Eclectic architecture

Bowen-Newton-Tobin House // c.1825

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Who would have ever imagined that the Federal and Second Empire architectural styles could work so well together?! This is the Bowen-Tobin House on Spring Street in Newport, Rhode Island. The house was originally built around 1825 by Stephen Bowen as a typical two-story Federal style house with five-bay facade and entry with pedimented fanlight above. The property and it remained in the Bowen Family until 1892, when it was sold by his heirs to Mary Bailey Newton, the wife of Dudley Newton, a prominent local architect who designed dozens of summer cottages for wealthy residents in Newport. Dudley Newton “modernized” this house, adding a towered mansard roof, bracketed cornice, new two-over-two windows, and a full-length front porch wrapping around the side. The couple later moved the house, which was formerly set back behind a front garden, to the side and at the sidewalk to lay out Green Place (originally Bowen Ct.) and house lots behind this home, removing the front porch in the process. The house was later sold to the Tobin Family.

Stephen S. Albro House // 1876

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Stephen Stedman Albro (1817-1895) was born in Newport, Rhode Island, the son of James and Rhoda Albro. After attending local schools, he entered into a mason’s trade, eventually starting his own contracting business. He split his time as a contractor and as a Deacon of a local Baptist Church. He was engaged in local politics, serving as a alderman for Newport and even was a director of the National Exchange Bank in Newport for some years. He built this home on Green Street after his marriage to his second wife, Emma, possibly designing and constructing the house himself. The Albro House is a stunning example of a late-Italianate style dwelling with later Queen Anne/Colonial Revival embellishments. This is a special house!

John Reed House // c.1840

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The John Reed House at 37 Orange Street in Nashua, New Hampshire is a testament that houses can be updated over time with thoughtful renovations, and still be pretty darn amazing! The house was originally constructed in 1840 in the then-popular Greek Revival architecture style. Within a decade, to ‘keep up with the Jones”, the house was “modernized” with Italianate style detailing, including the brackets at the eaves and the large, square cupola with round arched windows and shutters. Decades, later, Queen Anne/Colonial Revival changes were made, with the full-length front porch with turned, fluted posts, enlarged windows, and an oversized front door. The house today blends these very different styles very well and adds to the house’s significance.

Arthur Jones Double House // 1896

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As Brookline Village developed in the mid-late 19th century, house lots were scarce. Demand for housing saw the demolition of a number of older 1840s Greek and Gothic Revival style cottages for multi-unit dwellings as duplexes and three-deckers which surged in popularity in the Village from the late 1890s to the 1910s when three-deckers were effectively banned in Brookline. In 1896-1897, Arthur R. Jones had large double houses built here and nextdoor, which were rented out to families. Newton architect Henry McLean designed these double houses as pairs of attached single-family dwellings separated by a brick party wall blending both Queen Anne and Colonial Revival styles under one roof. The homes show what housing was available to middle-class residents of the Boston area, a price-point that is unattainable to most in the area today. Though, it is great to see these old homes lovingly preserved so well by their owners!

“Reach View” // 1797

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Reach-View has been home to members of the Currier family and their descendants since the late 1700s. Richard Currier (1773-1837) first built a small home on land he bought in 1797 from his future father-in-law, Rev. Ebenezer Eaton, one of the original proprietors and settlers of the future town of Sedgwick, Maine. In 1799, Richard married Abigail Eaton, daughter of Ebenezer and Abigail Herrick Eaton. They lived together in Reach View until Richard died in 1859. Richard willed Reach View to their unmarried son Ebenezer “Eben” Eaton Currier, who lived there with his mother until her death in 1870. He was responsible for rebuilding much of the house after 1864. Eben’s sister would later purchase Reach-View and add the piazza (porch), bays, and interior detailing. The home remains a true family estate in the sleepy coastal town of Sedgwick.

