In 1826, a man named Asa Thompson, dammed a small brook from natural springs on his property in present-day South Bristol, Maine, and created Thompson Pond. He began cutting ice blocks for his own use. His neighbors began to purchase blocks of ice from him and he built this ice house sometime after to store blocks after harvesting from the pond. Thompson created a business, harvesting, shipping and selling ice blocks to residents in town and beyond. The property remained in the Thompson family until 1987, when it was gifted to a non-profit board to preserve the site indefinitely. Today, the Thompson Ice House Harvesting Museum showcases the tools of the trade with a participatory ice harvest takes place there annually. The building is opened on appointments or certain events.
The S Road Schoolhouse is the last-remaining one-room schoolhouse in the charming coastal town of South Bristol, Maine. The structure was built in 1860 as the District Five School for the Town of Bristol (South Bristol set off and incorporated as a separate town in 1915). This building replaced an earlier schoolhouse on the site that was on the 1857 Map of Lincoln County. By 1895, enrollment was about 16 but rose to the mid-twenties after other schools closed in the early 1900’s. The school is said to have closed in 1943 following the death of the teacher here, it never reopened. The South Bristol Historical Society recently restored the building following a successful capital campaign, gathering funds from members and town citizens, preserving this lasting remnant of days past.
The Old Walpole Meetinghouse is a rare extant example of a Colonial meetinghouse in New England. The building is located in South Bristol, Maine, in the village of Walpole, and was constructed in 1772. The Walpole Meetinghouse is a little-altered example of a late colonial church in Maine (and one of the oldest actively used churches in the state.) The building originally housed a predominantly Presbyterian congregation of Scottish immigrants, but as the presbytery was based far away in Boston (Maine at this point was still a part of the Commonwealth of Massachusetts) the congregation eventually became Congregationalist. The Georgian-style building is clad in wood shingles, originally stained painted a brownish yellow to blend in with the birch leaves as to camouflage it among the trees. The building was painted white in the 20th century. It is one of a few extant meetinghouses in New England that utilized shingle siding instead of the quintessential New England clapboards. It is said that these are still the original shingles. Inside, the doors all enter the single main chamber, where the ground floor is dominated by a series of box pews and the elevated pulpit is sited at the north wall. It is maintained by the South Bristol Historical Society, and is still used occasionally for summer services.
Another of the extant, significant vernacular buildings in the small town of Hiram, Maine, is this large frame building on Main Street. Hiram Lodge #39, Knights of Pythias, was organized in 1883 and a building was constructed on this site around that time. The first meeting hall was destroyed by fire in 1895, and soon-after replaced by this large lodge building, which is possibly the largest wooden building in town! On the destruction of that first “hall” by fire in 1895, the Lodge hired Alva Ward to build what is probably the largest wooden building extant in Hiram. The Knights of Pythias Hall is important as a remnant of Hiram’s earlier commercial prosperity, with general store on the first floor, a large hall on the second floor (where dances, theatrical performances, and public suppers were held), and the lodge hall on the third floor.
This charming one-story shop sits on the Porter-side of Kezar Falls village, a district that spans the Ossipee River between Porter and Parsonsfield, Maine. This shop was built at the end of the 19th century as a millinery shop (womens’ hat store) for Ms. Florence Perkins (1862-1950), who appears to have been unmarried all of her life. Retaining almost all of its original decorative detail, the building has a symmetrically arranged facade with two-sided projecting bays; the upper sash in the facade windows, including that in the entrance door, has a border of small rectangular colored glass panels. The storefront is a rare survivor of this period, with not many other examples in the area.
This large Federal style home in Rockport is a rare extant example of a spite house in Maine. The story goes… James McCobb, an Irish immigrant, arrived in what is now Phippsburg in 1731. Living in a log cabin with his Irish-born wife, Beatrice, he raised a large family of 10 children, among whom was Thomas McCobb (1778-1815), who became a sea captain. In 1774, James built a handsome Federal period house for his second wife, Hannah Nichols, with whom he had three children (twin daughters, and a second son, also named Thomas). He married a third time in 1782 to Mary Langdon Storer Hill, who had a son, Mark Langdon Hill, from a previous marriage, who ended up marrying one of McCobb’s daughters, one of the twins, who was a half-sister to Thomas. While Captain Thomas McCobb was away at sea, the Hills, which included Thomas’ half-sister/wife of Mark Langdon Hill, broke his father’s will and took the homestead for themselves. When Captain Thomas McCobb returned from his voyage and discovered what had happened, he vowed to build the most beautiful house in Maine and one that would dwarf the one he had been deprived of. The house was promptly dubbed “The Spite House”.
