Sumner Hill in Jamaica Plain, Boston, is home to the most amazing Victorian-era homes in Boston. This elaborate house was built in 1884 for Walter Herbert Miller, a piano dealer and his wife, Mary Alice. The home exhibits asymmetry, porches with turned posts, a brick chimney facing the street, and the use of wood clapboards and shingle siding, adding intrigue. Starting around 1919, the home was rented by Judith Winsor Smith (1821-1921) a women’s suffrage activist, social reformer, and abolitionist until her death two years later. She was involved in the suffrage movement until the Nineteenth Amendment was passed in 1920, when she voted for the first time at 99. Judith’s daughter Zilpha Smith also lived at the home with her mother until her own death in 1926. In her twenties, Zilpha volunteered alongside her mother, in relief efforts to care for victims of the Great Boston Fire of 1872; the experience led her towards a career in social work. Smith joined the Associated Charities of Boston as Head of the Office Staff in 1879 and later became its General Secretary. At that organization, she applied new theories about “charity organization.” The charity organization movement aimed to coordinate private agencies in order to use their resources efficiently to ameliorate urban poverty.
Built in Sumner Hill’s first period of development, this Italianate home sits away from the street as any suburban retreat should. The house was built in 1854 for Luther Gilbert, a grocer who co-owned stores around Boston under the firm Gilbert & Knight. The home is possibly the first true Italianate style home in the neighborhood, a deviation from the popular Greek Revival style common for merchants in the decades before. The home was eventually purchased in 1877 by Elias Hook of Hook & Hastings a major organ manufacturer. The company did very well, supplying organs to churches all over the county and was said to be the largest organ manufactory in the world at the time. The home is so well preserved, and even has a historically appropriate paint scheme!!
I was going through my phone to make space and realized I still had some houses in Jamaica Plain’s Sumner Hill neighborhood that I have not yet shared. This Victorian-era home was built in the late 1880s for S.F. Woodman, an insurance agent for Travelers Insurance. Mr. Woodman had this home built not far from the streetcar line, where he would commute into the city for his job, for twenty more years until his retirement in 1909. The house (like many of the period), exhibits a blending of styles, mostly showcasing the Queen Anne style but also exhibiting Shingle style and Colonial Revival elements.
Tucked behind the massive Emmel Building (last post), you will find these two charming houses on the dead-end street in Jamaica Plain, Boston. Like the Emmel Building, these two homes were built by Charles Emmel, an architectural sculptor and real estate investor, who hired local architect George Zimmer to furnish plans for the buildings. The two transitional Queen Anne houses feature some of Emmel’s architectural decoration, from the lion’s head corbels to the decorative lintels above the windows, these homes really stand out!
In 1896, architectural sculptor Charles Emmel purchased land in the rapidly developing Forest Hills section of Jamaica Plain, Boston. He hired local architect George Zimmer, to design a massive double-house which would serve as an income-producing investment, and could also be a sort of advertisement for his sculpture work. The result is this massive Colonial Revival style property, perched atop a puddingstone foundation. Architectural ornament has been lovingly preserved, a testament to the owners of the building today and the amazing work of the original owner, Mr. Emmel. I found myself staring at the building for a while when walking by, looking at all the hidden detail and architectural ornament which adds so much to the building.
Just a block from the Bethel AME Church (last post) in Jamaica Plain, Boston, you will find this absolutely charming old fire station. The station was built in 1909 about the same time as the new Forest Hills Train Station was completed, signaling a huge population and development boom in the area. To provide emergency and fire service to the newly developing neighborhoods surrounding the train station, the City of Boston hired the architectural firm of Moller and Smith to design a new station that would allow for horses and related apparatus as well as a new fire automobile to enter the building. The Arts and Crafts style building is constructed of brick supported by structural steel finished with Carolina pine at the interior. The building retains its pyramidal hipped roof in slate and a unique corner tower capped with a castellated parapet.
During the rich Arts and Crafts movement of Boston, dozens of churches and their associated buildings were constructed using principles of the movement, which sought to incorporate English design with hand-crafted detailing, moving away from the mass-produced features and architecture seen in the Victorian-era/Industrial Revolution. After WWI, the Forest Hills neighborhood of Boston saw a massive influx of residents and housing construction, leading to the desire for a new neighborhood church. The Roman Catholic Archdiocese commissioned Boston architects Timothy O’Connell and Richard Shaw, who specialized in ecclesiastical design to build the new church. Opened in 1921, the building is constructed of random ashlar walls with buttresses, lancet windows, and a large rose window, all nods to Gothic architectural precedent. Demographic changes and declining church attendance led the parish, for the first time in 1995, to accept aid from the archdiocese to meet expenses. Unable to justify keeping the church open, the Archdiocese sold the church to Reverend Ray Hammond and the Reverend Gloria White-Hammond, a husband-and-wife pastoral team, who started a local African Methodist Church (Bethel AME Church) in the neighborhood.
When elevated train service from Boston extended to Forest Hills in Jamaica Plain in 1909, the residents of the surrounding neighborhoods and points south were ecstatic to realize the chance to enjoy quicker transit to the city. The station, which opened in 1909, was an architectural landmark and engineering feat, as the new terminal was the largest structure of its kind and the most costly in the country at the time. The large station was made of steel and reinforced concrete, finished in copper at the elevated section, and took nearly two years of construction. City architect Edmund M. Wheelwright designed the station, and upon its opening, it was called “the chef-d’œuvre of rapid transit development in Boston”. Like with many cities all over the country, shifting transportation planning and priorities and shrinking investment necessitated the once grand station to suffer the fate of the wreckingball. As part of the Southwest Corridor project, this station was to be demolished, with a modern station constructed to service the MBTA trains on the Orange Line. Also, plans were developed for a 12-lane highway along the railroad right-of-way between Boston through Cambridge. The residents of the affected areas, including Jamaica Plain, Roxbury, South End, Back Bay, and Cambridge, protested against the destruction of their neighborhoods by the planned highway, and won! The old Forest Hills Station was a casualty of the proposal, but a lasting reminder for neighborhood planning and advocacy, preserving character and people over cars.
This stunning Italianate style home in the Forest Hills area of Jamaica Plain, Boston, sits directly adjacent to Forest Hills Cemetery, one of the finest examples of a rural cemetery in America. This house dates to the mid-19th century and maps show it was built on land owned by Isaac Cary, who built homes on this hill. By the 1880s, the property seems to have been acquired by the cemetery, or they gave financial assistance to Edward Everett Moulton, who worked as an Assistant Clerk at the cemetery. Edward lived in this house seemingly until his death in 1927. Since then, the home stands as one of the best-preserved in the area and is a testament to stewards of these significant old homes.
In 1849, Jacob Weld Seaver (1820-1914) married Sarah Abby Weld and built this Greek Revival home, perched on a hill near the burgeoning Forest Hills Cemetery. The property originally extended all of the area of Orchardhill Road and the dead end streets that extend off of it, and included a stable, caretakers cottage, and at least two rental properties (this house may have been one of them). Jacob Seaver grew up in the neighborhood and attended Harvard, graduating in 1838. He became involved with the drygoods business and must have met his future wife from her father George F. Weld, who was a commission merchant in Boston. He went on to become the director of the Second National Bank of Boston, commuting into the city from the Forest Hills station. In the early 20th century, Seaver sold this property to a Thomas Minton, who subdivided some of the lot and built houses on the estate.