Simmons House – Japanese Relocation Hostel // 1856

Together with its two neighbors to the south, this townhouse at 6 Walnut Street represents the development of the South Slope of Beacon Hill in the second half of the 19th century, when larger estates continued to be carved up for housing, typically in the Italianate/Second Empire styles. Built in 1856, this residence was constructed on one of the last undeveloped lots in the area and was originally owned by George W. Simmons. Simmons was the owner of a well-known clothing emporium at Oak Hall, North Street, where he sold all kinds of ready-made clothing for men, including that needed by sailors, as well as sets of clothing for those headed for the California gold fields. His business was renowned also for its ambitious and creative advertising campaigns. Simmons died in late 1882, leaving this property to his heirs who sold the property. After successive ownership, the residence was converted to a boarding house during the Great Depression and rented out to families who could no longer afford the large single-family dwellings in the city. After WWII, in 1945, the boarding house was converted into the first Relocation Hostel for Japanese Americans in New England. The mission of the Relocation Hostels was to provide temporary lodging and career guidance to Japanese Americans who had been uprooted from their homes because of unfounded accusations of sabotage during World War II. Massachusetts joined New York, Pennsylvania, Illinois, and other states in establishing these hostels. Today, the residence is a four-unit condominium. 

Tebbetts-Bowditch House // 1856

The townhouse at 4 Walnut Street in Beacon Hill is among the most architecturally unique buildings in the neighborhood. The main facade consists solely of a bowed front, which contains a deeply recessed entry to the side. To the right of the entrance, a later tripartite window exhibiting Queen Anne/Colonial Revival multi-pane sash pierces the southern half of the bow front.  At the third story, a massive wooden oriel window projects over the street below and contains a window set within a recessed panel. Above, the mansard roof ties in with its neighbor. The residence was built in 1856 and purchased by William C. Tebbetts, a dry goods merchant who was partner in a Downtown firm. By 1890, the residence was owned for a short period by Ernest W. Bowditch (1850-1918), a celebrated landscape architect and engineer. By the 1930s, the property became a boarding house, primarily for single women and widows. Today, the former single-family home contains eight apartments and from the exterior, presents some Victorian flair and quirkiness not commonly seen on the South Slope of Beacon Hill. 

Henry S. Grew Townhouse // 1856

Built in 1856, the townhouse at 2 Walnut Street is a unique Second Empire style townhouse erected on one of the last undeveloped lots on the South Slope of Boston’s exclusive Beacon Hill neighborhood. The three-story, brick residence is capped by a mansard roof and its facade is dominated by a full-height octagonal bay, which at the center on each floor, is a recessed brick panel in lieu of windows. The property was originally owned by Henry Sturgis Grew (1834-1910) a real estate developer and politician who split his time between this residence and a large estate called Grew’s Hill, that grew to several hundred acres and contained an active farm, part of which was later incorporated into Stony Brook Reservation. Henry Grew’s daughter, Jane Norton Grew, would go on to marry John Pierpont Morgan Jr. (J. P. Morgan) in 1890. The Grew House was modernized in the 20th century with a Classical door surround, but otherwise, it maintains the appearance of when it was built in 1856. 

Cotting-Russell Mansion // 1812

Walnut Street in Boston’s Beacon Hill is one of the finest short streets that showcases some of the best examples of 19th century residential architecture in Massachusetts. Built in 1812, the house at 8 Walnut Street, is an excellent example of a Federal style mansion updated after the Civil War with new window sashes and projecting oriel window. The recessed off-center entrance consists of a front door which is flanked by multi-pane sidelights and surmounted by an elliptical fan light. On either side, columns support the cornice-headed entablature which disrupts the painted stone beltcourse between the first and second floors. The mansion was built by Uriah Cotting (1766-1819) a prominent real estate developer. When this house was completed, Cotting the property to Nathaniel Pope Russell, an insurance man who rented the property. Dr. George Parkman rented this house at the time of his tragic death at the hands of a Harvard Medical School professor in 1849. Mrs. Parkman and their son, John E. Parkman resided here until after the trial, when they moved to a larger residence on Beacon Street.

Motley-Davis Mansion // 1811

This stately Federal style mansion at 10 Walnut Street in Beacon Hill, was built in 1811 for Ebenezer Francis as an investment property on land he had purchased from Uriah Cotting, one of the premier real estate developers of 19th century Boston. By 1823, Thomas Motley, the father of historian John Lothrop Motley, lived here, and hosted impromptu melodramas enacted by a young John Motley and two of his friends,
Wendell Phillips and Thomas Gold Appleton, both of whom lived close by on Beacon Street. After the Civil War, the property was owned by James Davis (1806-1881), a wealthy coppersmith who co-founded The Revere Copper Company with Joseph Warren Revere, grandson of Paul Revere. James Davis remodelled the Federal style house with Second Empire detailing including a brownstone-faced first story and quoins, with an oriel window at the second story, and a slate mansard above a bracketed cornice. During the 1920s, 10 Walnut Street’s Victorian facade was removed and a Federal Revival facade was constructed in its place, closer to original conditions. Today, the Motley-Davis Mansion rises four stories from a low granite basement to a flat roof enclosed by a low parapet. The off-center entrance is marked by columns supporting a cornice-headed entablature. This entablature interrupts the continuous stone belt course separating the first and second stories. What a beauty.