Built for Melville Walker, a sea captain on land gifted to him by his father, this home perfectly exhibits the changing dynamic of Kennebunkport. Melville Walker would often be out at sea for months at a time, and he apparently brought along his wife, three daughters and son on many trips to ports all over the world. The Italianate home was eventually sold out of the family, and by 1901, it was purchased by George Little, an executive with the New York, New Haven and Hartford Railroad. That year, he had the summer home renovated with Colonial Revival detailing, including the hipped roof, dormer, and other detailing. The belvedere, 2/2 windows, and Victorian era porch were retained, showing the original form and detailing of the Italianate version. In the 1950s, the home was converted to an inn, with small cottages constructed surrounding the property to house additional families. Today, Maine Stay Inn & Cottages welcomes families from all over the world to experience the beauty of Kennebunkport.
One of a handful of Prairie style homes in Maine, the Abbott Graves House – named ‘Westlook‘ – of Kennebunkport, was designed by Graves himself and built in 1905. The two-story residence is of frame construction with a low-hipped metal roof (originally red tile) and three internal brick chimneys. The exterior is covered with a simulated stucco finish.
Born in Weymouth, Massachusetts in 1859, Graves began architectural studies at the Massachusetts Institute of Technology in 1867 but was forced to leave due to financial problems before completing the program. For a few years he supported himself by working in a florist’s establishment where he earned a reputation as an arranger of flowers for interior decoration. An amateur painter since early youth, he began in earnest to develop this talent, concentrating on floral still life. He was eventually able to support himself in a small Boston studio and in 1884 to 1887 studied in Paris. His work was exhibited in the Paris Salon in 1887 and received the first of five medals he was to be awarded by that illustrious institution. Returning to Boston in 1889, he opened his own school and established himself as a distinguished painter of floral scenes and genre works. He brought his family and some students to Kennebunkport for the first time in the summer of 1891 staying at one of the first hotels in that newly emerging resort community. Graves fell in love with the community spending more and more time there each year until eventually he became a year round resident. In 1905 he designed Westlook, as he named it, and resided there until his death in 1936.
Built by Ivory Goodwin (1783-1851), a joiner who moved to Kennebunkport from Berwick, Maine in 1799. Goodwin and his wife Mary, lived in this small Cape house with their six children, a pretty amazing feat in its own right! The Federal/Greek Revival home is five bays wide with a central entry with sidelights and pilasters flanking.
Captain George W. Nowell and his wife, Frances, the daughter of the wealthy Capt. William Jefferds, built this elegant Italianate style home in 1854 that stands on Temple Street, next door to the Kennebunkport Post Office. George was a sea captain, following in his father’s footsteps and also invested in several of the ships he sailed, but had the fiscal foresight to insure his interests against loss. His prized ship was named “Tropic” and she was launched in 1855, less than a year after his house was built. On a cold December day in 1862, Nowell, captaining The Tropic left Philadelphia with a cargo of coal for the Pacific Mail Steamship Company in San Francisco. She and her crew of 20 were never heard from again. George was not yet 40 when he perished. His youngest son, Frank, never met his father and was only 8 years-old when his mother passed in 1872. Shipbuilder David Clark bought their Temple Street home and George’s brother took his children to live in Bangor.
One of the more identifiable buildings in Dock Square in Kennebunkport Village is one of the first you typically see when arriving from neighboring Kennebunk. The wood-frame building perched on stilts at the edge of the Kennebunk River features a prominent pyramidal roof and stunning windows. Through some digging, it appears the building was built in 1919 as the Lyric Theater, a 350-seat motion-picture cinema, that catered to the summer residents. Sometime after the 1970s, the theater was converted to retail use and now is home to Saxony Imports a place where you can pick up some presidential swag, gag gifts, or touristy clothing.
One of the older extant homes in Kennebunkport is the Gideon Walker Farmhouse, built in 1745. The home once sat on a larger parcel of land, on the outside of the village, which at the time, only had a handful of other homes nearby. At the time, the town was named Arundel, and was later renamed Kennebunkport, in reflection to its economy becoming one of shipbuilding and trade along the Kennebunk River. As the village population grew, the Walker land was sold off and developed for other large estates. The Georgian house featured a small, one-story projecting entry, typical of the period. In 1910, owner Anson McKim of Montreal, hired Portland architect John Calvin Stevens to update the home, which included the addition of the front entry’s second story and a large side addition approximating the size and location of the former barn which once stood there. The home has since been renovated a few more times on the interior and exterior, yet it still retains its historic integrity.
