Neo-Gothic/Collegiate Gothic

Former First Congregational Church, Newton // 1904

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The former First Congregational Church (now the Greek Evangelical Church of Boston) of Newton Center, Newton, is a landmark example of the Neo-Gothic architectural style for a church building. Built in 1904, the structure resembles an English village church in the form of a Roman Cross with short trancepts. The structure is constructed of Quincy granite and was designed by the architectural firm of Shepley, Rutan & Coolidge. The First Congregational Church of Newton was originally established in 1664 as a parish church when Newton was still a part of Cambridge (then known as Newtowne). The parish has had six meeting houses built by the Congregation, with the last four on this site. Seeing dwindling membership in the mid-20th century, First Church in Newton dissolved in 1972, after more than 300 years of service to the Newton community. Luckily, the newly formed Greek Evangelical Church of Boston would buy the church that same year and has maintained the significant edifice ever-since!

All Soul’s Chapel, Poland Springs // 1912

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As part of the ever-growing Poland Springs Resort in Poland, Maine, the operators of the Poland Springs Hotel sought to erect a house of worship for guests and local community members. In 1909, fundraising had risen to total of $15,000 and that, along with a matching contribution by the Ricker Family, who owned the Poland Springs Resort, allowed for the hiring of an architect and the project to commence. Boston-area architect George Henri Desmond furnished the plans for the chapel, and were also hired by the Ricker family to complete plans for alterations to the Mt. Kineo House on Moosehead Lake during the same time period. All Souls Chapel is a Neo-Gothic Revival building constructed of irregular granite blocks with a gable roof covered with slate. It has a central tower with a flat parapet roof and a belfry with ornate louvered openings. The tower is square in plan and contains the principal entrance to the chapel. When the chapel was opened in 1912, it was opened as an interdenominational place of worship for use by Catholics and Protestants. Guests contributed much of the interior furnishings and all of the memorial hand-painted windows placed in the chapel were sponsored by guests or relatives of longtime guests. Today, the chapel hosts weddings, baptisms, and other similar events.

Highland Cemetery Chapel // 1903

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Tucked away in Highland Cemetery, a typical looking cemetery in Norwood, Massachusetts, you will find a masterpiece chapel designed by one of the great architects of the Arts & Crafts movement. The Highland Cemetery was established in 1880 becoming the town’s second and primary burial ground. The town’s first burial ground was the Old Parish Cemetery which is located in the center of town on a 3/4-acre hill and because of its limited size and the difficult terrain; there was no room for growth. The rapidly developing town required a second cemetery and laid out Highland View on the outskirts of the village. In 1903, the Chapel of St. Gabriel the Archangel, also known as the Day Memorial Chapel, was erected at the center of the cemetery. The Chapel, which also acts as a mausoleum, was donated to the town by Lewis and Anna Smith Day in memory of their parents. Their only stipulation was that the chapel be available for use free of charge for any resident who desired to do so, no matter their religion or race. Esteemed architect Ralph Adams Cram designed the chapel in the Neo Gothic Revival style. Fred Holland Day, a renowned photographer and publisher, was the only child born to Lewis and Anna and he was a close friend of Ralph Adams Cram and Bertram Grosvenor Goodhue, likely leading to their commission here in Norwood. F. Holland Day lived in a Tudor mansion in town, modified from his childhood home. The Cemetery Chapel remains a seminal building for its genre and time.

Norwood Town Hall // 1928

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Norwood Town Hall represents the achievement of landscape architect Arthur A. Shurtleff and local financier, George Willet, to transform the village center of Norwood, Massachusetts from a sleepy rural village to a thriving commercial and cultural center of town. Plans for the municipal building began as early as 1919, with this building serving as both a town hall and memorial to the Norwood men who died in all previous wars. The building would not be completed until 1928. Designed by Norwood architect, William Upham, the building is a landmark example of the Neo-Gothic Revival style and its main feature, the 110-foot bell-tower which houses a 50-bell carillon, towers over the town common.

