Massachusetts

Homan House // 1744

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This perfect Georgian house in Marblehead was built in 1744 for Richard Homan (1713-1803), a sea captain who also fought in the Revolutionary War. In 1736, Richard married Hannah Goodwin, the daughter of William Goodwin, a notable housewright. William Goodwin seemingly gave the newlywed couple land on his estate and likely built this stunning home for them. Hannah died in 1772, and remarried in 1776 to Susanna Stacey, who he also outlived. The couple moved to Ipswich, and this home was sold to his son, William. In the 1800s, the property was owned by William Hawkes Jr., a trader and shopkeeper who apparently operated a “rum shop” out of the first floor of the home. It remained in the Hawkes Family until at least 2013. The house features a gambrel roof of cedar shingles, 12-over-12 windows, a pedimented entry, and a period-appropriate paint color.

John Goodwin House // c.1810

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Oh, Marblehead, why are you so pretty? The town of Marblehead was originally called Massebequash after the river which ran between it and Salem. The land was inhabited by the Naumkeag tribe under the sachem Nanepashemet. Epidemics in the early 1600s devastated the tribe’s population leading to it’s colonization. In 1635, the General Court of Massachusetts Bay established the town of Marblehead on land that belonged to Salem. The citizens in Marblehead were less devout and conservative than others in Salem, and they incorporated as their own town in 1649. Now… the name. Marblehead is believed to have gotten its name by settlers who mistook its granite ledges and cliffs for marble. The mistake stuck as the namesake. The town thrived as a fishing village, with many fishermen and sea-based jobs, with homes built on small lots along the warren of narrow streets. This home sits on Washington Street, one of the major streets in the Old Town. The home was built around 1810 for John Goodwin on land formerly owned by his grandfather. The Federal style home sits atop a raised stone foundation and has been excellently preserved.

Toy Theatre // 1914-1922

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When the Toy Theatre on Lime Street in Beacon Hill (last post) was formed in the early 20th century, the members of the small (but growing) theatre group of well-connected artists and actors had their sights on something with permanence. By 1914, the group had funding and acquired land on Dartmouth street, a block away from Copley Square, and ground was broken to build a large new theatre. The fashionable Colonial Revival style building featured a large rounded bay and was constructed of brick and limestone. The theatre group could not support the building, and it was rebranded as the Copley Theatre within a couple years. Continuing the bad luck, the City of Boston decided to extend Stuart Street by 1921, and this building was along the proposed route. The street was extended and a new “Copley Theatre” was built on Stuart Street, a stone’s throw from this building. And so goes the short-lived history of the Toy Theatre.

Leavitt Peanut Butter Company Factory // 1958

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One of the most iconic buildings in Everett, Massachusetts is the “Teddie Peanut Butter” building, in the brewery/distillery district of the city (home to Night Shift Brewery, Bone Up Brewing Company, and Short Path Distillery). The building is best-defined for its massive Mid-Century rooftop sign with the cute teddy bear. The building was constructed by the Leavitt Peanut Butter Company in 1958, but the company had its beginnings nearly a half-century earlier. The Leavitt Corporation had its beginnings in 1897 when Sarkis Shaghalian, a European immigrant, started manufacturing candy and roasted nuts in Boston. In 1916, Michael Hintlian took over the company and in 1925, established a separate corporate entity specializing in peanut and nut products, the John W. Leavitt Company. The company did extremely well in its Boston location, eventually outgrowing their State Street buildings. In 1959, the company hired an industrial realtor, who found the Everett facility – a recently constructed building with Modern finishes and design. In 1959, Leavitt Corp. signed a lease and moved in by 1960, adding the rooftop sign at that time. The sign used to have neon strips, but was eventually removed.

St. Anthony’s Church Campus // 1951

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In the 1920s Italian-speaking residents in Everett, Massachusetts appealed to Archbishop of Boston, William O’Connell for an Italian parish. Everett had seen a large influx of Italian immigrants who settled in town and the surrounding communities for work. The Archdiocese saw the demand, and rented the former Broadway Theater to be used as a church for the short term. In 1951, land was acquired a few blocks away for a new church, school and rectory. The church was designed to resemble historic Romanesque-style churches seen in Italy, with the school and renovated rectory following the Modern tradition. The brick and limestone church appears to have been built more in the historical tradition, with hand-carved stone trim and a beautiful rose window. It’s amazing that this church was built in the 1950s!

