“Maplehurst” // 1837

Wyer Groves Sargent (1810-1900) was a descendant of the famous Sargent and Choate families and at the age of seven, arrived to the sparsely developed town of Sedgwick, Maine in 1817 with his parents. Twenty years later, Wyer has this house built in 1837. The original house was a one-story Cape house with a central chimney and an ell connected to a barn. He worked in the village of Sargentville in the town of Sedgwick as a merchant, operating a store, and traveling extensively to buy and sell goods along the New England coast. Operating a lucrative business allowed him to expand his outdated and cramped home in 1868 to the current configuration. It was then known as Maplehurst. Wyer raised the house and extended the front by adding a floor beneath it. When Wyer died in 1900 the house went to his daughter Martha Spooner. Martha sold it to Dr. Frederick Sweet. Last known, the home is still owned by Dr. Sweet’s great-granddaughter.

Dr. Hagerthy House // c.1860

Dr. Rufus Hagerthy (1859-1933) was born in Surry, Maine to father, Daniel Hagerty (sic) a naturalized citizen in 1871 who hailed from County Kerry, Ireland and mother, Carrie. Rufus went to Bowdoin College where he completed his study of medicine in 1884. He moved back to Sedgwick, Maine and married Jane C. Holden (1861-1896), the couple lived in this home, which served as a home-base for Dr. Hagerthy to make house calls by horse or sleigh (depending on the weather). Dr. Hagerthy was eventually wealthy enough to get involved in real estate, and developed Byard’s Point in Sedgwick in 1909, the town’s first sub-division.

Riverside Hall // c.1860

Located across the street from the Sedgwick Baptist Church at 28 High Street, this modified Greek Revival style building in Sedgwick, Maine stopped me in my tracks. Sadly, I could find little on the building besides the fact that the building is absent from an 1860 map of Hancock County, but it appears in an 1881 map listed as “Hall”. The building exhibits flush siding which is scored to resemble ashlar/stone construction, overhanging eaves with a hipped roof which was common in the Italianate style, and a full-length one-story portico supported by square posts with applied Ionic detailing. That’s something I’ve never seen before! Upon a little more digging, I found a historic image of the building titled, “Riverside Hall”. The photograph shows a Second Empire style building with a mansard roof and cupola. The unique portico is shown as well. The local library lists the Riverside Hall as a community hall where events and gatherings were held. A fire destroyed the roof and much of the interior, but it was renovated and converted into a single-family home.

First Baptist Church of Sedgwick // 1837

Sedgwick, Maine is a coastal town overlooking the Penobscot Bay separating it from the better-known Deer Isle. The town was originally inhabited by the Wabanaki people. In the 18th century, land here was granted by the Commonwealth of Massachusetts in 1761 to David Marsh and 359 others, and settlers began arriving and building homes here shortly after. In 1789, the town was incorporated as Sedgwick, named after Major Robert Sedgwick, who in 1654, captured nearby Fort Pentagouet from the French. The land in Sedgwick was very rocky and was thus better suited for grazing than cultivation. Because of the geology, for decades Sedgwick had operating many granite quarries, which shifted southward toward Stonington in later decades. The town then became a hub of seafaring professions, from ship-building to trading, to fishing and clam-digging. The town’s Baptist population established a congregation in 1794 as a Congregationalist organization which underwent a large-scale conversion to Baptistry in 1805. This congregation retained Bangor architect Benjamin S. Deane to design its church, which was built in 1837 in the Greek Revival style. Deane’s design is based on a drawing publisher by Asher Benjamin in his Practice of Architecture. The church had seen a dwindling congregation for decades until it was disbanded in 2008. The church was acquired by the Sedgwick-Brooklin Historical Society, who have recently restored the historic building.

Edwin Packard Cottage // 1899

Yet another of the large summer “cottages” in the Cape Arundel Summer Colony of Kennebunkport is this stunning eclectic home, built in 1899 for Edwin Packard of New York. As a young man, Edwin married Julia Hutchinson and would soon amass an ample fortune. He became European buyer for A.T. Stewart & Co. In 1889 he came President of the Franklin Trust Company, resigning in 1892 to become President of the New York Guaranty and Indemnity Company. He was a Director of the Franklin Safe Deposit Company, the American Writing Paper Company, the Fajardo Sugar Company and the Brooklyn YMCA, and a member of the New York Chamber of Commerce. Busy man! From his wealth, he sought solitude and relaxation in Kennebunkport, hiring Maine architect John Calvin Stevens to design this cottage for his family to retreat to for summers away from the city. The Shingle style and Colonial Revival style house features a prominent gambrel roof, Palladian windows, and bay windows, all covering a sweeping front porch.

