Tatro-Tyng House // 1873

The neighborhood now known as Ashmont Hill had its origins in 1870, when George Derby Welles, who was 26 years old and living in Paris, inherited extensive landholdings in this area from his grandfather’s estate in Dorchester. Welles engaged representatives to subdivide the land. Some parcels were developed with high-style rental properties, managed by his representatives while living abroad, and others were sold and developed by builders, designing homes in the prominent styles at the time. In the early 1870s, the Second Empire style was most popular, though began waning in popularity for Stick and Queen Anne styles. Lots on Welles Street were purchased by Mr. George Tatro, a builder and developer who seemingly designed and built two near identical houses at 48 and 52 Welles street. The houses were completed by 1873 at the time of The Panic, an economic downturn triggered by industrial and railroad over-expansion and consequent bank and business failures. The property was sold, but remained vacant until it was taken over by a bank and then purchased by Catherine Stevens Tyng, the widow of Reverend Dudley Atkins Tyng, who died at just 33-years-old from a freak accident at home. Catherine moved to the area, first settling in Cambridge, to follow her two sons who attended Harvard College, before selling the house and moving to New York. The Tatro-Tyng House is a stunning, and well-preserved example of the Second Empire style, with a shingled bay window and bay dormer in the mansard with applied ornament.

Reed-Loring House // c.1872

Another of the early houses built in the Ashmont Hill neighborhood by George D. Welles, a young man who inherited and subdivided his family estate in Dorchester, is this mini-Mansard on Harley Street. Like a few others in the neighborhood, this house was built for Welles, likely as a rental property. The house was rented by Charles and Nellie Reed, who had painter, Frank Henry Shapleigh over as a guest. Shapleigh would paint the house in the 1870s, shortly after a stint in Paris. The property would be purchased by Stephen L. Emery, a coal and wood merchant in Boston, and later by Clara Reed, the daughter of Charles and Nellie Reed, who took up permanent residence in this house with her husband Royden Loring, the vice president of the Arnold Roberts Company on Congress Street. Clara Reed Loring lived here until the early 1970s. The Second Empire style house and large, preserved barn at the rear of the lot, provides a glimpse into the early development of Ashmont Hill.

John A. Turner Cottage // c.1875 

One of the most charming houses in Westborough, Massachusetts, can be found on Central Street, in the commercial village of town. The house was built around 1875 as a Mansard cottage, a style that was beginning to wane out of style by this point. The cottage was built for John Addison Turner (1833-1900) and his wife, Mary Ann Fiske. John worked as a superintendent at the National Straw Works factory, a local manufacturer of straw hats and other goods. The Turner House remains one of the best-preserved Victorian-era homes in Westborough and is even painted to highlight the many intricate details. 

Langley-Dudley Cottage // c.1870

This charming mansard-roofed cottage can be found at 54 Prospect Hill Street in Newport, Rhode Island. While presently a residence, the cottage was originally built around 1870 as a stable or carriage house for the former Bowen-Newton-Tobin House at 204 Spring Street. After the Bowen heirs sold the property, this structure was owned by Mr. John S. Langley, an furniture dealer (who also made coffins and caskets) with the firm Langley & Bennett. The building may have been used for the storage of horses or as a workshop until it was purchased by Mary B. and Dudley Newton, a prominent local architect. They appear to have converted the former stable into a cottage, and rented the property out for additional income. In the renovation, Dudley Newton preserved much of the original detailing above the cornice, and altered openings to provide windows and doors convert the formerly utilitarian structure into a cottage.

Betteley Cottage // c.1883

Albert Cabot Betteley (1816-1893) was an inventor and coal dealer in Boston. He invented an elevator to hoist goods into a warehouse, a peat grinder for the speedy drying of peat for fuel, and even patented wooden pavement…seriously. He eventually would build this home on Cobden Street in Roxbury where he and his wife Mary Jane would live out their retirement. While he didn’t “make it big” persay with his inventions, he exemplified the typical middle-class resident of Roxbury at the time and built this modest home, with its two-story form with octagonal bay, bracketed cornice, and mansard roof. The cottage was recently repainted the purple color, which I really enjoy!

R.J. Walden House // c.1872

Located on the appropriately named Pleasant Street in North Adams, Massachusetts, this charming Second Empire style house is one of the finest in town. The house was built sometime between 1869-1875 for an R.J. Walden, who was listed in directories as a Deputy Sheriff for Berkshire County, an auctioneer, and real estate agent. Interestingly, the mansard roof is broken by a truncated corner tower with a flat roof. This is a unique one!

Lorenzo and Mary Hawkins House // c.1870

Another of the charming mini mansard cottages in Stoneham, Massachusetts is this home, the Lorenzo and Mary Hawkins House. The home was built for Lorenzo D. Hawkins and his wife, Mary around 1870. Lorenzo worked as a shoe and elevator manufacturer in town and in Downtown Boston. The house is a two-story wood-frame structure with irregular massing. It has the classic mansard roof, an ornately decorated entry porch, heavily bracketed cornice, and round-arch windows in its dormers and front bay.

E. A. Durgin House // 1870

Would you just look at this house?! Massachusetts may have the most Second Empire/Mansard style houses in the United States, but some really stand out. This home in Stoneham, Massachusetts was built around 1870 for local shoe dealer Erastus A. Durgin. The mini mansard home is pretty typical besides the prominent square tower with a steeply pitched gable roof that stands over the entrance. Charming!

Coney House // c.1870

Located on Church Street, the best architectural stretch of buildings in Ware, Massachusetts, you’ll find this absolutely charming mini-Mansard house. The property was built after the Civil War and historic maps show it was owned by a J. Coney. Upon further research, it seems J. Coney is John Coney (1809-1884), a farmer who retired in 1870 and was later referred to as a carpenter in census’. It is likely that Mr. Coney built this mansard cottage around his retirement and relocation to Ware’s industrial village, building it himself. The home features gabled dormers with round-headed sash projecting from the mansard roof. A two-story tower has paired, round-headed windows with oculus windows. Perfection.

Polk-Haury House // c.1865

Collinsville, a village in Canton, Connecticut, sits along the Farmington River and is one of the most charming New England villages I’ve been to. The village sprung up around the Collins Axe Company, a manufacturer of edge tools, such as axes, machetes, picks and knives. With the company’s growth (more history on the company in a later post), immigrants moved to the town, and lived in workers cottages built by the factory owners. Churches, stores, schools, and parks came soon after, creating the dynamic village we see today. Nathan L. Polk moved to the village and built this charming Second Empire style cottage, walking distance to his apothecary shop. By 1872, Nathan died and the house was sold to Ulrich Haury. Haury was born and raised in Germany and settled in Collinsville by 1862, working at the Collins Axe Company. From his earnings, he opened up a grocery in the village, spending his earnings bringing his family for vacations to his homeland in Germany. The home remains in excellent condition.