Italianate

League of Women for Community Service Building // c.1860

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Just a block away from the Women’s Service Club Building (last post) on Mass. Ave in Boston, you’ll find this landmark, with both architectural and cultural significance. The townhouse (along with the house next door) was built around 1860 for William and Martha Carnes. William Rice Carnes was a fine lumber importer and furniture maker, bringing in high-quality mahogany and rosewood to Boston, aligning with the Victorian era housing and furniture boom here, he made a lot of money. Inside his home, he showcased the quality and durability of his product, much of which remains today. It is believed that the house was a stop on the Underground Railroad, with the connected basements of the two houses (#558 and #560) providing an easier escape in the event of a slave-catcher coming by. After William died, the property eventually sold to Nathaniel W. Farwell of Maine on October 29, 1868. The Farwell family occupied the house only until 1910, and as evidence of the decline of the South End, it stood empty until 1920 when it was sold to the League of Women for Community Service, a pioneering Black women’s organization. The League emerged from the ‘30s and ‘40s and as late as the 1950s as a safe place and a popular gathering place for African Americans in Boston. Many hotels at the time were not willing to accommodate Black patrons or charged so much that events there were unattainable. Coretta Scott King lived in the home while she attended college at the New England Conservatory and honed her amazing singing skills. It is at the home that she and Martin Luther King Jr. – then a student at Boston University – likely had dates and began their courtship. The LWCS has recently received funding through grants to preserve and restore the landmark to her former glory.

Women’s Service Club of Boston // c.1860

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This historic rowhouse in the South End of Boston was home to the Women’s Service Club, a social and volunteer organization made up of Black women to uplift Black Bostonians of varied backgrounds, including soldiers, students, migrants and mothers. “464,” as some locals admiringly called it, was formed in the early 20th century as Boston. The city, once known as “Freedom’s Birthplace” and the “Athens of America” as a hub of abolitionist activity leading up to the Civil War, saw extreme segregation in housing and education for its Black residents by the early 20th century. From this, local activist Mary Evans Wilson organized a knitting group in 1917 to support soldiers of color fighting in World War I. An estimated 350 women joined the group, donating their talents to produce scarves and gloves for servicemen. Humanitarianism guided the activity of the Women’s Service Club’s over the next half century. This building was purchased in 1919 and operated as part-meeting space and part-settlement house. “A Home Away from Home,” as some described it, the building offered affordable shelter to female workers, migrants, and college students barred from on-campus housing due to racist policies. One of the club’s most prominent members was Melnea Cass (1896–1978), who served as its President for more than fifteen years. Cass initiated the Homemakers Training Program which certified domestic workers so they would be assured a liveable minimum wage, social security and other benefits. The club continues to do great work, but could use funding to restore the landmark building!

Johnson’s School of Beauty Culture // c.1865

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Boston’s South End neighborhood has so much history that NEEDS to be showcased. From the repetitive architecture of beautiful brick and stone bowfronts, to the history of African American activism, enterprise, and stories, the neighborhood is a gem of Boston. This building was constructed around 1865 for Thomas H. Snow (1833-1908) as his home. Snow was a wine and spirit merchant who had a store in Faneuil Hall Square. While that is interesting, Mr. Snow is not the highlight of this building, that comes later in 1899, when the building was rented to Madame Mary L. Johnson, a wig maker, scientific scalp specialist, and hair culturist. Mary Johnson and her husband, Dr. W. Alexander Johnson, were Black and ran one of just 200 Black-owned businesses in the city of Boston by the beginning of the 20th century. At their storefront, they sold hair goods at Johnson’s Hair Store. Sold all over the United States since 1900, their famous “Johnson Hair Food” was “the most scientific pomade yet discovered for growing, beautifying and softening the hair,” they claimed. In connection with their hair product outfit, Madame Johnson operated Johnson’s School of Beauty Culture, where a variety of services including manicuring, shampooing, scalp massage, facial massage, hairdressing, and scalp treatment were offered. The school provided young Black women in Boston technical training and skills, which there were limited options at the time. Mr. Johnson also was President of the Boston Negro Business League, which helped bolster Black businesses at the turn of the century.

Evans-Cummings House // 1855 & 1890

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The most iconic house in Norway, Maine has to be the Evans-Cummings House (also known locally as the Gingerbread House) on Main Street. The ornate Victorian era home was originally built in 1855 for Richard Evans, who was born in Portland in 1805 and after training as a carpenter, moved to Norway in 1833 for work. He and his wife, Mary Warren Hill, had eight children and they resided in the home until their death. In 1890, Charles B. Cummings bought the house in 1890 and hired local architect John B. Hazen to remodel the house. Hazen added the gingerbread adornments for which the house is now known colloquially. The home attracted a lot of attention in the region, and the later heirs continued that whimsical appeal. When the home was willed to Fred and Cora Cummings, they were said to have kept a stuffed peacock at the top of the stairs, which delighted children when they toured the home. The house eventually became used as storage by the owners of the local Advertiser Democrat newspaper, and its future was threatened. Since 2012, a local group, Friends of the Gingerbread House, have poured tens of thousands of dollars and an equal amount of time restoring the iconic home to her former glory! Preservation is important!

