After the Quabbin Reservoir was filled (more on the history in my last post), the cleared land and body of water, with its over 181 miles of coastline, was seen as not only an engineering marvel, but a place of natural beauty and splendor. Upon a rise in the land and the edge of the reservoir, they saw a perfect location to build a tower that could serve many purposes. The Metropolitan District Water Supply Commission hired the firm of Densmore, LeClear & Robbins to design a tower that would serve as a radio tower, fire station and observation tower to view the reservoir. The structure, while designed in the Arts and Crafts mode, is of modern construction and is comprised of two main parts. The lower portion, is constructed of stone and concrete, with metal casement windows, granite lintels and sills and bronze doors. This section was used for radio equipment. The interior has glazed tile walls and cement floors. The six-story tower has five floors of metal and concrete stairs. At the top is a two-level, glass enclosed observation tower.
By the early 1900s, metropolitan Boston’s demands for freshwater began exceed its supply, causing the state legislature to look for other sources of water to supply the metro’s population growth. A 1922 study endorsed the Swift River Valley (Quabbin area) as the best location for a new reservoir that could supply Massachusetts with fresh water, but there was one issue, there were towns and people living there. To create the Quabbin Reservoir, the depressed land would need to be flooded, this required over 80,000 acres of land to be purchased or seized by eminent domain by 1938. Four towns: Dana, Enfield, Greenwich, and Prescott were disincorporated and their excess land not flooded was added to surrounding municipalities. In total, an estimated 2,500 residents lost their homes as part of the flooding. Not all elements of the towns were destroyed, however. Town memorials and cemeteries in the four towns were moved to Quabbin Park Cemetery, in Ware, a short distance from the Quabbin Reservoir. Many other public buildings were moved intact to other locations (like those in Dorset, Vermont featured previously). In the over 80,000 acres that were flooded, the Commonwealth had to relocate an estimated 7,500 burials in over 35 cemeteries in these flooded towns. Bodies were removed from their respective locations, and intered in the new Quabbin Park Cemetery, built by the Commission in 1932 with grounds designed by landscape architect Arthur A. Shurcliff. An area for unknown graves and a memorial area at the entrance to the cemetery also contains public war monuments from the abandoned towns. This service building was added to the cemetery from designs by architect Frederick Kingsbury who died during its construction.
The East Congregational Church in Ware was established in 1826, spurred by the industrial growth and subsequent immigrant population boom in the village of Ware, Massachusetts. The Ware Manufacturing Company, a major player in town, contributed $3,000 to towards the construction of a new congregational church in the village, which was matched by residents. The original church was built in 1826, following plans prepared by Isaac Damon, a noted church architect from Northampton, in the Federal style, popular at the time. In 1925, just a year before its centennial, the church burned to the ground. Plans to rebuild the church formulated immediately. Due to changes to the neighborhood since 1826 (notably the construction of tenement housing adjacent to the church), the decision was made to locate the new church setback from the street. Plans were drawn by Frohman, Robb and Little of Boston for the new building, which was to be Federal Revival, a nod to the former church building. The grounds in front were landscaped by the prominent landscape architect Arthur A. Shurtleff. After WWII, population decline and dwindling membership of some churches in town required a few congregations to consolidate, creating a union or united church here. The United Church of Ware came into being in 1969 when the East Congregational Church, United Church of Christ and the Ware Methodist Church, United Methodist Church joined together and became one federated church with ties to two denominations.
Ware was settled in the 1717 and incorporated in 1775. Its town center was laid out in 1760, on land belonging to one of its early large landowners. The first colonial meeting house was built in that year, near the geographic center of the town, and the road network developed around access to this area from the corners of the town. The Ware Center Meeting House was built in 1799 to replace a previous structure. The Meeting House has served as the first town meeting hall, the parish home of the First Church of Ware and the first school. As the town’s population boomed in the eastern part of town when factories and mills were built along the Ware River. To compete with the growing industrial village, the Ware Center residents sought to “keep up with the Jones'” and renovated the meeting house in 1843 in the Greek Revival style. However the growth of Ware had by passed the old Ware Center and population and in 1847, a new Town Hall was completed on the Main St. closer to industry and the new population center. The building remained as a church, but in 1928, the church ceased having winter services due to the reduced membership, and from that time on services have been held sporadically. The building remains a significant piece of Ware’s history from a sleepy rural town to industrial powerhouse.
