Denmark Odd Fellows Hall – Denmark Arts Center // 1884

This two-and-a-half-story building sits on Main Street in the small town of Denmark, Maine, and has contributed to the town’s cultural life since it was built in 1884. The Independent Order of Odd Fellows (IOOF) is a non-political and non-sectarian international fraternal group that promotes the ethic of reciprocity and charity. It was founded in 1819 by Thomas Wildey in Baltimore, Maryland, evolving from the Order of Odd Fellows founded in England during the 1700s. New buildings sprouted up all over the United States in the 19th century, in cities as large as New York City and towns as small as Denmark. This IOOF Hall is Italianate in style, with brackets at the cornice and hoods and round arched windows in the gable end; it also shows some Greek Revival details with corner pilasters and the pediment. When Raymond Hale, the last member of the IOOF Lodge passed away, the town purchased the old Odd Fellows Hall. The city could not maintain the property and had no good use for it. Residents in town voted in 1991 to sell the building rather than demolish it. Local residents bid on and won the building with the aim to convert it to a local arts center. In August 1994 the owners signed over the deed of the Odd Fellows Hall to the Denmark Arts Center, a non profit organization. From that time until present, the old building, now the Denmark Arts Center, has again served as a community focal point, providing cultural activities for the people of Denmark and surrounding towns.

Ingalls Homestead // c.1794

Cyrus Ingalls (1768-1832) moved to the wilderness of Maine from his relative comfort in Andover, MA at the end of the 18th century. When he arrived to Maine (which was part of the Commonwealth of Massachusetts until 1820), he built a grist mill on Moose Brook in what is now known as Denmark, Maine. Not far away, he built his homestead, a modest 1 1/2-story cape house on the newly laid Main Street where he raised his family. In the home, Cyrus had at least two sons, Cyrus Jr., who would inherit the homestead, and Rufus, who later served as Quartermaster General of the Union Army during the Civil War. After Cyrus’ death in 1832, the property was completely overhauled by Cyrus, Jr., who built a massive Greek Revival mansion likely in the 1840s or 50s, incorporating the former homestead as an ell (seen on the right in the image). The homestead remains an extremely significant architectural and historical landmark in this part of Maine, and is located across from the town’s Civil War Monument, possibly bankrolled by the Ingalls Family.

Boothby House // 1870

The Second Empire style did not take off in Maine as it did in other parts of New England (and the U.S. for that matter), so it’s always a treat to spot one driving the backroads of the Pine Tree State! This house in Denmark, Maine, was built around 1870 for E. A. Boothby, who worked as Assistant Engineer of the Maine Central Railroad. The Second Empire style is evident here from the mansard (French style) roof, bracketed eaves, and a hooded double-door entry.

Denmark Old Schoolhouse // c.1850

Welcome to Scandinavia of Maine, Oxford County! The rural county is home to towns named Denmark, Norway, and Sweden, but no Finland sadly! The land that is now known as Denmark, Maine, was once part of Pequawket, a village of the Sokokis Abenaki tribe. In 1725 during Dummer’s War, the village was attacked and the tribe abandoned the area fleeing to Canada. Settlers established a township with many settlers coming from Andover, Mass. The town was incorporated as Denmark in 1807, and named in a show of solidarity with the country of Denmark, after England attacked Denmark’s capital, Copenhagen that year. The town was mostly agricultural, with some industry along the ponds and the Saco River. The town saw a boost in popularity in the early 20th century as a location for summer camps, including Camp Wyonegonic, founded 1902, which is the oldest girls’ camp in the country.

This building in Denmark Village appears to have been constructed in the mid-19th century as the village school. The vernacular Greek Revival building has very tall, multi-paned windows, Greek Revival trim, and modest proportions which really are pleasing to look at. It shows up on an 1880 map as “Old School House”, and appears to be a private home today. Stay tuned for more on the Scandinavian towns of Maine!

Penobscot County Jail // 1869

Located just off Main Street in Bangor, the Penobscot County Jail building sits far off the street but stands out for its architectural design. The county jail building was designed in 1869 when the previous prison, built in the 1830s, proved inadequate. Designed by Boston architect Gridley J.F. Bryant, (who designed Charlestown’s prison that same year) the jail has somewhat of a dual personality architecturally speaking. The gracious street-facing section is constructed in the Italianate style, and housed the jail keeper and allowed the building to blend into the stylish and handsome neighborhood of downtown Bangor. The building is constructed of warm red brick with stone embellishments. Behind the jail-keeper’s house, the more severely modeled prison is constructed of granite and is more fortress-like, even though it’s much more appealing than modern prisons. The chronically overcrowded jail will likely be repurposed for a new building, but here is to hoping the county preserves this historic building for other uses!

