Kennebunkport MAine

Nonantum Resort // 1884

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In the late 1800s, many coastal New England communities – including Kennebunkport – became summer resort towns and colonies for upper and middle class families. To accommodate families, who would arrive to these small towns by the train-load, many wealthy citizens constructed luxury hotels which offered longer term stays compared to what we think of hotels today.

The Nonantum Resort in Kennebunkport was named from a Native American word meaning ‘blessing’ or ‘prayer’, but has become synonymous with ‘family’, the word was chosen as the building was believed to have been constructed on land where Native Americans traded with early settlers. Opened on the Fourth of July in 1884, the hotel was constructed for Captain Henry Heckman, the original owner. The building was a fairly modest, late Italianate design until alterations and additions in the 1890s added a Colonial Revival motif, with pilasters capped with Corinthian capitals and cartouches; however, many features have been removed.

Thomas Maling House // 1848

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This Greek Revival home was built around 1848 for Thomas Maling, a rigger (person who installs the system of ropes and chains for a ships mast and sails). The home is built upon a raised brick foundation, likely to elevate it from the rising and receding nature of the Kennebunk River just across the street. By the 1890s, the home was converted to an inn, known as the Maling’s Inn, after the original owner. Today, the inn is known as the Old River House. On the lot, the old rigging loft remains and has been converted on the inside as additional rooms.

Louis T. Graves Memorial Library // 1813

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What is known today as the public library of Kennebunkport, the Louis T. Graves Memorial Library was not always used for books and learning. Built in 1813 as a branch office of the Kennebunk National Bank, the brick structure was valuable as a local bank for the growing port neighborhood. By 1831, the Kennebunk Bank’s charter was revoked and they sold their branch location to the U.S. Government as a Customs House (the second floor was already partially occupied as a Customs House). By the end of the 19th century, the second floor was leased out to the Kennebunkport Public Library. The Customs District was eliminated in 1913, and by 1920, the building was acquired by Mr. and Mrs. Abbott Graves, who purchased the property at auction for $1,350., the couple lived just a couple blocks away in a rare Prairie style home. In 1921, the Graves family deeded the property to the Library Association on the condition that the Library be named in memory of their deceased son Louis T. Graves who valued books all his life.

Davis House-Aunt Felicia’s Folly // 1805

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If you stroll down Maine Street in Kennebunkport, you cant help but notice the most charming saltbox house. Constructed in 1805 by Samuel Davis, a master builder in Kennebunkport, the Federal home likely had a saltbox roof originally which would have housed the kitchen. After the Civil War, the home was owned by Silas Perkins, who then sold the home to his daughter, Felicia (Perkins) Cleaves and her husband, Albert, a teacher. By the 1870s, Felicia had the Colonial home completely renovated, turning into a Gothic Revival showpiece. Mrs. Cleaves added a new wing to the right of the original house, for she desired the high ceilings that were common during the Victorian era. The building became known in town as “Aunt Felicia’s Folly” and alternately, “the Witch House.” In 1966, owners restored the home back to what it likely looked like before the 1870s renovation, adding a saltbox roof.

Undated image showing “Aunt Felicia’s Folly” with Gothic alterations.

South Congregational Church // 1824

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Built in 1824, the South Church in Kennebunkport Village looked very much as it does today, with the exception of the portico, which was added in 1912. In the early 19th century, architects were seldom employed in such remote areas therefore, builders often used manuals and examples of other churches in addition to their own experience gained from working the large shipbuilding yards adjacent to the Kennebunk River. The cupola, restored in 1991, is designed after an example by Christopher Wren and the steeple retains the original 1824 Aaron Willard clock with its unique wooden face, still keeps accurate time and rings on the hour. The church remains as an active space with a growing congregation in the summer months.

