Toward the middle of the 19th-century, the Newton Lower Falls Village developed into a premier paper-manufacturing center of eastern Massachusetts, largely due to the forests and water power supplied by the Charles River. One of the most successful paper mills in the area was owned by Lemuel Crehore (1791-1868), who with his success, built workers cottages for his employees and their families (imagine if businesses did that today)! This Greek Revival workers cottage was occupied by employees of the mill before it was sold when the mill closed, to a house painter. The modest house stands out for the gorgeous wrap-around porch supported by fluted Doric columns, an off-center entrance with sidelights, and corner pilasters.
Toward the middle of the 19th-century, the Newton Lower Falls Village developed into a premier paper-manufacturing center of eastern Massachusetts, largely due water power supplied by the Charles River. One of the most successful paper mills in the area was owned by Lemuel Crehore (1791-1868), who with his success, built workers cottages for his employees and their families (imagine if businesses did that today)! This Greek Revival workers cottage was occupied by employees of the mill, and was sold off after the mill shut down. The house features a deep piazza with three Tuscan columns across the front and scroll-sawn bargeboards at the porch and hanging along the roof, giving it a slight Gothic Revival element.
In 1841, Dr. Edward Warren (1805-1878) purchased land, a dwelling house, and outbuildings in the Lower Mills village of Newton for his own property. Edward was the son of Dr. John Warren, a Continental Army surgeon during the American Revolutionary War, founder of the Harvard Medical School, and the younger brother of Dr. Joseph Warren, also a physician and Patriot during the early days of the American Revolution, eventually serving as President of the revolutionary Massachusetts Provincial Congress and dying at the Battle of Bunker Hill. Edward, a much less renowned figure practiced medicine in Boston and Newton and married Caroline Rebecca Ware, the half-sister of Henry Ware, a prominent Harvard professor. The house was likely modernized during Warren’s ownership and is largely Greek Revival in style, but much more modest than one would think given the family connections of the two owners!
Augustus Curtis Wiswall was born in Exeter, NH in 1823. At seventeen, he moved to Boston and sought to live life on the open seas. He saw a ship docked called the “Republic” which was about to set sail to Calcutta. He took several other jobs as he hoped for more adventure as a young man. His final voyage was with a general cargo ship to Brazil. On route, several lawless members of the crew rose up in open mutiny, murdering the captain and first-mate, seizing control of the vessel. Loyal to the captain, Augustus was stabbed but was allowed to live as he was the only man capable of navigating back to land. The small crew scuttled the larger ship and manned the small boat surviving on minimal food. They made it to Rio De Janeiro and managed to board a vessel back to Boston. Wiswall never shared his story but to his wife, who in turn shared his stories after his death. His life back home was more calm, after living in the south and midwest during the Civil War, he moved back to Massachusetts and he bought land in Newton’s Lower Falls village building this home. He operated a paper mill in the village and was active in the local church until his death in 1880.
Thought to be the oldest extant house in Newton Lower Falls, this historic mansion has seen a lot of change over its nearly 300 years in the village. The house believed to have been built around 1755 by John Parker (1687-1761) for his son Ezra (b. 1731) after his marriage. William Hoogs, a ship carpenter from Boston, took ownership of the house in 1781 from his father-in-law (and boss), Aster Stoddard, who had bought it from the Parker family. William Hoogs was a sole-owner of a paper mill in the village and made a good name for himself. The house was likely modified during this period in the Federal style, with a third floor added. The home was possibly passed to his son, also William, who was written about in papers as fleeing town to Canada with the family maid, who was late in her pregnancy and their two-year-old child together. Hoogs had debtors looking for him. Hoogs had a change of heart and sent for his eight children to live with him in Quebec that same year. Sadly, the ship bringing them up sunk on Lake Champlain and all perished. By 1813, the property was purchased by Samuel Brown of Boston, a wealthy merchant who was a strong financial supporter of Saint Mary’s Church. By 1825, he officially bequeathed the property to Dr. Alfred Louis Baury (1764-1865) rector of Saint Mary’s Church. By 1917, the Lucy Jackson Chapter of the Daughters of the American Revolution operated it as a chapter house and a museum for antiques. In 1971, the Newton Redevelopment Authority bought the property and sold it to a developer for conversion into office space, it was rotated 90 degrees to face Concord Street at this time.
