the corner lot and is Neo-Gothic in style, likely drawing inspiration from Yale’s established Gothic stylistic influence.

Yale University – Yale Art Gallery Building // 1928

One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.

Yale University – Lanman-Wright Hall // 1912

Located at the northwest corner of the the Old Yard at Yale, Lanman-Wright Hall is one of the more recent buildings constructed that enclose the space. Long an advocate for adding new dormitory facilities at Yale, Henry Parks Wright, a Latin professor and later Dean of Yale College (1884-1909), was able in retirement, to see Wright Hall erected in his honor. From 1884 to 1894, the college enrollment had doubled to 1,150, forcing the freshmen to room off campus. This had led to the opening of privately owned residence halls around the campus, some of which were very luxurious. Over time, the students became widely separated by income and social standing and Wright felt that if the spirit of true democracy at Yale were to be perpetuated, it was essential that freshmen should be better integrated. Wright Hall was designed by architect William Adams Delano of Delano and Aldrich, Class of 1895, and was built in the place of Alumni Hall (last post). Accommodating 150, it was the largest dormitory on the Old Campus and designed in a Neo-Gothic style, blending it in with some of the Victorian-era Gothic residence halls nearby. The building went through a renovation in 1993, funded by benefactor William Kelsey Lanman, and renamed Lanman-Wright Hall upon completion.

Yale University – Phelps Hall and Gate // 1896

After Lawrance and Welch halls (previous two posts) were built on the eastern edge of Yale’s Old Campus, there was a small space between the two that needed to be enclosed to provide a true cloister for students, shielding them from the noise and ever-developing Downtown of New Haven. Architect Charles C. Haight designed the new hall to resemble a medieval gatehouse. The simple, tall rectangular mass has octagonal towers at each corner with copper domes on top and a crenelated parapet resembling an old English castle spanning between them. On the ground floor is the Phelps Gate, the main entrance to the Old Campus from the east. Its namesake was the late William Walter Phelps, an 1860 Yale graduate who served as a Congressman and as ambassador to Germany and Austria-Hungary. The building holds an important role in the annual commencement ceremonies, which begin in the New Haven Green and pass through to the Old Campus through this gateway.

Yale University – Bingham Hall // 1928

One of my (many) favorite buildings at Yale University is Bingham Hall, a monumental and landmark example of the Collegiate Gothic architecture style. Built in 1928, replacing the 1888 Osborn Hall (last post), Bingham Hall was constructed as an inward-facing freshman dormitory by architect, Walter B. Chambers, who had just overseen the completion of his first building at Yale, the Colonial Revival style McClellan Hall. Built of Longmeadow brownstone, Bingham Hall largely constructed from funds donated by the children of Charles W. Bingham (Yale, 1868), a Cleveland based businessman. The building stands five stories with a massive nine-story corner tower and helped solidify Yale’s iconic Collegiate Gothic architecture for the future buildings and growth as well.

Yale University – Linsly Hall // 1906

Just 15 years after the Chittenden Memorial Library (last post) was constructed to provide overflow space for Yale’s Old Library, the college overseers sought to expand yet again. Linsly Hall was built in 1906 as an addition to the 1880s Richardsonian Romanesque Chittenden library building, but in the Collegiate Gothic style, which was quickly becoming a preferred architecture style for the campus. Linsly Hall was built as a connector between the two library buildings with a tunnel-like passage between the structures. This was quickly deemed inadequate for a college of this stature, and the 1930s Sterling Library was built outside of the yard decades later. Architect Charles C. Haight designed Linsly Hall following the same design elements as his popular Vanderbilt Hall, built 10 years prior nearby. Today, the Linsly Hall (and the adjoining Chittenden Hall) is classroom space.

Yale University – Vanderbilt Hall // 1894

Like many other buildings on campus, Vanderbilt Hall is named for its wealthy sponsors, but its foundation is one of family tragedy. One of Yale’s stunning Collegiate Gothic structures, the building is named after William Henry Vanderbilt II (1870-1892), who attended Yale in the early 1890s. William contracted typhoid fever from a water pump while touring the western United States and died during his junior year. His father, railroad tycoon Cornelius Vanderbilt, constructed Vanderbilt Hall in 1894 as a memorial to his son and donated it to the University. The highly prized Vanderbilt room, which is located above the archway, is apparently one of the finest residential spaces on the campus. Architect Charles C. Haight designed the building which enclosed the southern edge of the yard, created a gateway, and is one of the early architectural statement pieces for the campus in the Collegiate Gothic style. Haight would receive later commissions at Yale based on his work on Vanderbilt Hall.