Yale Campus

George P. Fisher House // 1864

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The George P. Fisher House is located at the corner of Hillhouse Avenue and Trumbull Street in Central New Haven, Connecticut. Built in 1864, the residence is one of the finest examples of the Italianate style in the state with its square, three-story form with gabled pediment, bracketed eaves, window hoods, and brick construction with stucco scored to resemble ashlar masonry. George Park Fisher (1827-1909) completed his education in Theology at Brown and Yale and would become a professor at the latter institution for much of his life. Additionally, Rev. Fisher was a frequent contributor to The New Englander (now the Yale Review) the oldest literary journal in the United States. Due to failing health at the turn of the 20th century, George Fisher relocated to Litchfield County for fresh air and relaxation for his health. The property was sold to John Wolcott Bristol, a wealthy attorney who never married. As with nearly all of the buildings on Hillhouse Avenue, the property was acquired by Yale in 1935 and is now occupied by the University’s Economic Growth Center.

Abigail Whelpley House // c.1826

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The oldest extant building on Hillhouse Avenue in New Haven is this Federal-period house with later Victorian-era modifications. The Abigail Whelpley House was built by 1826 (with some estimates as early as 1800 and moved to the site) and was a traditional, five-bay, two-story Federal style residence. It is said that the house was built by James Abraham Hillhouse (1789-1841) for his widowed family member, Ms. Whelpley, and her two sons. As of 1849, the property was owned by Noah Porter, later President of Yale, who would alter the house in the 1860s with the addition of a mansard roof and trim, all designed by architect, Henry Austin. The house, now known as Allwin Hall, is maintained by Yale University and contains offices for the program on Ethics, Politics & Economics.

Pritchard House // 1836

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One of the earliest houses built on Hillhouse Avenue in New Haven, Connecticut, is this stately Greek Revival mansion with monumental portico. The house was built in 1836 for Mary Pritchard from plans by great American architect, Alexander Jackson Davis. The mansion is two stories and is constructed of brick and stucco with a distinct two-story portico supported by fluted Corinthian columns. The architect also may have designed a barn at the rear of the house for Ms. Pritchard. Like many other former residences on Hillhouse Avenue, the house was acquired by Yale University, and is now the house of the Provost.

Perit House – Horchow Hall // 1859

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This Italianate Villa style mansion on Hillhouse Avenue in New Haven, Connecticut, was built in 1859 for Pelatiah Webster Perit (1785-1864), a successful New York City shipping merchant and president of the New York Chamber of Commerce. Perit split his time between New York and New Haven and would hire architect, Sidney Mason Stone, to design this home on Hillhouse Avenue in New Haven. The brownstone residence is notable for its elaborate scroll brackets supporting the window pediments and front entry portico with arched doorway with rope moldings. The mansion was occupied by Perit for just four years until his death in 1864, and it was later owned by Henry Lucius Hotchkiss, a businessman. Like nearly all buildings on Hillhouse Avenue, the building was acquired by Yale University and is now known as Horchow Hall, and is part of the Yale School of Management.

Graves-Dwight House // c.1862

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Hillhouse Avenue in New Haven, Connecticut is lined with stunning 19th- and 20th- century mansions showcasing the evolution of styles and architectural taste for the wealthiest residents. This is the Graves-Dwight House, a high-style Italianate mansion built around 1862. The residence was built for John Samuel Graves (1807-1892), a local businessman and politician who was a founder of the New Haven Gas Light Company. The architect is not known, but the house is the work of a skilled designer with immense attention to detail. The highly ornamented exterior features a symmetrical facade, bracketed cornice and window hoods, a recessed third-floor balconette with segmental arch pediment above, and bold, period-appropriate paint scheme. The residence was later owned by James McLaren Breed Dwight, a lawyer, and his wife, Cora Tallmadge Dwight. Since the 20th century, the property has been owned and preserved by Yale University, and is now home to the Archaeology Department.

Yale University – Warner House // 1887

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Originally known as Cloister Hall, this ornate building on Hillhouse Avenue in New Haven, Connecticut is one of the most interesting I have seen. The building was constructed in 1887-8 as a residence hall for members of the Book and Snake, a secret society at Yale University. Architect H. Edwards Ficken designed the ornate brownstone Cloister which was completed in 1888. At the time, it was considered “one of the most picturesque buildings on the Yale campus.” The society added a matching rear addition in 1915, which is a heavier mass, but compliments the original structure. Yale University would eventually acquire the building after the society no longer needed a separate lodging house for members. Today, the building is called Warner House, and Yale does a great job at maintaining this beauty.

Yale University Art Gallery // 1953

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Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.

Yale University – Trumbull Gallery // 1832-1901

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Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.

Yale University – Alumni Hall // 1851-1911

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Detroit Publishing Company image

Alumni Hall at Yale was designed and built between 1851-1853, at the northwest corner of Yale’s Old Campus. Its was designed by Gothic specialist architect Alexander Jackson Davis, who completed Dwight Hall (the Old Library) a some years prior. The building had a large, open floorplan on the first floor for large gatherings as well as the entrance examinations, along with the biennial examinations that every student had to take at the end of his sophomore and senior years. As the building turned 50 years old, the campus around it was already looking very different. Shifting priorities for dormitory space in the yard necessitated its demolition for Wright Hall (next post). Alumni Hall was razed in 1911, but its two crenelated towers were salvaged when the building was demolished. They were incorporated into Weir Hall which has been incorporated into Jonathan Edwards College, one of Yale’s residential colleges.