Yale College Campus

Abigail Whelpley House // c.1826

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The oldest extant building on Hillhouse Avenue in New Haven is this Federal-period house with later Victorian-era modifications. The Abigail Whelpley House was built by 1826 (with some estimates as early as 1800 and moved to the site) and was a traditional, five-bay, two-story Federal style residence. It is said that the house was built by James Abraham Hillhouse (1789-1841) for his widowed family member, Ms. Whelpley, and her two sons. As of 1849, the property was owned by Noah Porter, later President of Yale, who would alter the house in the 1860s with the addition of a mansard roof and trim, all designed by architect, Henry Austin. The house, now known as Allwin Hall, is maintained by Yale University and contains offices for the program on Ethics, Politics & Economics.

Pritchard House // 1836

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One of the earliest houses built on Hillhouse Avenue in New Haven, Connecticut, is this stately Greek Revival mansion with monumental portico. The house was built in 1836 for Mary Pritchard from plans by great American architect, Alexander Jackson Davis. The mansion is two stories and is constructed of brick and stucco with a distinct two-story portico supported by fluted Corinthian columns. The architect also may have designed a barn at the rear of the house for Ms. Pritchard. Like many other former residences on Hillhouse Avenue, the house was acquired by Yale University, and is now the house of the Provost.

Perit House – Horchow Hall // 1859

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This Italianate Villa style mansion on Hillhouse Avenue in New Haven, Connecticut, was built in 1859 for Pelatiah Webster Perit (1785-1864), a successful New York City shipping merchant and president of the New York Chamber of Commerce. Perit split his time between New York and New Haven and would hire architect, Sidney Mason Stone, to design this home on Hillhouse Avenue in New Haven. The brownstone residence is notable for its elaborate scroll brackets supporting the window pediments and front entry portico with arched doorway with rope moldings. The mansion was occupied by Perit for just four years until his death in 1864, and it was later owned by Henry Lucius Hotchkiss, a businessman. Like nearly all buildings on Hillhouse Avenue, the building was acquired by Yale University and is now known as Horchow Hall, and is part of the Yale School of Management.

Graves-Dwight House // c.1862

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Hillhouse Avenue in New Haven, Connecticut is lined with stunning 19th- and 20th- century mansions showcasing the evolution of styles and architectural taste for the wealthiest residents. This is the Graves-Dwight House, a high-style Italianate mansion built around 1862. The residence was built for John Samuel Graves (1807-1892), a local businessman and politician who was a founder of the New Haven Gas Light Company. The architect is not known, but the house is the work of a skilled designer with immense attention to detail. The highly ornamented exterior features a symmetrical facade, bracketed cornice and window hoods, a recessed third-floor balconette with segmental arch pediment above, and bold, period-appropriate paint scheme. The residence was later owned by James McLaren Breed Dwight, a lawyer, and his wife, Cora Tallmadge Dwight. Since the 20th century, the property has been owned and preserved by Yale University, and is now home to the Archaeology Department.

Yale University – Alpha Delta Phi Hall // 1895

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Completed in 1895 for the Alpha Delta Phi fraternity at Yale, this stunning example of the Richardsonian Romanesque style on Hillhouse Avenue was such a treat to see in person. This building was designed by local architect William H. Allen who designed the building to provide student members dining and socialization space, but no dormitories. The group was active as a Junior Society, but disbanded by 1930, and the building was sold to Yale University. Yale has since occupied the building with the Morris Steinert Collection of Musical Instruments and it recently underwent a restoration. The longer I look at the building, the more amazing details I can find. The proportion of the Syrian arch with squat engaged columns is really remarkable.

Yale University – Mason Laboratory // 1911

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On Hillhouse Avenue, one of the finest streets in New Haven, you will find a great collection of historic homes and large institutional landmarks. Adjacent to St. Mary’s Roman Catholic Church, the Sheffield Scientific School of Yale College built this structure, the Mason Laboratory between 1910-1911 for Mechanical Engineering and related departments. The building was designed by architect Charles C. Haight, who was responsible for a number of other Neo-Gothic buildings at Yale. The limestone building properly holds the streetedge and blends in well with its surroundings.

Yale University – Kirtland Hall // 1902

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Yale has such great architecture. Walking around the campus, you can find examples of buildings of every time period and architectural style, it is like a living museum of architecture in that sense. Located on Hillhouse Avenue, Kirtland Hall is arguably Yale’s best example of Beaux Arts/Neo-Classical architecture, but it stands out for its use of local East Haven and Longmeadow sandstone. The building was the first laboratory to be built at Yale in the 20th century and was named after Jared Potter Kirtland (1793-1877), the first medical student enrolled at Yale. After graduation, Dr. Kirtland practiced medicine throughout Connecticut until 1823, when his wife died and he moved to Ohio. During his life, Dr. Kirtland also developed an interest in natural history and assisted in the first geographical survey of Ohio. In the early 20th century, Lucy Hall Boardman, a philanthropist and niece of Dr. Kirtland, not only donated funds for scholarships at Yale, but also donated a building, Kirtland Hall. As part of her gift, Ms. Boardman stipulated that her nephew, architect Kirtland Cutter, would be commissioned to design the building, and of course, Yale obliged. The building originally housed the Geology Department and became an integral part of the Sheffield Scientific School.

Yale University Art Gallery // 1953

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Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.

Yale University – Trumbull Gallery // 1832-1901

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Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.