Church Architecture

Dorset Congregational Church // 1909

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Arguably the most high-style building in the quaint village of Dorset, Vermont is the Congregational Church, which appropriately sits on Church Street. The original congregational church in Dorset was located in nearby Maple Hill Cemetery. When the wood structure burned in 1832, an new wooden church was built on this site. The second wooden building burned in 1907, and then this church was built, but of fireproof construction. Jordan Greene, an architect from New York, designed this Neo Gothic Revival style in the historic district. The church was constructed by the contracting firm of O. W. Norcross, partner in the Norcross-West Marble Company, which donated the building stone from its South Dorset quarry. The design is dominated by a massive square central tower that ascends its facade and is capped by pinnacles. Behind the tower, the gable-roofed church is built of rough-faced Dorset marble laid in patterned coursed ashlar and trimmed with dressed stone. How many other marble churches can you think of?

Unitarian Church of Barnstable // 1907

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Early in the 17th century, the Rev. John Lothrop and his followers left England for these shores seeking religious independence. They settled first in Scituate and a few years later came to Barnstable, arriving in 1639. They constructed their first meetinghouse in 1646 on Coggins Pond, about a mile west of this church. Lothrop’s second dwelling in Barnstable is the current Public Library in town (featured previously). In the early 19th century there was considerable theological debate in the “churches of the standing order” in New England. Many churches actually split over this debate, the traditionalists becoming Congregationalists and the liberals becoming Unitarians. The Eastern Parish in town was thus occupied by the Unitarians. In 1836 the original meeting house was removed and a new, larger one was constructed. It was destroyed by fire in 1905, and planning began for a new church. The present edifice was dedicated in 1907, and was designed by architect Guy Lowell, the architect of the Boston Museum of Fine Arts and the New York County Courthouse. His traditional, Classical designs were featured in publications all over the country. This church in the Classical Revival style is one of the finest on Cape Cod.

Hurley Reformed Church // 1854

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From about 1670 to 1801, the villagers of Hurley were associated with the Kingston Reformed Church, about three miles away. In those years, the minister of the Kingston Church met with the Hurley parishioners at least once every six weeks and conducted a Sunday service in one of the local homes. In 1801, they grew tired of not having their own place of worship, and they petitioned to establish their own church in Hurley, and succeeded. The original church building was a large, single room, stone building that seated over 250 people on the main floor and in three galleries around the side and back walls. A tall steeple atop the building boasted a large brass globe surmounted by a wrought iron weathervane in the shape of a crowing rooster. A large crack in the building was unrepairable and the structure began to shift, leading to its replacement with the current building in 1854. The old white church has been occupied by the congregation ever since.

Woodstock Reformed Church // 1844

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When Dutch and German colonists began to settle along the Hudson River Valley, they brought with them their own religious beliefs and desire for community in a new home. In the Village of Woodstock in Ulster County in 1799, the Dutch settlers began meeting in homes to worship establishing a church. By 1805, they petitioned the denomination for an organized church and purchased land, which is now known as the Village Green. In the heart of Woodstock, they built the first church structure. In 1844, that building was torn down for a new, Greek Revival place of worship on the outskirts of the Green. Architecturally, the church exhibits a prominent temple front with pedimented gable and Doric portico capped by an octagonal steeple. Inside, the sanctuary is lined on the walls and ceiling with decorative, pressed tin, which is apparently from the mid-19th century. The church remains very active in local and current events.

First Unitarian Church of Wilton // 1860

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Wilton, New Hampshire’s original land grant included 240 acres for a church and stipulated that a building must be erected by 1752. From this, settlers built a log church. For the first ten years traveling preachers supplied the pulpit. In 1763, Rev. Jonathan Livermore became the first settled minister. In April 1773, the town voted to provide six barrels of rum, a barrel of brown sugar, half a box of lemons and two loaves of loaf sugar for framing and raising a new meetinghouse. In 1859, a fire destroyed the Revolutionary-era church/meetinghouse, and members immediately began the construction of a new, modern building. The present building blends Greek and Gothic revival styles in a later, vernacular form.