This large house in Kennebunkport Village was built in the 19th century for John Hovey Perkins (1804-1859). The Federal home was constructed sometime in the early 19th century, and by 1857, it was updated by the local master-builder, Bernard Littlefield, who likely added the two-story columned side porch and other detailing. The home was originally located at the corner of Green and Pleasant Streets, across from the Captain Lord Mansion, and was moved in 1900 to its present location on South Street. The house was converted to a bed & breakfast, known as The Inn on South Street, and it has seemingly been converted back to a single-family home.
Comprising twin bowfront Greek Revival rowhouses, the Jacob Wirth Restaurant buildings on Stuart Street are scarce survivors of a century of urban change in an area in which the building type once abounded. Built by developer housewrights quite active in the area, the twin houses were soon sold to “gentlemen” for rental purposes. Jacob Wirth, a German emigrated to Boston from Bingen, Germany, and began work as a baker before getting into the restaurant business. Wirth bought the left building seen here in 1878 as his dwelling above and ran his authentic German restaurant below. Due to the success of the restaurant, he purchased the adjacent home in 1889 and constructed the storefront that now unites them. Jacob Wirth ran the restaurant until his death in 1892, which was then managed by his son, Jacob Wirth Jr., who also managed it until his death in 1965! In 2018, Jacob Wirth’s, the second oldest continuously operated restaurant in Boston, closed its doors following a fire. The future is somewhat uncertain for the space, but as it is landmarked, there are protections (even at the interior) of the building.
Did you get a chance to eat at Jacob Wirth’s before it closed?
Nestled among the towering skyscrapers of Downtown Boston, the Old State House stands proudly, giving us a glimpse into pre-Revolutionary life and events. Happy Fourth of July!
Built in 1713, the “Town House” as it was originally known, served as a merchants’ exchange on the first floor and the seat of colonial and later state government on the second floor throughout the 1700s. The royal governor, appointed by the King of Great Britain, held his office in the building until 1775, and from the balcony gave voice via decrees and speeches to the King 3000 miles removed from London. Above the balcony, a lion and unicorn—royal symbols of the King of Great Britain—graced the main façade facing the public square.
“A cobblestone circle beneath the Old State House balcony marks the site of the 1770 Boston Massacre. Tensions ran high in Boston in early 1770. More than 2,000 British soldiers occupied the city of 16,000 colonists and tried to enforce Britain’s tax laws, like the Stamp Act and Townshend Acts. American colonists rebelled against the taxes they found repressive, rallying around the cry, “no taxation without representation.” On the frigid, snowy evening of March 5, 1770, Private Hugh White was the only soldier guarding the King’s money stored inside the Custom House on King Street. It wasn’t long before angry colonists joined him and insulted him and threatened violence. Calling reinforcements, a group of British soldiers stood near the Town House and were pelted with snowballs and rocks, with one soldier firing out of panic. Once the first shot rang out, other soldiers opened fire, killing five colonists–including Crispus Attucks, a local dockworker of mixed racial heritage–and wounding six. The event was one of the flashpoints which began the American Revolution.
Six years later, on July 18, 1776, Colonel Thomas Crafts read the Declaration of Independence from the balcony of the Old State House as a statement of strength from where the King’s declarations were given just years prior.
After the Great Fire of 1872 burned a large portion of Downtown Boston and destroyed the Russia Wharf structures on Atlantic Ave, the city decided to extend Congress St. over the wharf and across a new bridge connecting Downtown to areas being filled in South Boston (now Seaport). The wharf was the center of Boston’s trade with Russia in the late 18th and early 19th centuries. The original wharf buildings were destroyed in the Great Boston Fire of 1872, and the land area was extended by building over the wharf and filling the spaces surrounding it. Three new Russia Wharf buildings were built on the original site of Russia Wharf, near where the Boston Tea Party took place in 1773. Permits were issued in 1897 for the Russia Building and its two neighbors facing Congress St. Opening in 1898, the principle occupant of the Russia Building (seen here) was the Library Bureau, manufacturers of the “Perfected Card System,” library and office Supplies, with branches in other major cities. The buildings were designed by the renowned firm of Peabody and Stearns, who were VERY busy at the end of the 19th and early 20th centuries around Boston.