Denmark Odd Fellows Hall – Denmark Arts Center // 1884

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This two-and-a-half-story building sits on Main Street in the small town of Denmark, Maine, and has contributed to the town’s cultural life since it was built in 1884. The Independent Order of Odd Fellows (IOOF) is a non-political and non-sectarian international fraternal group that promotes the ethic of reciprocity and charity. It was founded in 1819 by Thomas Wildey in Baltimore, Maryland, evolving from the Order of Odd Fellows founded in England during the 1700s. New buildings sprouted up all over the United States in the 19th century, in cities as large as New York City and towns as small as Denmark. This IOOF Hall is Italianate in style, with brackets at the cornice and hoods and round arched windows in the gable end; it also shows some Greek Revival details with corner pilasters and the pediment. When Raymond Hale, the last member of the IOOF Lodge passed away, the town purchased the old Odd Fellows Hall. The city could not maintain the property and had no good use for it. Residents in town voted in 1991 to sell the building rather than demolish it. Local residents bid on and won the building with the aim to convert it to a local arts center. In August 1994 the owners signed over the deed of the Odd Fellows Hall to the Denmark Arts Center, a non profit organization. From that time until present, the old building, now the Denmark Arts Center, has again served as a community focal point, providing cultural activities for the people of Denmark and surrounding towns.

Grass Hill School // 1861

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In western Millbury, the Grass Hill school was constructed to provide a place of learning for children in the agricultural section of town. The district school, a remnant of the system of autonomous school districts that characterized the educational system of Massachusetts in the 19th century, this is a larger example of many of them. West Millbury had many wealthy farmers and they financed a district school here as far back as 1814. After two earlier, smaller school buildings, this two-story school was erected and was one of the most substantial. At one time, students in eight grades taught there, all at the same time, with grades 1-4 downstairs and 5-8 upstairs. As there weren’t many students, each grade only took up one or two rows. The building remained as a school for the town until 1968, and the building was leased to the Millbury Historical Society long term. They just completed a massive restoration project for the building, it looks great!

“Seaweed” Cottage // 1860

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“Seaweed” is a spectacular oceanfront estate situated on Newport’s famed Cliff Walk and overlooking Bailey’s Beach. This home is three-stories with an enormous enclosed porch that offers sweeping views of the Atlantic from all windows. The house consists of 16 rooms including an inviting foyer, nine bedrooms, seven bathrooms, dining room, and living room, all with original fireplaces, flooring, and detail throughout. Views of the sea are from nearly every room. “Seaweed” was originally built and owned by Mr. Henry Howard in 1860-61. It was altered in 1867 by renowned architect George Champlin Mason. Within a decade it was sold to Mr. C. Davis who passed it on to George T. M. Davis. In the 1880’s the property became a rental property owned by Alfred Smith, a real estate agent who lived near the center of town. In the early 1900’s it was purchased by Thomas Dolan of Philadelphia who re-baptized the home “Seaweed” after having architect Horace Trumbauer bring it to its present Colonial Revival style. The name is one of my favorites! What do you think of the name Seaweed for a home?

Peckham Houses // c.1855

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On a little stretch of Kay Street in Newport, you can find four strikingly similar Italianate style houses, all neighbors. Upon further research, it turns out they were designed by the same man, Job Peckham. Job Almy Peckham (1807-1885) was a descendant of one of nearby Middletown’s “founding” families. He ran a lumberyard and began working as a housewright, building homes. He was a believer of the philosophy “if it ain’t broke, don’t fix it”, so he built many of his houses in a sort of cookie-cutter way, but each showcasing slight design changes. One of the most impressive features of these homes is the massive overhanging eaves with scrolled brackets. Peckham’s own house (bottom right) is included in the bunch. What do you think of these homes?

Collinsville Stores // c.1880

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These two Italianate-style stores sit on Collinsville’s Main Street, a walkable main street village along the banks of the Farmington River. Each structure has a central, recessed entry with storefront windows meeting the sidewalk. One structure is two stories with a very shallow gable roof and the other is 1 1/2 stories with a false front. These false front facades remind me of old frontier towns in western movies, they are great!

Collins Company Offices // 1868

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When the Collins Company built its mill buildings in South Canton Village (later renamed Collinsville), workers housing, schools, businesses, and churches popped up to service the growing immigrant community here. The Company also built an office building for the executives, where they could oversee the business’ growth and balance the books. The original office building from 1830 was eventually outgrown, and after the Civil War, this larger building was constructed. The new building held offices, a post office, library, a third-floor meeting hall for local groups. The masonry building has decorative cornice and a gorgeous raised entry.