The Hope Block on North Main Street in Providence’s East Side neighborhood is an architecturally significant commercial block in the Second Empire style. The masonry building was constructed in 1869 and is probably designed by architect, Clifton A. Hall, who designed similar buildings in the city around that time. The block was developed by Edward M. Young and Ezra P. Lyon of the firm, Young & Lyon to house their fruit and grocery store, which they operated here from 1870 until 1889. By the latter half of the 20th century, the building was owned by the Rhode Island School of Design, and rehabilitated for classrooms in 1984, even retaining the cast iron storefronts, unique arched windows, and slate mansard roof. Today, the Hope Block houses the RISD Store.
Built for Benjamin Franklin Greene, a second-generation mill owner of the Greene and Daniels Thread Company in Central Falls, Rhode Island, this large, Second Empire style house is one of the finest of its style in the entire state. The house is one of only a few high-style residences left from the mid-nineteenth century in Central Falls, when industrialization’s full expansion provided manufacturers such as Greene with fortunes to be expended on their houses. Designed by Providence architect Clifton A. Hall, the ornamentation of the Greene House is extraordinary for its elaboration, relieving the severity of the simple, block-like shape of the house. The central door is set under a flat-roofed porch which is supported by trios of Corinthian columns. Above the porch a trio of round-head windows is set under a “sunbonnet” gabled dormer which caps the central pavilion, is supported by brackets, and encloses a round-head window with a small balcony. What a spectacular home!
The David G. Fales House of Central Falls, Rhode Island, is an excellent example of the Second Empire architecture style in a high-end residence. The home was built around 1858 and belonged to David Gilmore Fales (1806-1875), one of the partners of the nearby Fales and Jenks machine works. Mr. Fales either built or purchased the home which was then a flat-roofed Italianate style home, and hired architect Clifton A. Hall, to modernize the residence, adding trim and the mansard roof. Its broad eaves are supported by brackets with pendants; segmental-head dormers are set in the mansard and a square belvedere with round-head windows tops the roof. A major fire gutted much of the house in the 1960s, and its future was uncertain. It was preserved and is now a multi-family apartment building.
As Bristol grew to be a dominant financial center in Rhode Island in the mid 19th century, prominent families there decided that their loved ones (and later themselves) needed a place of beauty to rest eternally. In 1855, descendants of Levi DeWolf, of the infamous slave-trading family, donated 22-acres of land for use as a cemetery. The old Levi DeWolf home remains fronting Hope Street, featured previously as the Reynolds-DeWolf House. It is a fine example of the mid-19th century rural cemetery movement, with winding lanes and paths. The landscape was designed by Niles Bierragaard Schubarth, who had done similar work at other Rhode Island cemeteries. Upon the opening of Juniper Hill, many families relocated their loved ones from other cemeteries in town here, so the families could be interred nearby each-other. The cemetery has three main structures; a gateway, the gate lodge, and a chapel/receiving tomb. The gate is a massive stone archway set at the entry to the cemetery, and was built in 1876 by the Smith Granite Company of Westerly, R.I. The Gate Lodge was built years earlier is located at the side of the entry into the grounds, and is a stone Victorian Gothic Revival building, designed by Providence architect Clifton A. Hall and constructed of granite quarried on the site during construction of the landscape. Yards away, the charming Amory Chapel and Receiving Tomb, built in 1913, is a 1-story stuccoed structure with a tile roof, designed by the firm of Angell & Swift of Providence. The small chapel stands out as it is a rare example of the Spanish Revival style, but has seen better days, and is apparently being used as a tool shed.
Buildings of New England 