This house was built in 1806. Ironically, Captain Thomas apparently never married and left no descendants, as a result, when he died in 1815 in Boston, the house was given over to the Hill family. The house had fallen into disrepair and was purchased in 1925 by Donald Dodge of Philadelphia, who moved the house, to save it from demolition, over 85 miles by boat from Phippsburg to Rockport. He also transported a 1796 house from South Harpswell to be used in the construction of the wings that were subsequently added onto the Spite House. The property now sits on Beauchamp Point, not visible from the street, in a desirable enclave of summer residences, with sweeping views of the Atlantic Ocean.
Union Hall sits in the middle of the charming coastal village of Rockport, Maine. The Second Empire style building was built around 1856 as an original mixed-use structure with the first level containing retail spaces, the second level as a hall, and third level providing either office or living spaces. Rockport’s Union Hall was also once home of the town Post Office, a barrel factory, and a residence before it began to suffer from neglect and deferred maintenance at the end of the 20th century. In 2010, the owners underwent a massive restoration of Union Hall, which included: structural remediation to wood framing, a new elevator, slate roof repair, all new mechanical, electrical and plumbing systems, masonry repointing, restoration of windows and doors and more. These types of restorations are vital to small New England towns, providing jobs and the properties are often occupied by local small businesses, as is the case here!
Built in 1891, the historic Rockport Opera House is located in the heart of Rockport Village overlooking picturesque mid-coast Maine harbor. The Opera House here was actually first built as a multi-purpose Town Hall and library by a F. E. Gilkey, possibly a local builder. Over the years, the Colonial Revival style building has also served as a town meeting space, theater, concert hall, and Y.M.C.A., complete with a basketball court and bowling alley. In the 1970s, the building had deteriorated such that the Town considered selling it or tearing it down. The women of the Rockport Garden Club led the effort to save and restore the building. An outpouring of local support and a grant from the Maine Commission of the Arts and Humanities enabled the building to be revitalized as the Rockport Opera House. The significant structure continues to host the annual town meeting and regularly hosts town committee and other public meetings. It is also the home venue of the Bay Chamber Concerts, as well as other musical events, theater performances, wedding receptions, conferences, and other private functions. Preservation at its finest!
This perfect Greek Revival cape house sits on Pascal Avenue, the main street that cuts through the center of Rockport, Maine. The house dates to the 1840s or early 1850s and was owned by the Dillingham Family for a few generations. The original owner may have been Josiah Dillingham (1796-1861), a mariner and sea captain. Josiah died in 1861, and the property was inherited by his eldest son, Josiah Winslow Dillingham (1829-1895) who went by Winslow, seemingly to differentiate himself from his father of the same name and same profession. The Dillingham family home is a quintessential Greek Revival cape with central portico with Ionic columns and corner pilasters with full length entablature at the facade. In true Maine fashion, the side elevations are covered in weathered shingle siding.
During the 19th Century, Rockport, Maine, (then named Goose River as a village in Camden) was a major supplier of lime to East Coast markets. These kilns near the harbor converted limestone rock supplied by 15 local quarries into lime used to make mortar & finish plaster. The burned lime was packed into wooden casks and shipped by schooner to cities all down the coast. In 1817, three hundred casks of lime from Rockport were sent to Washington, D.C. for use in the rebuilding of the United States Capitol, which had been damaged by the British during the War of 1812. In 1852, the citizens of Goose River voted to change their village’s name to Rockport for its rocky terrain. In 1891, Rockport split off from Camden, taking its industry and lucrative harbor with it. A disastrous fire destroyed many of the lime kilns here in 1907, which occurred about the time that cement began to replace lime in building construction. After a few years the kilns were shuttered and remained here as fossils of industry ever since. Local residents in the 1970s gathered together and advocated for the preservation of these significant local structures and gathered funds to stabilize the kilns.
Buildings of New England 