Lower Falls Village in Newton, Massachusetts was first settled in the early 18th century by colonists due to the area’s natural waterfalls and rapids which was perfect for early industry. By the early 19th century, up to four paper mills lined the Charles River here at a dam which provided power and steady water supply for their facilities. The village saw a large population increase from that point until the end of the 19th century when larger mills in the state were built. One of the major community spaces for the growing village was it’s main church, St. Mary’s Episcopal Church, which is the oldest extant church in Newton and the first Episcopal church built immediately west of Boston. The cornerstone for the building was laid in September 1813 containing a package of coins and a silver plate. Previously services had been held in the Lower Falls schoolhouse, with the first Episcopal service held in 1811. The land for the church was donated by Samuel Brown a wealthy Boston merchant who invested in the paper mills in Lower Falls. Many of the founding members and parishioners were in the paper making business in Lower Falls and buried in the adjacent cemetery. The Federal style church was altered in 1838 and given Gothic detailing, including lancet windows and finials at the steeple. In 1954, the bell tower was altered with the gothic finials replaced with the current urns on the balustrade, the gothic arched openings were changed to the current arched shape, and entablature, pilasters, and a cross were added.
For the last on this series of Lost Boston buildings, I present this little-known landmark which was once neighbors to the Old State House. The Pagoda Building as it was named, was located on the corner of Washington and State Streets and was one of the tallest buildings on the street upon completion. The seven-story building of Quincy granite exhibited round arched windows and an interpretation of a belvedere at the roof which served as a penthouse. The building’s upper six stories were residential, including the spectacular Oriental penthouse at the top, with retail space at the ground floor. The architect was a recent immigrant from Britain named GeorgeSnell, who clearly made a name for himself, later entering a partnership with James R. Gregerson. The Pagoda Building, which was originally an early “skyscraper” in Boston was quickly surpassed in height and floor plate size and was deemed inadequate for such a prominent location. It was demolished by 1917.
Ever so often, I stumble across a historic photo and I end up spending way too much time falling down rabbit-holes uncovering a cool history. This is one of those times.
Frank Howard Packer (1857-1925) was born in Providence, Rhode Island and worked at his father’s jewelry store there, later moving to Chicago. Out west, Frank was first tattooed by a friend, and he was hooked. Frank started using his body as a canvas, and when he ran out of space, his wife Annie was covered with tattoos. The couple were discovered by Barnum & Bailey’s Greatest Show on Earth and were hired to tour the country alongside other acts. Frank was the “Original Tattooed Man” and Annie was the first tattooed woman to tour with Barnum & Bailey. At these shows, Frank and Annie would show off their tattoos and then tattoo spectators for money. Eventually, they had enough money to open a tattoo parlor in a Civil War-era building on Court Street in Boston. The space was originally shared with a barbershop, but it later expanded to the entire floor of the building. Annie died in 1911 and Frank remarried a few years later and seemingly began to wind down his tattooing career. He died in 1925. The old shop building was demolished in the 1960s as part of Boston’s Urban Renewal period.
One of the more iconic theater buildings to ever stand in Boston was the Howard Athenaeum, later the Old Howard, which stood on the former Howard Street in Downtown Boston. The origins of the building begin in 1843, when a flimsy, tent was built to serve as a church for the small Millerite sect. The small but loyal congregation eventually abandoned the site following disappointment with the minister’s promise that the world would end in 1844. After Armageddon failed to materialize, the founder of the sect, William Miller, an ex-Deputy Sheriff from Poultney, Vermont, was discredited and the Millerites moved on. After running their former minister out of town, several church members (who had given up all their worldly possessions in preparation for their trip to heaven,) decided to recoup some of their losses by selling the property to Messers Boyd and Beard, who opened a theater here in 1845. A fire destroyed the structure, and it was replaced by a larger, fireproof building that same year. The new building was constructed in 1845 and was designed by architect Isaiah Rogers in the Gothic Revival style with massive granite blocks from Quincy.
The Howard Athenaeum saw many iconic performers and historical events in its 100 years. A young John Wilkes Booth, played Hamlet at the Howard before becoming famous for a more nefarious deed in Washington in 1865. Also, Sarah Parker Remond, a Black anti-slavery activist and lecturer with the American Anti-Slavery Society (and later a medical doctor), had bought a ticket through the mail for the Donizetti opera, Don Pasquale, but, upon arriving, refused to sit in a segregated section for the show. She was forcibly removed and pushed down a flight of stairs. She eventually won a desegregation lawsuit against the managers of the Howard Athenaeum and received $500 in a settlement.
The theater was quickly deemed obsolete and second-tier compared to more modern theatres built nearby. By the mid-20th century, the Old Howard was largely featuring burlesque shows. To keep bringing in audiences, the burlesque performances got more risqué with each year. As a result, the Boston vice squad made the Old Howard the object of their attention. The Boston Vice squad made a 16 mm film during one of their raids in 1953 and captured on film the performance by “Irma the Body”. This film footage resulted in an indecency hearing which eventually led to the closing of the Old Howard in 1953. A fire a few years later along with Urban Renewal led to the demolition of the Old Howard by 1962. Like the former Suffolk Savings Bank (featured previously), the present Center Plaza Building is on the site.
Buildings of New England 