Juniper Ledge Cottage // 1889

Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.

Gable and Tower Cottages // 1889

These two similar houses in the Cape Arundel Summer Colony in Kennebunkport, Maine, were built in 1889 for Prosper Louis Senat (1852–1925) and his wife Clementine. Prosper was a well-known artist from Philadelphia, who would summer in Kennebunkport and traveled the world with Clementine, painting landscapes and seascapes. Senat and his wife lived in one cottage and likely rented the other to family and friends when visiting town. His studio was built on a nearby street and is extant. Tower cottage (greenish-grey) was renamed Shady Oak Cottage in the 20th century. Both cottages were built by George Gooch, a local contractor from plans by an unknown architect and feature bay windows, short towers, smaller windows, and continuous shingle siding.

Glen Cottage // c.1850

Not all of Kennebunkport’s summer “cottages” are grand, Shingle style mansions… Glen Cottage was originally built in c.1850 as a Greek Revival style cape house. As the town developed into a desirable summer colony for wealthy residents of Boston, New York and Philadelphia, the small cottage caught the eye of a Ms. Garrard. Margaret Garrard purchased Glen Cottage in 1900 and hired Maine architect William Barry to transform the old cape, adding the dormers, octagonal bay, and door hood. Here, she ran the Bonnie Brig Tearoom for twenty years. Tea houses were important social centers for wealthy summer residents Later owners renamed the tea house, “The Old Tree Tea Tavern” and “Periwinkle” but in 1926, the name reverted to The Bonnie Brig Tearoom. Today, the cottage has reverted back to residential use with the owners lovingly maintaining the old cape.

Nesmith-Kent Cottage // 1891

One of the most iconic summer “cottages” in Kennebunkport’s late 19th-early 20th century summer colony is the Nesmith-Kent Cottage, located next door to the often photographed St. Ann’s-by-the-Sea summer chapel. The cottage was built for Julia and Mary Nesmith, the daughters of John Nesmith a wealthy industrialist and textile manufacturer from Lowell MA. The sisters named the cottage “The Pebbles”, and spent their first night there on July 24, 1891. The half-timbered shingled house stood at the edge of the ocean near a former War of 1812 fortification. The sisters sold the property in 1910 to Arthur Atwater Kent, prominent radio manufacturer based in Philadelphia, who invented the modern form of the automobile ignition coil. Kent renovated the cottage extensively, increasing its size, and renamed “The Pebbles”, “At Water’s Edge” in a cheeky play on his last name. In 1919, he expanded again, purchasing a lot adjacent to his mansion which was the old fort constructed to protect the ships moored in the harbor during the War of 1812. In early 1919, workmen uncovered a few bones of what was calculated to be a seven-foot-tall man and two skulls of white men that had clearly met their end at the hands of Native people; one pierced by an arrow and the other scalped. The Kennebunkport Historical Society has one of these skulls in their collections. Today, the Nesmith-Kent Cottage is owned by the St. Ann’s-by-the-Sea congregation as their rectory.

The Dome Home // 2003

This past weekend, I was lucky enough to stay at one of the most unique Airbnb’s in New England, the Dome Home in idyllic Kennebunkport, Maine! The house itself was hand-built in 2003 by trained architect and sculptor Daphne Pulsifer with her husband Daniel Bates, on 43-acres of forest just miles from the iconic Maine beaches. Inside, the house features numerous custom touches designed and built by the original owners, including light fixtures, floor tiling, hand-built oak doors, wall tiling, woodwork — much of it claimed from the property itself. The Dome Home is completely sustainable with solar panels providing all the power needed, making the property completely off-the-grid. The original owners sold the property in 2022 to the new owners who have lovingly updated the spaces, keeping the charm and unique qualities of the Dome. If you are ever in Kennebunkport and are looking for a unique, off-the-grid stay with all of the amenities of modern living, definitely check out the Dome!

