This charming home in Cape Elizabeth, Maine looks to have been built after the American Civil War, as an interesting Italianate cottage. The home is clad with scalloped shingle siding which works well with the paired round headed windows facing the street. The deep overhanging eaves are supported by brackets. Running under the eaves on the sides are octagonal windows, a very unique detail. The home is located at the center of town, away from the summer cottages which sprouted up along the rocky coastline in town starting around this time. It was converted into condominium units sometime in the late 20th century.
This shell of a former mansion was built in 1859 for Colonel John Goddard (1811-1870), a Civil War Union Army Officer. Goddard was a “lumberman” who amassed substantial wealth before the outbreak of the Civil War, and he hired architect Charles A. Alexander, to design an estate house for him and his family. The home appears to have been constructed of local stone with white granite trim and featured a prominent tower, emulating an Italian Villa. The home was purchased in 1898 by Judge Joseph W. Symonds, who presided over the Maine Supreme Judicial Court. Just two years later in 1900, during the expansion of Fort Williams, the estate was acquired by the Federal government. The home was used for housing married enlisted men and their families while stationed at Fort Williams. The basement was converted into the fort’s Non-Commissioned Officers’ Club. At the time of the town’s purchase of the Fort in 1964, the mansion was already in serious disrepair and its future was uncertain. People routinely broke in and damaged the interior, which suffered numerous small fires over the years, until the town decided in 1981 to hold a controlled burn of the home, leaving the shell. The shell remains a significant architectural landmark and a massive opportunity for the town.
152 Beacon (center) and 150 Beacon (right) demolished. Courtesy of Boston Athenaeum.
In 1860, David Stewart, a merchant from New York, built a townhouse on Beacon Street in Boston’s Back Bay neighborhood as a wedding present for his twenty year old daughter, Isabella Stewart, and her new husband, John (Jack) Lowell Gardner. The house was originally numbered 126 Beacon, but re-numbered as 152 Beacon ca. 1862 when homes were built on the south side of the street. The home was the city dwelling of the young couple, who also owned “Green Hill” in Brookline, and an estate on the North Shore. Isabella Stewart Gardner began amassing a large collection of art and their Back Bay home was insufficient to display it all. In 1880, John purchased the neighboring home at 150 Beacon from Andrew Robeson, a wealthy merchant from Fall River, whose main home is now the headquarters of the Fall River Historical Society. Soon thereafter they combined the two houses, with the address of 152 Beacon, to provide greater space for the display of the growing art collection being assembled by Isabella. After her husband’s death in late 1898, Isabella Gardner pursued plans for a new home that would provide a suitable setting for her art collection. She purchased land in the Fenway and began construction on her mansion, Fenway Court, now the Isabella Stewart Gardner Museum. One year after completion of Fenway Court, the two townhomes were purchased by Eben Draper, who razed them for his mansion in 1904 (see last post).
This Italianate home with attached barn was built in 1877 for William and Almira Clapp. William worked as a schoolteacher and shopkeeper in Boston before meeting Almira, marrying her, and moving to her home town of Hollis, New Hampshire, a big change of pace from Boston. The couple eventually built this home, behind an older home and lived here until their deaths. A subsequent owner demolished the older colonial in front to establish this farmhouse’s presence on the main road. The home was eventually purchased by Charles Stratton, and the Stratton family lived here for decades. The home and barn are well preserved examples of Victorian era agricultural and residential architecture in southern NH.
In the early 19th century, firefighting in New York was done by an assortment of volunteer groups with no centralized director. This hall was built as a headquarters for two of these groups—a move toward cooperation amongst competitors. Each company split the ground floor, divided into three rooms. The front room for the apparatus, the centre room for their meetings and the room in the rear for sitting and reading. The upper stories held meeting rooms and a library. The building was occupied as a fire headquarters until it relocated in 1887. The City of New York closed the station in the 1970s and it was rented as a mosque and theater company, losing much of its architectural detailing over the years. The Italianate style building, faced with Connecticut brownstone was restored close to the original design based on historic photos and converted to retail use, now housing Dolce & Gabbana.
The Southport Savings Bank obtained a charter from the Connecticut General Assembly in May 1854, and was organized on September 25 of that year. Original incorporators included Paschal Sheffield, Austin Perry, Wakeman B. Meeker, Charles Perry, Prancis D. Perry, E.D. Sherwood, John Meeker, Frederick Marquand, and Andrew Bulkley. A new building, located at the foot of Main Street, was constructed to be accessible to shipowners, shop keepers, the farmer patronage, and commercial traders. This bank building was occupied in 1865, eventually merging with Bridgeport People’s Savings Bank on July 1, 1955, becoming the Southport Branch of the People’s Savings Bank – Bridgeport. It ceased to be a bank in the 2010s and is now occupied by the Southport School.
Located on Main Street in Easton, the Oliver Ames Jr. House exemplifies the romanticism of the Italianate style in the mid 19th century. Built in 1864, the home, known as “Unity Close”, was designed by George Snell, a Boston-based architect. Oliver Ames Jr. was a son of Oliver Ames Sr., who along with his brother, Oakes Ames, joined the family business at the Ames Shovel Works in town. The home has a massive garden at the side yard, originally designed by the Olmsted Brothers, John and Frederick, the sons of the great Frederick Law Olmsted.
Located in the Post Mills Village of Thetford, Vermont, the Peabody Library is one of the cutest library buildings ever! The library was a gift to the community of Post Mills by George Peabody, one of the first great American philanthropists. Peabody spent some time in Post Mills as a teenager, where his maternal grandfather lived. Peabody’s grant of $5,000 paid for purchase of the land, construction of the building, and acquisition of 1,100 volumes. He also donated funds for other libraries including the Peabody Institute Library in Danvers. The library exhibits a unique blend of characteristics from both the Greek Revival and Italianate Revival styles, being an outstanding representative of the mid nineteenth-century transition in architectural fashion. Oh to see inside this little library!
This home was built for Charles Loomis of the Loomis Family, who made their fortune in the tobacco farming and rolling industry in Suffield, Connecticut. Charles F. Loomis used his tobacco money to have this asymmetrical Italianate Villa constructed in 1862. The home features a prominent three-story tower capped with iron cresting, broad overhanging eaves with brackets and some stickwork, and a gorgeous door with arched transom and sidelights. There are almost too many architectural details to list. What is your favorite?
This Italianate mansion was built around 1850 for Byron Loomis (1831-1896) possibly as a gift from his father Neland. Neland Loomis was the brother of John Loomis, and was part of the wealthy tobacco farming family who later packaged, rolled, and shipped tobacco from Suffield all over the country. The home is a large Italianate mansion is in the symmetrical form and covered with flush board siding. The low sloped roof with broad overhanging eaves is topped with a large belvedere. The home is somewhat difficult to photograph due to large bushes in front.
Buildings of New England 