St. Martha’s Catholic Church // 1903

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A happy blending of Mission, Colonial Revival and Shingle Styles for the Maine coastal community of Kennebunkport, the St. Martha’s Catholic Church exemplifies the charm of this town. The church is sited on a corner lot with a belfry at its corner. The nave features a central entry with Colonial pilasters and pediment above the second floor windows. The roofline is shaped with Mission style parapet walls and arched openings at the tower, showcasing the Spanish influence in the design. The entire building is wrapped with cedar shingles, as a nod to the coastal summer resort it resides. The church operated here until the mid-late 20th century when it was converted to an art gallery, and now is home to condos.

The Kedge // 1887

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Located in the Cape Arundel Summer colony in Kennebunkport, this Shingle style cottage, built in 1887 sits perched on a hill with views of the Atlantic Ocean. Built for John Bach McMaster, a historian who was also a professor at the University of Pennsylvania, the house was the first of two he owned in Kennebunkport, where he summered. The son of a former Mississippi plantation owner, McMaster grew up in New York City and worked his way through the City College of New York. Although he obtained a degree in civil engineering in 1873, he was deeply interested in American history. He worked briefly as a civil engineer in Virginia and Chicago in 1873, but he returned to New York the following year and earned a meagre living by tutoring.

McMaster was appointed assistant professor of civil engineering at Princeton University in 1877. Meanwhile, he planned to write a broad-scale history of the United States. In the summer of 1878 he led an expedition to the American West, an experience that impressed on him the pioneers’ efforts and the need for a social history of the West. His inspiration materialized in 1881 with the completion of the first chapter of A History of the People of the United States from the Revolution to the Civil War. The earnings from the series gave him substantial wealth and he then bought a summer residence up in Maine seen here.

If anyone knows the architect of this house, please share!

Melville Walker House // 1860

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Built for Melville Walker, a sea captain on land gifted to him by his father, this home perfectly exhibits the changing dynamic of Kennebunkport. Melville Walker would often be out at sea for months at a time, and he apparently brought along his wife, three daughters and son on many trips to ports all over the world. The Italianate home was eventually sold out of the family, and by 1901, it was purchased by George Little, an executive with the New York, New Haven and Hartford Railroad. That year, he had the summer home renovated with Colonial Revival detailing, including the hipped roof, dormer, and other detailing. The belvedere, 2/2 windows, and Victorian era porch were retained, showing the original form and detailing of the Italianate version. In the 1950s, the home was converted to an inn, with small cottages constructed surrounding the property to house additional families. Today, Maine Stay Inn & Cottages welcomes families from all over the world to experience the beauty of Kennebunkport.

Westlook // 1905

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One of a handful of Prairie style homes in Maine, the Abbott Graves House – named ‘Westlook‘ – of Kennebunkport, was designed by Graves himself and built in 1905. The two-story residence is of frame construction with a low-hipped metal roof (originally red tile) and three internal brick chimneys. The exterior is covered with a simulated stucco finish.

Born in Weymouth, Massachusetts in 1859, Graves began architectural studies at the Massachusetts Institute of Technology in 1867 but was forced to leave due to financial problems before completing the program. For a few years he supported himself by working in a florist’s establishment where he earned a reputation as an arranger of flowers for interior decoration. An amateur painter since early youth, he began in earnest to develop this talent, concentrating on floral still life. He was eventually able to support himself in a small Boston studio and in 1884 to 1887 studied in Paris. His work was exhibited in the Paris Salon in 1887 and received the first of five medals he was to be awarded by that illustrious institution. Returning to Boston in 1889, he opened his own school and established himself as a distinguished painter of floral scenes and genre works. He brought his family and some students to Kennebunkport for the first time in the summer of 1891 staying at one of the first hotels in that newly emerging resort community. Graves fell in love with the community spending more and more time there each year until eventually he became a year round resident. In 1905 he designed Westlook, as he named it, and resided there until his death in 1936.

Ivory Goodwin House // c.1808

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Built by Ivory Goodwin (1783-1851), a joiner who moved to Kennebunkport from Berwick, Maine in 1799. Goodwin and his wife Mary, lived in this small Cape house with their six children, a pretty amazing feat in its own right! The Federal/Greek Revival home is five bays wide with a central entry with sidelights and pilasters flanking.