Riverside Hall // c.1860

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Located across the street from the Sedgwick Baptist Church at 28 High Street, this modified Greek Revival style building in Sedgwick, Maine stopped me in my tracks. Sadly, I could find little on the building besides the fact that the building is absent from an 1860 map of Hancock County, but it appears in an 1881 map listed as “Hall”. The building exhibits flush siding which is scored to resemble ashlar/stone construction, overhanging eaves with a hipped roof which was common in the Italianate style, and a full-length one-story portico supported by square posts with applied Ionic detailing. That’s something I’ve never seen before! Upon a little more digging, I found a historic image of the building titled, “Riverside Hall”. The photograph shows a Second Empire style building with a mansard roof and cupola. The unique portico is shown as well. The local library lists the Riverside Hall as a community hall where events and gatherings were held. A fire destroyed the roof and much of the interior, but it was renovated and converted into a single-family home.

Oliver Walker House // c.1809

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The Oliver Walker House in Kennebunkport Village is one of the better examples that shows how overlapping architectural styles can work really well on an old house (when done right)! The original house was constructed around 1809 for Oliver Walker (1788-1851), a sea captain who later accepted the call and became a deacon for the South Congregational Church in Kennebunkport. Walker died in 1851 and the Federal style property was inherited by his only surviving child, daughter Susan, who had married Portland native, Captain John Lowell Little. Under their ownership, the traditionally designed Federal house was modernized with fashionable Italianate style modifications of the decorative brackets and an enclosed round arched window in the side gable. A later Colonial Revival projecting vestibule adds to the complex, yet pleasing design. I have a feeling the interiors of this house are just as spectacular as the exterior.

Roswell B. Fitch House // c.1850

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Roswell Burrows Fitch (1833-1908) was born in the seaside village of Noank to parents Elisha and Mary P. Fitch. At twelve years of age he commenced to be self-supporting, and from then until he was fourteen, occupied a clerkship in a general store in town. In his teens, summers were spent aboard ships fishing for a livelihood, and his winters attending school. Upon completing his education, he became clerk in a store, and was afterwards engaged to assume the management of a union store which was erected for the special purpose of being placed under his charge. The store, located on Main Street in Noank, was eventually fully purchased by Fitch, and he did well financially. He may have had this house built or merely bought it years after it was built in the mid-19th century. When he sold his business in 1890, he “Victorianized” the classically designed Greek Revival style house with Queen Anne embellishments. The renovations in 1890 included an octagonal tower, an elaborate porch, a two-door entry likely replaced the sidelights and transom, brackets and applied decoration at the gable and cornice, and a Palladian window which was a Colonial-inspired addition. Hodge-podge or eclectic houses are some of the most fun!

Robert Henry Peckham House // 1872

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Another of Noank’s stunning Victorian-era seaside cottages is the 1872 Robert Henry Peckham house which is located across the street from the village’s most ornate cottage, the Deacon Robert Palmer House (featured previously). The house exhibits a gambrel roof which reads as a mansard roof at the side elevations. A round arched window is set into the gable end. Decorative cut bargeboards add much complexity to the design. It appears that in the early 20th century, as Noank was re-establishing itself as an artist colony, the owners added the small wrap-around porch and stone garden wall.

De La Salle // 1884

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The Weld family has long been a prominent family in Boston, with ancestors dating back to the 17th century in New England. One of these men was William Fletcher Weld, a merchant, later making investments in railroads and real estate. By the time of his death in 1881, he had an estate of approximately $20 million, or more than half a billion in today’s dollars, and he left nearly all of it to his family. His eldest son, William Gordon Weld II, received a large inheritance and he began construction on this summer “residence”cottage” in Newport. The house was designed by local architect Dudley Newton, who had the estate built of locally-quarried granite. Architecturally, the dwelling is eclectic in style with Dutch Renaissance gables with conical roof forms seen typically in Queen Anne and Romanesque buildings. Weld spent his summers here for over a decade until his death in 1896. His widow Caroline, summered in the mansion until her death in 1918. By this point, Newport was beginning to fall out of favor as a wealthy resort community, and the many Gilded Age mansions were increasingly viewed as costly white elephants from a previous era. This property was sold by the Weld family in the early 1920s and became the De La Salle Academy, a Catholic school for boys, and remained in use until it closed in the early 1970s. After the school closed, the mansion was converted to condominiums and some townhomes were built on the expansive property.