Codman-Gillet House // 1928

Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Sweezy Summer House // 1916

Wilton, New Hampshire has a hidden enclave of high-style summer “cottages” built for wealthy residents in the early 20th century. The last of these examples I will feature is the Sweezy House, located in Wilton Center. The Federal Revival style mansion was built for Everett and Caroline Sweezy, summer residents who split their time between New Hampshire and New York. Mr. Sweezy was a banker for the Riverhead Savings Bank which was located on Long Island, which too was a summer destination. The couple hired the firm of Howe and Manning, led by female architects Lois Lilley Howe and Eleanor Manning, to design the home. The house is set back far from the street behind a rustic stone wall. The property remained in the Sweezy Family for four generations.