As soon as the All Saints Church of Ware was completed, work immediately began for the parish house which was to be built nextdoor. It is not clear who was retained as the architect, but it could have been Patrick W. Ford, who designed the high-style Victorian Gothic church. The design is almost the complete opposite of the church, in that the parish house is of wood-frame construction, modestly scaled, and is Colonial Revival in style. The parish house features nice proportions with its symmetrical facade, pedimented central bay framed by pilasters and the large Palladian type window at the center.
All Saints’ Church in Ware Massachusetts was originally known as St. William’s parish, and was the oldest Roman Catholic Church in the town. Beginning in 1850, regular Catholic services were held in the new industrial village, as large a population of French Canadians moved there for work in the textile mills. A small frame church was built on West Street and a cemetery laid out around it for members of the congregation. As the congregation grew, a larger building was needed. In 1888, work began on the present structure which was to be located in a more central location. The Archdiocese worked with Patrick W. Ford, an architect who designed many Roman Catholic churches built in the eastern part of United States through the latter half of the 19th century. The Victorian Gothic church building remains one of the best examples of the style in central Massachusetts.
South of the Ware River in Ware’s Industrial Village, you will find this absolutely charming former manufacturing office on the side of the road. The building was constructed in 1885 for the George H. Gilbert Co., a textile manufacturer, as the company offices. The building’s architect could not be readily located, but the building appears to have been the work of a skilled designer. When the Gilbert Company relocated north to a new industrial village of Gilbertville, the Joseph T. Wood Shoe Company moved in. The building now appears to be owned by the present occupant of the mill building nextdoor, American Athletic Shoe Company. The former Gilbert Co. Office is one of the more high-style buildings in the town of Ware and exhibits the best in Queen Anne and Romanesque Revival architecture.
The first library in Ware, Massachusetts was organized in 1796. Operating on a subscribers system, books were lent out to those who paid the most at the time. The Society flourished for 26 years until it abruptly disbanded. In 1824, a second library was organized, called the Mechanics and Manufacturers’ Library, which was loosely managed by the manufacturing companies in town. In 1872, an act providing for the formation of library corporations was passed in Massachusetts. The Ware Young Men’s Library Association was the first to incorporate under the new law. They established a location in a commercial space in town until it was outgrown. In 1879, the present lot at the corner of Main and Church streets was donated by a local businessman. Funding was acquired and Springfield-based architect Eugene C. Gardner was hired to design the building. In 1923, an addition was built onto the side by architects Gay & Proctor in the Jacobethan Revival style, which blends well with the original Queen Anne building. The building remains home to the library and is the town’s public library.
I love exploring old industrial towns. In Ware, Massachusetts, the urban decay of some buildings provides opportunity and potential, but also so much negative thoughts for long-time residents as it reminds some of the town’s once thriving past. Just off Ware’s Main Street, I spotted this former chapel and had to learn more. This structure was built in 1881 as the second East Congregational Church chapel. The congregation was largely made up of immigrant laborers who worked in the town’s mills. This chapel replaced a Greek Revival building erected in 1857 on Water (Pulaski) Street that was later remodeled by the town into a fire station. That building was destroyed during the Hurricane of 1938. This Victorian Gothic chapel was designed by architect Eugene C. Gardner of Springfield, who was very busy in central/western Massachusetts. The chapel long was used by church members for spillover events and social gatherings. Later, the building became the office of the Ware River News.
Located on Church Street, the best architectural stretch of buildings in Ware, Massachusetts, you’ll find this absolutely charming mini-Mansard house. The property was built after the Civil War and historic maps show it was owned by a J. Coney. Upon further research, it seems J. Coney is John Coney (1809-1884), a farmer who retired in 1870 and was later referred to as a carpenter in census’. It is likely that Mr. Coney built this mansard cottage around his retirement and relocation to Ware’s industrial village, building it himself. The home features gabled dormers with round-headed sash projecting from the mansard roof. A two-story tower has paired, round-headed windows with oculus windows. Perfection.