The Shaw Warehouse located inside Prescott Park in Portsmouth, New Hampshire, was constructed between 1806 and 1813 and is significant as a rare example of a vernacular warehouse building from the early 19th century. It is very vernacular, unadorned with a very functional use, but these types of buildings (like barns and stables) are some of the most charming and provide a link to working-class history from the past. The building is the only of its kind remaining in its original location in Portsmouth, and as a result, was listed in 2011 on the New Hampshire State Register of Historic Places. It now houses offices for the nearby park.
Many may not know this fact about Portsmouth, which shaped the city’s development for some of the formative years of the coastal town. The 1814 Brick Act was passed by the New Hampshire legislature after three devastating fires wiped out hundreds of closely-packed wooden buildings in the heart of the state’s only seaport. The act prohibited the erection of wooden buildings of more than twelve feet high in the downtown area which was the densest, it was effectively an early building code. The regulation helped change the look of the city, creating the red brick image Downtown that many identify today as Portsmouth. As a result, nearly all homes and buildings in the downtown area of Portsmouth were constructed of brick, largely in the Federal style, popular at the time. This home was constructed around 1815 as a wedding present for the South Parish’s minister, Reverend Doctor Nathan Parker, upon his marriage to Susan Pickering, the daughter of New Hampshire Chief Justice John Pickering and a descendant of the original John Pickering.
The Green Mountain Seminary building in Waterbury Center, Vermont was built in 1869 as a co-educational Free Will Baptist school. The building is one of the largest and grand examples of Italianate architecture in this part of the state. As originally laid out, the lower two floors were used for educational purposes and included a chapel, while the third floor and attic level were used for men’s housing. Here, men would be trained to be Baptist priests. Upon opening, a catalogue expressed the building’s rural location in the town as a benefit, stating “It is removed from the bustle and distraction of large commercial villages; is free from the haunts of vice and dissipation or temptation to idleness; and is surrounded by natural scenery unsurpassed in its magnificence and grandeur.” The building went through a variety of educational and boarding uses until 1895, when it was deeded to the town for use as a public school building. The building is nearly unchanged as when it was built in 1869, besides the removal of the rooftop belvedere and walkway in the 1940s.
The former Vermont State Hospital campus in Waterbury, Vermont, is a 36.3-acre campus of institutional buildings that have been converted for use as state government offices. A sprawling array of more than 17 structures, the hospital, which historically treated mental disorders, was first funded by the Vermont State Legislature in 1888. Construction began on the plans by the Boston architectural firm of Rand & Taylor in 1890. The architects designed the landmark main administration and auditorium building at the core, which is built of brick on a rusticated stone foundation and under a steep hipped slate roof. The building is connected by single-story links to two-and-a-half-story wings, which are attached to clustered two-story cylindrical wards. In planning the hospital, Rand & Taylor stressed the isolation of patients and stressed the importance of light and air in each room and restricted height of the building to facilitate egress from upper floors in the event of fire or emergency. The asylum has a dark history in that Dr. Eugene A. Stanley, the Superintendent from 1918–1936, was an advocate of eugenics and espoused forced sterilization and advised the Eugenics Society based on his patients records. From this, the word, “Waterbury,” became used in a derogatory sense, and did harm to the town for years. The hospital was closed in 2011 due to flooding in the aftermath of Tropical Storm Irene, and after a thorough renovation by architects Freeman French Freeman and Goody Clancy, the complex re-opened in 2015 as State Offices with renovated historic assets and modern, contextual new buildings.
One of the most stately and classic homes in central Vermont is this Greek Revival beauty constructed of brick, right on Main Street in Waterbury. The home was built for William Wellington Wells, who was born in Waterbury, Vermont in 1837. He soon became one of Waterbury’s most prosperous merchants of the mid-nineteenth century, starting as a lawyer with business interests including a tannery and grist mill in nearby “Mill Village” and a mop and chair stock business. He served in the Civil War and contributed much to the town’s growth. After successive ownership, the town’s appeal during the winter months shifted the demand towards short-term stays tied to the ski industry. The Wells House was added onto at the rear and converted to a motor hotel called the “Gateway Motel” in the mid-20th century. The use remained for decades until a fire destroyed much of the motel, leaving the 1840s Greek Revival home’s future in limbo. Thankfully, new owners restored the home and built much-needed residential housing at the rear, largely in the same form as the old motel. Love to see preservation at work!