The Floats // 1900

Newton Booth Tarkington (1869–1946) was an American author best known for his novels The Magnificent Ambersons (1918) and Alice Adams (1921). He is one of only four novelists to win the Pulitzer Prize for Fiction and was considered the greatest living American author in much of the 1910s and 1920s. While he was born and grew up in Indiana, “Booth” eventually fell in love with the coast of Maine, and built a home in the charming village of Kennebunkport. In Kennebunkport, he was well known as a sailor, and his schooner, the Regina, survived him. Regina was moored next to Tarkington’s boathouse this building, which was named “The Floats” which he also used as his studio. The building was constructed in 1900 as a shop to build ships. He purchased the building, preserving it for generations to come. After his death, the boathouse and studio were converted into the Kennebunkport Maritime Museum. The building appears to now be a private residence, perched above the harbor. How charming!

Kennebunkport Post Office // 1941

During the Great Depression, the federal government built over 1,100 post offices throughout the country as part of the New Deal’s Federal Works Agency. Many of the post offices funded and built in this period were designed by architect Louis Simon, Head of the Office of the Supervising Architect for the U.S. Treasury. Few architects had such a role in designing buildings nationwide than Federal architects who designed buildings ranging from smaller post offices like this to courthouses and federal offices. They really are the unsung designers who impacted the built environment in nearly every corner of the nation. As part of the Treasury Department Section of Fine Arts, artists were hired to complete local murals inside many post offices built in this period, depicting local scenes and histories of the towns they were painted in. In Kennebunkport, artist Elizabeth Tracy who submitted a preliminary sketch of her piece “Bathers” which was approved depicting a beach scene, though the townspeople had not been consulted. Unfortunately, the opinion of a vocal part of the Kennebunkport populace was highly negative to Tracy’s painting, largely due to the fact that her beach scene depicted people on a beach in adjacent Kennebunk, not Kennebunkport! Within a few years, the townspeople gathered funds to hire artist Gordon Grant to paint a satisfactory replacement mural in 1945. The new mural remains inside the post office.

Captain Nathaniel Ward – Abbott Graves House // 1812

In about 1812, Captain Nathaniel Ward Jr. of Kennebunkport purchased this home in the village from housewright and builder Samuel Davis. The Federal style house is five bays with a central entrance with pedimented fan over the door. Two end chimneys would heat the home in the winter months when Nathaniel was out at sea and his wife, Sarah, would be maintaining the home and caring for their six children. The couple’s eldest son Charles Ward, served as the second American Consul to Zanzibar in Africa. In his role, Ward bickered continuously with the Sultan, whose word of law changed with the wind and he eventually left his position and settled in Salem, Massachusetts. This house was later owned by Abbott Fuller Graves (1859–1936), a renowned painter before he built a Prairie Style house in Kennebunkport in 1905.

Benjamin Mason Store // c.1815

Across from the Luques Store in Dock Square in Kennebunkport, another 19th century commercial building serves as a visual anchor to the vibrant village, this is the Benjamin Mason Store. Built in the 1810s, the Federal style commercial block was originally owned by businessman Benjamin Mason (1777-1855) who built a house in 1812 just nextdoor (which has since been converted to commercial use). The store is three-stories with a cupola at the roof. Later porches were added as the village prospered.

Luques Store // 1827

In 1827, a young Andrew Luques (1791-1873) built a store in the village of Kennebunkport, Maine where he sold dry goods, hardware, and fancy goods to the area’s citizens. As the village grew around him, the store grew and occupied the entire block near a drawbridge, which spanned the Kennebunk River to Harbor Village in adjacent Kennebunk. The business did well and the store was eventually inherited by Anthony Luques in the late 1850s. Anthony expanded the store, modernizing it and added a Mansard roof for an additional floor. Anthony continued operating the store until his death in 1890, when it was sold to a member of the Dennett Family. Around 1900, the building was occupied by a few businesses, with one taking advantage of the town’s recent desirability as a summer resort colony by selling bathing suits and hammocks. The building remains a visual and important anchor to the human-scaled and walkable village of Kennebunkport.