Yale University – Mason Laboratory // 1911

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On Hillhouse Avenue, one of the finest streets in New Haven, you will find a great collection of historic homes and large institutional landmarks. Adjacent to St. Mary’s Roman Catholic Church, the Sheffield Scientific School of Yale College built this structure, the Mason Laboratory between 1910-1911 for Mechanical Engineering and related departments. The building was designed by architect Charles C. Haight, who was responsible for a number of other Neo-Gothic buildings at Yale. The limestone building properly holds the streetedge and blends in well with its surroundings.

St. Mary’s Roman Catholic Church Priory // 1907

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Located next to the St. Mary’s Roman Catholic Church on Hillhouse Avenue in New Haven, Connecticut, you will find one of the finest Neo-Gothic style buildings in the city that was not built by Yale University. This structure was constructed in 1907 as the Priory for the Catholic Church next door. Historically, the church had been under the care of the Dominican friars of the Province of St. Joseph, based in New York City, and the church needed a residence for the friars (a Priory). Due to dwindling attendance at churches all over the country, area churches were consolidated under the Hartford Archdiocese, who replaced the friar residents of this building with Dioscesan priests in late 2021.

St. Elmo Hall – Rosenfeld Hall // 1912

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St. Elmo Society at Yale was founded in 1889 as a chapter of the national fraternity Delta Phi, and it is today one of the “ancient eight consortium” of secret societies at the university. The society’s original building was erected in 1895 and provided housing, meeting spaces, a library, smoking room, and other recreational spaces for the members. Just over a decade later, the group’s increasing wealth and membership necessitated a larger building. This building, named St. Elmo Hall was designed by architect Kenneth MacKenzie Murchison in an Elizabethan style and built in 1912 for the society, replacing its former residence hall. The society saw dwindling funding and during World War II, St. Elmo Hall became a convalescent hospital for soldiers who were out of the hospital but still need observation. After WWII, the group began leasing some rooms out to Yale University, who eventually purchased the building in 1962, renaming it Rosenfeld Hall after Richard Rosenfeld ’63. The L-shaped building is sited opening up to the corner lot and is Neo-Gothic in style, likely drawing inspiration from Yale’s established Gothic stylistic influence.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.

Yale University – Lanman-Wright Hall // 1912

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Located at the northwest corner of the the Old Yard at Yale, Lanman-Wright Hall is one of the more recent buildings constructed that enclose the space. Long an advocate for adding new dormitory facilities at Yale, Henry Parks Wright, a Latin professor and later Dean of Yale College (1884-1909), was able in retirement, to see Wright Hall erected in his honor. From 1884 to 1894, the college enrollment had doubled to 1,150, forcing the freshmen to room off campus. This had led to the opening of privately owned residence halls around the campus, some of which were very luxurious. Over time, the students became widely separated by income and social standing and Wright felt that if the spirit of true democracy at Yale were to be perpetuated, it was essential that freshmen should be better integrated. Wright Hall was designed by architect William Adams Delano of Delano and Aldrich, Class of 1895, and was built in the place of Alumni Hall (last post). Accommodating 150, it was the largest dormitory on the Old Campus and designed in a Neo-Gothic style, blending it in with some of the Victorian-era Gothic residence halls nearby. The building went through a renovation in 1993, funded by benefactor William Kelsey Lanman, and renamed Lanman-Wright Hall upon completion.

Yale University – Phelps Hall and Gate // 1896

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After Lawrance and Welch halls (previous two posts) were built on the eastern edge of Yale’s Old Campus, there was a small space between the two that needed to be enclosed to provide a true cloister for students, shielding them from the noise and ever-developing Downtown of New Haven. Architect Charles C. Haight designed the new hall to resemble a medieval gatehouse. The simple, tall rectangular mass has octagonal towers at each corner with copper domes on top and a crenelated parapet resembling an old English castle spanning between them. On the ground floor is the Phelps Gate, the main entrance to the Old Campus from the east. Its namesake was the late William Walter Phelps, an 1860 Yale graduate who served as a Congressman and as ambassador to Germany and Austria-Hungary. The building holds an important role in the annual commencement ceremonies, which begin in the New Haven Green and pass through to the Old Campus through this gateway.