St. Anthony’s Church Campus // 1951

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In the 1920s Italian-speaking residents in Everett, Massachusetts appealed to Archbishop of Boston, William O’Connell for an Italian parish. Everett had seen a large influx of Italian immigrants who settled in town and the surrounding communities for work. The Archdiocese saw the demand, and rented the former Broadway Theater to be used as a church for the short term. In 1951, land was acquired a few blocks away for a new church, school and rectory. The church was designed to resemble historic Romanesque-style churches seen in Italy, with the school and renovated rectory following the Modern tradition. The brick and limestone church appears to have been built more in the historical tradition, with hand-carved stone trim and a beautiful rose window. It’s amazing that this church was built in the 1950s!

Immaculate Conception Catholic Church // 1896

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The Immaculate Conception Roman Catholic Church in Everett, Massachusetts, is an imposing Gothic Revival building, that shows how the church spared no expense to build imposing and awe-inspiring edifices all over New England. Constructed of red brick with Longmeadow brownstone trim, the church was designed by preeminent Catholic Church architect Patrick W. Ford and the cornerstone was laid in 1896. Ford was born in Ireland and in 1872, he moved to Boston and opened his own practice. He was widely recognized as an authority on church architecture and his practice focused primarily on designing churches and institutional buildings for the Roman Catholic Church in New England. Ford died suddenly at age 52 in August 1900. Due to a lack of funds, the church was not completed until 1908, so Ford did not see this church completed in his lifetime. The work was completed by architects Reid & McAlpine and is stunning with its square corner tower topped by a pyramidal spire with smaller pinnacles marking the corners of the tower. The projecting entry porch has three, pointed arch openings and is topped by crenellation. The congregation appears pretty active to this day.

First Congregational Church, Everett // 1852

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The oldest surviving church in Everett, Massachusetts is this one, the First Congregational Church, built in 1852 when the city was still a part of Malden. As in many other communities, this church was formed when the surrounding area of South Malden had grown and had the means to support its own religious society. Before this, residents had to travel to Malden Center for services. In 1848, it was voted to establish the church calling it the Winthrop Congregational Church, as at the time, it was thought that when South Malden would split away, the new town would be named “Winthrop”. When the town finally split in 1870, another town had already taken that name. Originally, the Italianate-style building was sheathed in wood clapboards and outlined by pilasters, both of which were covered or removed for the installation of aluminum siding, very common in the city after WWII. Remaining hallmarks of the Italianate style include the paired cornice brackets and the round-headed windows. The tower was originally capped by a taller steeple above an open octagonal arcaded belfry, but was replaced by the present spire in 1911. The church was possibly an early design by architect Thomas Silloway. Today, the church is occupied by Universal Church USA, a congregation that originated in Brazil, showing how the local community and demographics have shifted in Everett from 150 years ago.

Union Hall // 1832

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When the village of Newfane, Vermont moved down the hill to the flat of town, new buildings were constructed for county and religious uses almost immediately. The local Baptists, Congregationalists, and Universalists together pooled their funds together to erect this church building, which became known as Union Hall as they organized together to construct it. The design follows Gothic Revival principles with the lancet windows and crenelated tower cresting. The design features were later expanded into the larger Congregational church constructed years later when that group built their own church on a nearby site (featured in the last post). The “Union” did not last long as all the congregations built new structures. This building was vacant for years and was later converted to a Grange Hall and town meetings were held in the structure.

Newfane Congregational Church // 1839

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The town of Newfane, Vermont was chartered on June 19, 1753, by Governor Benning Wentworth, who named it Fane after John Fane, the 7th Earl of Westmoreland. But hostilities during the French and Indian War prevented its settlement, and because a first town meeting was not held within the required five years, the charter was annulled. From this, Wentworth issued an entirely new charter in 1761, as New Fane. The town was eventually settled in 1766 from families that moved there from Worcester County, Massachusetts. Newfane became the shire town of the county before 1812 and county buildings were constructed. The village’s location up the hill was not ideal and was difficult to access in the winter, so many new buildings were constructed on the flat of town. The village has retained its rural character, but packs a punch in terms of architecture, especially for a town of under 2,000 people. One of the landmarks in town is the Newfane Congregational Church, constructed in 1839 in the Gothic Revival style. The large lancet (pointed arch) windows with corresponding shutters and spire are eye-catching.