Woodlawn Cemetery Lodge // 1897

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Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). Adjacent to the Cemetery Gate and Tower (last post), the Woodlawn Cemetery Lodge replaced an 1850s lodge and office constructed of wood, in the Gothic-style, that was deemed unsatisfactory for later boards managing the cemetery. The group hired Boston architect William Hart Taylor to design the gate and lodge, the latter in the Classical Revival style. The buff brick building features terra-cotta trim and a red tile roof with dentil cornices and copper cresting along the ridges and eaves. The square entry tower has a columned belfry and incorporates additional Classically-inspired features including Ionic columns, moldings, swags, and wreaths, which looks like a Greek Temple plopped onto the top. Gorgeous!

Woodlawn Cemetery – Entrance Gate // 1897

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Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). When you approach the main entrance of the cemetery, you are greeted by the entrance gate and tower. Completed in 1897 to replace an earlier wooden gate, the Entrance Gate consists of a central stone tower and two side entrances. The gate, tower, and adjacent lodge (next post) were designed by Boston architect William Hart Taylor, who was buried at the cemetery upon his death in 1928. The tower has decorative sculpted terra cotta which includes winged angels at the corners with outstretched arms that once hold trumpets. Below the medallion which is centered on each side, there is the bust of a winged child, supposedly a carved likeness of the architect’s young son who died at the age of six and is buried at Woodlawn.

Everett Savings Bank // 1930

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Located next door to the First Congregational Church of Everett, you can find one of the finest eclectic commercial buildings in the region, and it is one that is often overlooked. The Everett Savings Bank was built in 1930 from plans by architect Thomas Marriott James for the Everett Savings Bank, which was established in 1889. This building was constructed just at the beginning of the Great Depression, at a time when banks and American citizens were penny pinching. The budget was likely set before the Stock Market Crash of 1929 as the relatively high-style bank building would have been a big expense at the time. The bank blends Art Deco and Spanish Renaissance Revival styles elegantly. The structure is constructed with sandstone walls that are decorated with figured panels and semi-circular multi-pane windows are outlined by rope molding. Crowning the building is a bold arcaded frieze with Moorish inspired cornice. Swoon!

Albert Parlin School // 1931

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Albert Norton Parlin (1848-1927) was born in Everett, Massachusetts to Ezra Parlin and Nancy Pickering-Parlin. At a young age, Albert lost both his parents – his mother passed in 1853 at the age of 26 and his father passed in 1858 at the age of 37, both succumbing to “consumption” (tuberculosis). At the age of nine, young Albert had become an orphan, and was raised by his grandmother at the Pickering Estate. He found his first job as a floor-sweep and errand boy in a retail cloak store. At seventeen, Albert Parlin began working with Magee Furnace Company, a Boston-based company where Mr. Parlin spent twenty-eight years of his professional career, moving up the ranks to become treasurer of the company. After he became successful, he gave back to his hometown, when in 1892, he donated his familial home and money to the City of Everett for the erection of the Parlin Memorial Library, to honor his late son. Parlin was not done giving to his hometown. He also left funds and a large piece of land to the City of Everett for a new Junior High School in 1915. The architectural firm of Desmond & Lord was commissioned to design the school which is set deep on the lot to give the building a beautiful front lawn. The 1931 building blends Art Deco and Tudor Revival styles with a large central panel.

Frederick E. Parlin Memorial Library // 1894

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The Frederick E. Parlin Memorial Library is arguably the most architecturally significant building in the City of Everett, Massachusetts. Constructed of buff brick, sandstone and terracotta, it displays characteristics of the Richardsonian Romanesque style including the main entrance set within a recessed arch at the base of a square tower with arched openings. In 1892, Albert Norton Parlin, a local businessman, donated to the City of Everett the Pickering Estate, his birthplace and familial home, to be torn down and a library erected on the parcel in memory of his son, Frederick E. Parlin, who died in 1890 at the age of eighteen. Albert Parlin gave to the City an additional $5,000 to aid in the building of the Frederick E. Parlin Memorial Library. The original 1894 library as well as a 1911-1912 addition were designed by local architect John Calvin Spofford who positioned the building to face a small triangular park. By the 1940’s, the building was outgrown, but it wasn’t until 1982 that a plan was set in motion to renovate the original building and to construct an addition. Childs, Bertman, Tseckares was chosen to draw up the architectural plans, and ground was finally broken in the spring of 1990. With construction of the new addition, the building is almost three times its original size and handicapped accessible, all with an appropriate, Post-Modern design.