The Whiting Library in Chester, Vermont, was designed by architect George H. Guernsey, and is said to be the only building in the village designed by a regionally significant architect. For the design, Guernsey created an eclectic library blending Romanesque and Queen Anne influences that strikingly enhance the library’s relatively modest physical stature. The building was named to honor Chester physician, Laurin G. Whiting and his wife, Abigail, who donated funds for the land and building. The polychromatic brick and granite building features unique gables, corner tower, and arched openings, which were carried over to a lesser scale into an addition a few decades ago.
Located in the Chester Depot Village, a commercial and civic assortment of buildings constructed in the mid-19th century between the often feuding North and South villages in Chester, Vermont, this handsome commercial building contributes to the character and history of the once thriving commercial center of town. Built across the tracks of the Central Vermont Railroad from the town’s depot, this Italianate style building dates to about 1858 when a P. H. Robbins opened an all-in-one store, selling everything from groceries to hardware and building products. Mr. Marsh was later joined by Frederick W. Marsh, who entered into the business, then named the Robbins & Marsh Store. The business thrived with the close proximity to the railroad depot with later alterations to the building including the addition of plate glass storefronts and a massive side awning porch. Business slowed after WWII, as rail service slowed and ultimately stopped in town. Today, the handsome building remains as an important visual anchor to the depot village.
Welcome back to the Bread Loaf Campus! For more early history and context of the complex, check out the post on the Bread Loaf Inn. By 1900, owner Joseph Battell’s enterprise exceeded the capacity of the original inn, and cottages were added to accommodate more guests visiting his new permanent home in the mountains of Ripton, Vermont. Special friends who summered regularly at Bread Loaf purchased lots with water and sewage rights, and with Battell’s assistance, built their own family cottages to spend their summers. The first two, Bridgman and Cornwall, were constructed across the street from the Inn around 1881 and are near-identical, modest vernacular cape houses with full-length front porches. The original owners were Charles William and Ellen Campbell Bridgman and Henry Bedinger Cornwall respectively. Both cottages have since been donated to Middlebury College and are important preserved pieces of its Bread Loaf campus.
The Breadloaf Inn is a rare intact example of Vermont’s Victorian resort architecture that also has important associations with the environmental movement and for American literature. Located in the quiet town of Ripton, Vermont, this impressive structure was built in 1882 by eccentric philanthropist Joseph Battell. Mr. Battell attended Middlebury College in the early 1860s but he was forced to abandon his studies due to ill health. On the advice of his doctor, Battell spent a weekend at a farmhouse in nearby Ripton where the clear mountain air would help cure his ailing lungs. He so loved the beauty of the surrounding hills that he decided to buy the old farmhouse, which became known as the Bread Loaf Inn, named for Bread Loaf Mountain not far away. Over the years, numerous new buildings, porches, and barns were added in order to accommodate Battell’s many friends and guests. The Inn, which was remodelled from the farmhouse in 1882, and the surrounding mountains served as Battell’s home and sanctuary for the rest of his long life. He amassed land holdings of over 30,000 acres of forest, preserving it in perpetuity until his death in 1915, becoming the state’s largest landowner when he died. Battell’s vast mountain estate was left to Middlebury College, who brought the seasonal inn back to life as the summer Breadloaf School of English. In 1926 the college added the Breadloaf Writers’ Conference, drawing such luminaries as poet Robert Frost, who spent summers at a cabin nearby. The complex is maintained by Middlebury College to this day, who do a great job at preserving the original buildings.
The Ripton Community Housestands at the center of the rural village center of Ripton, Vermont, a town in the midst of the Green Mountains. The community house was built in 1864 and is an excellent late-example of the Greek Revival style in this part of the state. The building was constructed on land that was deeded by Sylvester Fisher in 1864 to the local Congregational Society with the proviso that a house of worship costing not less than $2000 must be erected within two years. The church was built and maintained by the Congregational Society until 1920 when it was deeded to the Methodist Episcopal Church to be used for religious, social and educational purposes. This restriction was removed in 1928 and it was deeded to the Ripton Community Club which made renovations and used the facilities for club meetings, social events, community dinners, square dancing and more. The club dissolved in 1964 and the building began to deterioriate for years until the town banded together to protect and applied for grants to restore the building to its former glory, what we can all appreciate today when driving through the quaint town.
The township of Moretown, Vermont was chartered on June 7, 1763 by Governor Benning Wentworth of New Hampshire. The original charter contained approximately 23,040 acres of land to be divided into about 65 shares of proprietors. Active settlement did not occur until after the Revolutionary War with early buildings constructed on the Winooski River (the northern boundary of the town) and subsequent development along the Mad River (which cuts through the middle of town). Saw and grist mills were built and the town developed as a rural farming and industrial community on the rivers. The Moretown Town Hall was erected in 1835 in the Greek Revival style. It has a pedimented portico with Doric columns that support a large pedimented gable peak in imitation of a Greek temple. Like most buildings in the Mad River Valley, the building is unapologetically Vernacular which means it relies on local materials, local builders, and not on architect-designed finishes. This is an aspect of Vermont architecture that makes the state so charming.
Buildings of New England 