Frost-Burpee House // 1847

One of the largest homes I found in Bangor, Maine, was this Queen Anne stunner on High Street, just outside Downtown. After doing some research, I learned that the house was built in 1847 for Oliver Frost, a businessman involved in the lumber business. The home was likely Greek Revival in style based on the time period of the home and nearby houses. Frost is probably best known for his 1869 quote “The time may soon arrive when the three great cities of North America — Bangor, New York, and San Francisco — shall be representatives of the wealth, population, intelligence, and enterprise of the eastern, central and western divisions of our country.” He believed that the lucrative timber industry which led Bangor to become known as the “lumber capital of the world.” The city was home to numerous “lumber barons” and the river was often “jam packed with timber and lumber”. Even the nickname “Queen City of the East” evoked the era’s prosperity. Henry David Thoreau remarked, in 1846, that Bangor was “overflowing with the luxuries and refinement of Europe.” After his quote, the city began a period of decline, when the timber industry moved westward to the Great Lakes region and later, the Pacific Northwest. Frost’s home was later purchased by Egerton R Burpee, an engineer who worked in railroads. He hired Boston architect Arthur H. Vinal, to upgrade and enlarge the house in the then fashionable Queen Anne style we see today. The home has since been converted to commercial use with apartments inside.

Bangor House // 1832

In the first couple decades of the 1800s, Bangor, Maine, became the capital of the timberlands of the state, as thousands of acres of untouched forests were sold for lumber harvesting and shipping to other developing parts of the region. The massive cedar trees were shipped by rail and boat to cities like Boston, which lacked such large lumber. At the time, a group of wealthy lumbermen in Bangor wanted a hotel which would impress investors and visitors to the frontier town. Inspired by The Tremont House in Boston, an 1829 hotel that was then regarded as one of the pinnacles of luxury accommodation. The investors hired architect Isaiah Rogers, the same architect who designed the Tremont House years earlier, to design the Bangor House. The two hotels are strikingly similar in design. The hotel expanded numerous times over the decades, until the 20th century, when the town’s prosperity began to falter. Many of the additions have since been torn down as part of the building’s conversion to apartments, replaced by modern residential wings which are much lesser quality of design and construction. Thankfully, the historic core of Bangor House remains very well preserved and as it did nearly 200 years ago!

Zebulon Smith House // 1832

The Zebulon Smith House in Bangor is one of the earliest temple-front Greek Revival homes built in the state of Maine. The house was constructed in 1832 for Zebulon Smith, a businessman who moved to the Maine frontier in the early 19th century, likely to get involved with a lumberyard as this section of the state shipped timber all over the region. The substantial home was built just south of downtown Bangor, and has survived fire and urban renewal. It sits alone in a sea of parking lots and industrial buildings in what was once likely a lovely neighborhood.

Adams-Pickering Block // 1871

Main Street USA! I just love historic Main Streets and Downtowns in New England, so many are full of old buildings and were designed for pedestrians, not cars (though some towns and villages have definitely caved to the automobile). Erected in 1871, the Adams-Pickering Block building was one of several grand, mansard roofed commercial structures which local architect George W. Orff designed for Bangor’s business district in the 1870’s. With its first-story cast iron front and its granite facade, from stone quarried nearby in Hallowell, Maine, the Adams-Pickering Block and its similar contemporaries were the most sophisticated Victorian commercial buildings in Eastern Maine. The Bangor Fire of 1911 and subsequent urban change, especially urban renewal in 1968, destroyed most of the city’s nineteenth century business district. The Adams-Pickering Block is a rare survivor and shows us how old buildings at a human scale can create vibrant, people-centric places.

Joseph Low Mansion // 1857

The neighbor to the iconic Thomas Hill Standpipe (last post), this pre-Civil War Italianate mansion predates the water tower and has long been one of the most grand homes in Bangor, Maine. The house was constructed in 1857 for Joseph W. Low, a businessman and trustee of the Bangor Savings Bank. The house he had built is one of eastern Maine’s outstanding Italianate residences, designed by Boston architect Harvey Graves, who was born in Maine. Soon after the Civil War, Graves moved west to California, likely seeking additional wealth from the spurned from the success of the Gold Rush. He appears to have lived out the remainder of his life out west, giving his family in Maine this home. The house exhibits flushboard siding with scored wood to resemble ashlar masonry, gorgeous window hoods and mouldings, and a large belvedere at the roof, which would have provided sweeping views of the Maine frontier when built, atop one of the highest hills in Bangor.