Probably best known for being in charge of all the military hospitals in the Gettysburg area after the bloodiest battle of the Civil War, Waterbury, Vermont native, Dr. Henry Janes (1832-1915) had a decorated career and gave much to his country and hometown. Janes attended local schools before enrolling at St. Johnsbury Academy, later graduating from New York City’s College of Physicians and Surgeons in 1855. After a few years working in NY and MA, he moved back to Waterbury to take up a private practice. This was disrupted by the Civil War where he was a major surgeon on the front lines and had over 250 surgeons under his command. After returning home from the war, Dr. Janes was involved in politics and business, and had a home built in town. According to local historians, this present home of Janes was built in 1890, but it definitely could date to the 1870s with Stick style features. Upon his death, the Dr. Janes home was gifted to the town for use as a public library. When Tropical Storm Irene hit the region in 2011, the town offices were destroyed and Vermont Integrated Architecture was hired to expand the Janes House adding space for town offices, meeting space, a modern library and to reconfigure the historic home for the Waterbury Historical Society. Everything about this is perfect, down to the paint colors!
Built by the Carpenter brothers in Waterbury, who also designed and built the neighboring Congregational Church (last post), this large structure was a stagecoach stop on the road to Stowe for much of the nineteenth century. Briefly, the Inn served as a private residence for Albert and Annette “Nettie” Spencer. Nettie grew up in Waterbury and married Albert who owned rubber factories in Ohio and invested in real estate in Burlington. At one time, the Spencers’ residences included their Waterbury house, a suite at the Waldorf Astoria in New York City, a house in Newport, an apartment in Paris, as well as one in London. Albert died in London, and Nettie continued living in Waterbury until her death in 1947, approaching 100 years of age. Within a year, the property was sold and the owners reopened the main house as a sort of boarding house. The property was restored and operates today as the Old Stagecoach Inn.
This 1840s Greek Revival home turned library, sits on the main street in the charming rural town of Moretown, Vermont. The quaint village never had a public library, but that changed starting in 1904, when residents and the town established a fund for purchasing books for the town’s citizens. In 1923, the library trustees purchased this residence which would serve as a stand-alone library for the village. Resident Lilla Haylett was instrumental in the accession and conversion of the home for use as a library from the estate of Ellen J. Palmer, who lived there until her death in 1923. The opening and celebration was short-lived however, as in 1927, elevated levels of the Mad River flooded much of the town. Water levels were well over the first floor of the building and nearly all books were lost. The Moretown Memorial Library was nearly lost, but the town rebuilt over years. The library remains today as a testament to the desire for learning and it serves as a landmark for the charming rural village.
In his 1917 will, Aaron Cutler of Hudson, N.H. left his estate to family and friends with his remaining estate to be bequeathed “for the purpose of the erection, furnishing and maintenance of a Public Library, upon the express condition that the citizens of said town give land upon which to erect the same. Said land to be located within one-quarter of a mile of the town hall. Said Library to be of brick and slate. And to be known as “The Aaron Cutler Memorial Library.” His town of Hudson recently erected a memorial library, so he sought to fund a library in an adjacent municipality. Land was donated in Litchfield for a new library there and architect William M. Butterfield furnished plans for the building. The library was completed in 1924 and exhibits Tudor/English Revival design, unique for the town.
Isaac Newton Center (1811-1889) was born in Windham, NH and arrived to the rural town of Litchfield, NH in its early days. Upon arrival, he appears to have built this homestead sometime in the mid-19th century based on its style. Like many in town, he was a farmer and was involved with the local Presbyterian Church, which is still neighboring this old farmhouse. After his death, the old farmhouse and homestead was inherited by Isaac’s youngest son, Isaac Newton Center, Jr., who was engaged in local town affairs, serving as City Clerk, Treasurer, Forest Fire Warden, and Library Trustee. The house appears as a melding of late Greek Revival and Italianate, possibly from the 1850s or 1860s.
Buildings of New England 